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A Reader

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Fine narrative history

Overall
5 out of 5 stars
Performance
5 out of 5 stars
Story
5 out of 5 stars

Reviewed: 03-15-25

This is a straightforward chronological history of the Spanish Empire in regions that are now parts of the US: Florida, New Mexico, California, Texas and the Gulf Coast. The author relies on primary sources and frequently enlivens the text with well-chosen quotations from participants. It’s largely written from the Spanish point of view. We hear little from the Indians (and the narrator consistently mispronounces Acoma, which grates). Many Americans know nothing about the multiple battles Spaniards fought and won against the British during the American Revolution. In the course of such a sprawling epic, with a cast of hundreds (mostly men) there are heroes and scoundrels and many others just doing the best they could given the truly extraordinary circumstances they found themselves in.

The United States itself doesn’t get involved until the closing chapters, and the political trolling in the reviews is just absurd.

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Stick with it

Overall
5 out of 5 stars
Performance
5 out of 5 stars
Story
4 out of 5 stars

Reviewed: 02-23-25

Skip the first sections (10 minutes of praise for the book??) and bear with the badly overwritten introductory passages, which work much too hard to be cute and attention-grabbing. Eventually the book settles in for an interesting discussion of the neuroscience of motivation, providing a new, biologically-grounded understanding of habit formation and such psychological concepts as learned helplessness.

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Terrific

Overall
5 out of 5 stars
Performance
5 out of 5 stars
Story
5 out of 5 stars

Reviewed: 02-19-25

Le Fanu is great and the narrator is fabulous, but the selection of stories is odd. Two of them, The Drunkard’s Dream and The Vision of Tom Chuff, are essentially the same story, with Irish and English settings, respectively, and different details. Both stories are creepy and mesmerizing but it was a strange editorial choice to include them both in such a short collection.

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Very academic

Overall
4 out of 5 stars
Performance
4 out of 5 stars
Story
3 out of 5 stars

Reviewed: 02-13-25

This is an early White, written to impress fellow academics rather than to provide a good experience for readers and listeners. The research is phenomenal and it’s all there in fine detail. There’s an overarching theme, expressed in the title, to which he seeks to bend every anecdote, but no narrative rhythm or drive. It’s a long series of digressions in search of something to digress from. Impressive and convincing but a slog.

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Some unpleasant company

Overall
4 out of 5 stars
Performance
4 out of 5 stars
Story
4 out of 5 stars

Reviewed: 02-13-25

It’s a sprightly, well-told history of evolving scientific views on heredity. But the chronological structure requires spending a lot of time in the company of Galton, Watson and Crick, diligent self-promoters who each combined one part genius with two parts obtuseness and three parts odiousness. Hearing about them at such length can only lower your opinion of humankind, making this book oddly depressing. The narrator’s vocal fry is distracting.

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Colonialism and the climate crisis

Overall
4 out of 5 stars
Performance
2 out of 5 stars
Story
4 out of 5 stars

Reviewed: 01-18-25

A wide-ranging work, moving across continents and centuries, following the threads connecting colonialism to contemporary climate breakdown. Ghosh’s love of teaching can sometimes be distracting in his fiction, tending toward the didactic, but finds a natural home in nonfiction. Politically he seems willfully naive, but those where-was-the-editor? passages never last long before we get back to the main narrative. Unfortunately the narrator is prone to boneheaded mispronunciations, none more glaring than the two-syllable native name of the people otherwise known as Navajo. The narrator simply ignores the accent over the e in Diné, with painful results. Moreover, his American accent is atrocious, making him sound like a smart-alecky 12-year-old whenever he trots it out.

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Superficial

Overall
2 out of 5 stars
Performance
4 out of 5 stars
Story
2 out of 5 stars

Reviewed: 01-10-25

This is the kind of book in which the author thinks that giving a name of an unfamiliar place is the same as describing it. The author freely speculates without evidence about the states of mind of many people - mere names to the listener, since they’re not described - but entirely ignores archaeological and other material evidence. The result is a procession of unfamiliar names tied together by guesswork with zero actual concrete information about life as it was lived. You will come away with no sense of the place, time, personalities or civilizations, or even the events. Very disappointing.

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Nauseating violence

Overall
3 out of 5 stars
Performance
4 out of 5 stars
Story
2 out of 5 stars

Reviewed: 01-07-25

The prologue promises an intriguing story but the early chapters of background relate tale after tale of horrific animal slaughter: sea otters exterminated from their native grounds, seals clubbed to death in their thousands, with proper sealing technique lovingly described. The nauseating violence against animals is leavened by a story of nauseating violence against a child, which leads to a story of grotesque emotional and financial abuse by a father against a son. The writing is stolidly matter of fact, as if discussing the weather, which adds to the horror. It’s real life, that’s the way humans are, but don’t start this book unless you want your face rubbed in it.

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Lively and insightful

Overall
5 out of 5 stars
Performance
5 out of 5 stars
Story
5 out of 5 stars

Reviewed: 01-05-25

This is the long view of German history, tracing continuities from Roman times to 2019. Note: as of 1/25, Audible’s chapter listing is comically wrong. The 2019 postscript is closer to 3 minutes than the indicated 3 hours.

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Unbelievably awful narrator

Overall
4 out of 5 stars
Performance
1 out of 5 stars
Story
5 out of 5 stars

Reviewed: 01-01-25

There’s enough material in this book for a fascinating article. There’s a lot of padding and the narrator is the worst, speaking very very slowly in a super-hammy amateur theatrical voice. A pity - the underlying story, when you can catch glimpses of it, is terrific.

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