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Narrated by:
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Mike Vendetti
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By:
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Kurt Vonnegut
About this listen
Kurt Vonnegut creates a near-perfect world. There are no prisons, no slums, no insane asylums, no cripples, no poverty, and no wars. All diseases were conquered. So is old age. Death, barring accidents, was an adventure for volunteers. The population of the United States is stabilized at forty-million souls.
Have a problem? Not really, just call the Federal Bureau of Termination. Nothing to it. Just pick up the phone and call 2BR02B. Thus the title, "To be or not to be".
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Don't Quit Your Daytime Job, James
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Performance
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Don't Quit Your Daytime Job, James
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We Are What We Pretend to Be
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Called “our finest black-humorist” by The Atlantic Monthly, Kurt Vonnegut was one of the most influential writers of the 20th century. Now his first and last works come together for the first time in print, in a collection aptly titled after his famous phrase, We Are What We Pretend To Be.
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Not a place to start.
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Love, Kurt
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A wonderful timeline of love letters
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Breakfast of Champions (1973) provides frantic, scattershot satire and a collage of Vonnegut's obsessions. His recurring cast of characters and American landscape was perhaps the most controversial of his canon; it was felt by many at the time to be a disappointing successor to Slaughterhouse-Five, which had made Vonnegut's literary reputation.
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American Howard W. Campbell, Jr., a spy during World War II, is now on trial in Israel as a Nazi war criminal. But is he really guilty? In this brilliant book rife with true gallows humor, Kurt Vonnegut turns black and white into a chilling shade of grey with a verdict that will haunt us all. Mother Night is a daring challenge to our moral sense.
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“We are what we pretend to be”
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A Man Without a Country
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Performance
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One of the greatest minds in American writing, Kurt Vonnegut shares his often hilarious and always insightful reflections on America, art, politics and life in general. No matter the subject, Vonnegut will have you considering perspectives you may never have regarded. On the creative process: "If you want to really hurt your parents...the least you can do is go into the arts. I'm not kidding."
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Good but uneven collection of essays
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God Bless You, Mr. Rosewater
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Eliot Rosewater, a drunk volunteer fireman and president of the fabulously rich Rosewater Foundation, is about to attempt a noble experiment with human nature, with a little help from writer Kilgore Trout. The result is Kurt Vonnegut's funniest satire, an etched-in-acid portrayal of the greed, hypocrisy, and follies of the flesh we are all heir to.
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Hello, babies. Welcome to Earth.
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Deadeye Dick
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If I aimed at nothing..nothing is what I would hit
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Hocus Pocus
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Eugene Debs Hartke describes an odyssey from college professor to prison inmate to prison warden back again to prisoner in another of Vonnegut's bitter satirical explorations of how and where (and why) the American dream begins to die. Employing his characteristic narrative device - a retrospective diary in which the protagonist retraces his life at its end, a desperate and disconnected series of events here in Hocus Pocus show Vonnegut with his mask off and his rhetorical devices unshielded.
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Vonnegut Imitating Vonnegut
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By: Kurt Vonnegut
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Wampeters, Foma & Granfalloons
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With cutting wit, fierce conviction, and surprising empathy, Vonnegut explores a diverse range of topics including society, politics, sex, literature, and mortality. Fans who believe they've read all of Vonnegut's work will be delighted to find the author speaking frankly about timely and relevant new topics - with an amusing yet insightful style that's instantly recognizable.
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Vonnegut At His Best
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Bluebeard
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Meet Rabo Karabekian, a moderately successful surrealist painter who we meet late in life and see struggling (like all of Vonnegut's key characters) with the dregs of unresolved pain and the consequences of brutality. Loosely based on the legend of Bluebeard (best realized in Bela Bartok's one-act opera), the novel follows Karabekian through the last events in his life that is heavy with women, painting, artistic ambition, artistic fraudulence, and as of yet unknown consequence.
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Kurt Vonnegut explores the arts
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Slapstick
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Perhaps the most autobiographical (and deliberately least disciplined) of Vonnegut's novels, Slapstick (1976) is in the form of a broken family odyssey and is surely a demonstration of its eponymous title. The story centers on brother and sister twins, children of Wilbur Swain, who are in sympathetic and (possibly) telepathic communication and who represent Vonnegut's relationship with his own sister who died young of cancer almost two decades before the book's publication.
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Lonely No More!
- By Darwin8u on 11-16-16
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Story
Marina Willett, MD, has a problem. Her husband, Charlie, has become obsessed with H. P. Lovecraft, in particular with one episode in the legendary horror writer's life: In the summer of 1934, the "old gent" lived for two months with a gay teenage fan named Robert Barlow, at Barlow's family home in central Florida. What were the two of them up to? Were they friends - or something more? Just when Charlie thinks he's solved the puzzle, a new scandal erupts, and he disappears.
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Frustratingly Uneven Due to Clumsy Plot Structure
- By Adam on 06-15-17
By: Paul La Farge
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How Fiction Works
- By: James Wood
- Narrated by: James Adams
- Length: 5 hrs and 47 mins
- Unabridged
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Performance
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Story
Ranging widely from Homer to David Foster Wallace, from What Maisie Knew to Make Way for Ducklings, Wood takes the reader through the basic elements of the art, step by step. He sums up two decades of insight with wit and concision, resulting in nothing less than a philosophy of the novel, which has won critical acclaim nationwide, from the San Francisco Chronicle to the New York Times Book Review.
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Educational!
- By Don on 05-04-09
By: James Wood
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The Seagull
- By: Anton Chekhov, Christopher Hampton - translator
- Narrated by: Calista Flockhart, T. R. Knight, Stephen Collins, and others
- Length: 1 hr and 49 mins
- Original Recording
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Overall
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Story
Anton Chekhov’s The Seagull is considered one of his most haunting and atmospheric character studies. A would-be playwright is at war with his egoistic mother while the town has become intoxicated by a sensational author. And as the alluring newcomer steals away Kosta’s only love, their new romance could have devastating consequences.
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Superb
- By Stephen on 03-02-15
By: Anton Chekhov, and others
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Galapagos
- By: Kurt Vonnegut
- Narrated by: Jonathan Davis
- Length: 8 hrs and 1 min
- Unabridged
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Overall
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Performance
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Story
Galapagos takes the listener back one million years to AD 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galapagos Islands are about to become the progenitors of a brave, new, totally different human race. Kurt Vonnegut, America's master satirist, looks at our world and shows us all that is sadly, madly awry - and all that is worth saving.
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The survival of the human race is a total bore!
- By Darwin8u on 12-13-16
By: Kurt Vonnegut
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Passenger to Frankfurt
- By: Agatha Christie
- Narrated by: Hugh Fraser
- Length: 6 hrs and 57 mins
- Unabridged
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A classic from the queen of mystery: Agatha Christie.
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Not the usual Agatha Christie
- By Jim & Julie on 12-18-18
By: Agatha Christie
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Reading Like a Writer
- By: Francine Prose
- Narrated by: Nanette Savard
- Length: 8 hrs and 59 mins
- Unabridged
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In her entertaining and edifying New York Times bestseller, acclaimed author Francine Prose invites you to sit by her side and take a guided tour of the tools and the tricks of the masters and discover why their work has endured. Written with passion, humor, and wisdom, Reading Like a Writer will inspire listeners to return to literature with a fresh eye and an eager heart.
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Practical, literate, generous
- By Gare on 04-13-08
By: Francine Prose
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Marx in Soho
- A Play on History
- By: Howard Zinn
- Narrated by: Brian Jones
- Length: 1 hr and 24 mins
- Unabridged
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Performance
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Story
“Don’t you wonder: why is it necessary to declare me dead again and again?” This is the question posed by Karl Marx in Howard Zinn’s witty and insightful “play on history.” The premise of this one-man performance is that history’s most famous, and oft-misrepresented, radical is resurrected after agitating with the authorities of the afterlife to clear his name. Through a bureaucratic error, however, Marx lands in modern-day Soho, New York, rather than his old stomping grounds in London, to make his case.
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Wonderful Play
- By Danilo on 08-24-10
By: Howard Zinn