Recently divorced and reluctantly retired, Julia Bird has fled London to enjoy idyllic rural life in the Cotswolds. Determined to have the perfect English garden, her first job is to tear down the old shed, where she unearths much more than she’d bargained for: a body, apparently buried for decades. But who could it be, and who killed them? The police draw a blank, and even the gossip-fest that is the local book club can’t remember anyone going missing in the village.

The young man with the shock of white-blond hair lay spread-eagled on the floor, surrounded by fallen books. His hand reached out to the scattered pages, as though he was trying to tell her something. But who is he? How did he come to be killed in Flora’s ordinary little bookshop? Flora finds out he was staying at the Priory Hotel, and when the gardener suddenly dies in its beautiful grounds only a few days later, she is certain that something untoward is happening in her quiet village by the sea.

Eve, Nessa, and Molly are all in their 70s. Over the years, they’ve laughed and cried and they’ve been by each others’ sides as colleagues, flatmates, and mothers. And they’ve grown old disgracefully together in their golden years....

But all good things must come to an end. As one of their trio takes her final journey, a very large glass is raised to fun, frolics, and–most importantly–friendships.

Kate Palmer has relocated to Cornwall for a quiet life. Moving into picturesque Lavender Cottage with her sister, Angie, the little village of Lower Tinworthy should be the perfect place for their fresh new start. But within weeks of their arrival, there’s a death in the close-knit community.... A woman is found dead in the village hall, with her own kitchen knife next to the body, covered in blood. Kate, a practice nurse at the local medical center, begins to piece together the clues.

Tess and Simon Sparrow may have a few more grey hairs than they used to, but that doesn’t stop them from being swept up in a whirlwind romance and starting over. Swapping their city lives for an escape to the Cornish countryside, they fall in love with a crumbling hotel and impulsively buy it to renovate as their forever home. But soon the newlyweds have had their first fight (and their second and third...) and building costs are spiralling out of control. Their families think they’re mad and Tess is starting to agree – she just wants to escape back to civilisation.

Connie McColl is finally free to make her own decisions for the first time in decades. And when she meets glamorous Gill and downtrodden Maggie, at a rather dull flower arranging class, it seems that she’s not the only one dreaming of adventure. The three very different women all agree it’s about time they had a holiday to remember. So they make a pact for this summer to be their best yet - and drive off into the sunset together....

Tess and Orla have been best friends throughout most of their adult lives. So when life gave them lemons and their loved ones let them down, they pooled their resources and bought a dressmakers shop on the corner of Penny Lane. And they’ve been doing just fine ever since. But one day, while studying her tired eyes and shapeless figure in the mirror, 62-year-old Tess realised that she doesn’t want her life to be just fine anymore. She wants it to be extraordinary.

Jemima Jago has moved back home to the enchanting Isles of Scilly. Ready for a fresh start in a quaint coastal village, she can be found in the stacks of Cornwall’s oldest library by day and stargazing in the cove at night. Jem finds the slower pace of life suits her perfectly, until she stumbles across a very curious crime.....

June 1933. Independent, young Kitty Underhay has been left in charge of her family’s hotel, The Dolphin, on the tranquil English coast. But when several rooms are broken into and searched, including Kitty’s own, she quickly realizes that something out of the ordinary is afoot at the hotel. Soon, rumors are flying in the cozy town that someone is on the hunt for a stolen ruby. A ruby that Kitty’s mother may well have possessed when she herself went missing during the Great War.

England, 1920. Eleanor Swift has spent the last few years travelling the world: taking tea in China, tasting alligators in Peru, escaping bandits in Persia and she has just arrived in England after a chaotic 45-day flight from South Africa. Chipstone is about the sleepiest town you could have the misfortune to meet. But then, from the edge of a quarry, through the driving rain, Eleanor is shocked to see a man shot and killed in the distance. Before she can climb down to the spot, the villain is gone and the body has vanished.

At the end of her first unsuccessful season out in society, Lady Georgiana has all but given up on attracting a suitable man - until she receives an invitation to a masked Halloween ball at Broxley Manor. Georgie is uncertain why she was invited, until she learns that the royal family intends to marry her off to a foreign prince, one reputed to be mad.

Miss Busby helped Major Heathcliff Lennox solve a series of murders at Bloxford in the Cotswolds. Now, she finds herself drawn into a new murder, but this time, it's just her, and she must rely on her sharp mind and sharper wits to catch a Cotswolds killer, along with a handsome police inspector and a reporter who's keen to make her mark.

Pru Parke always dreamed of living in England. And after the Dallas native follows an impulse and moves to London, she can't imagine ever leaving - though she has yet to find a plum position as a head gardener. Now, as the sublet on her flat nears its end, the threat of forced departure looms.

The year is 1920: Flying in the face of convention, legendary American adventuress Beryl Helliwell never fails to surprise and shock. The last thing her adoring public would expect is that she craves some peace and quiet. The humdrum hamlet of Walmsley Parva in the English countryside seems just the ticket. And, honestly, until America comes to its senses and repeals Prohibition, Beryl has no intention of returning stateside and subjecting herself to bathtub gin.

There’s a literary niche for all tastes including those who think that either Agatha Christie wasn’t funny enough or that PG Wodehouse didn’t feature anywhere near as many baffling murders as he could have. The Case of the Canterfell Codicil is a classic, cozy, locked-room mystery written in the style of an homage to PG Wodehouse.

Late one night, a man walks into the luxurious home of disgraced banker Harry McNamara and his wife Julie. And when the man launches an unspeakably brutal attack on Harry, a horror-struck Julie, frozen by fear, watches her husband die. Just one hour later, the attacker, J. P. Carney, hands himself into the police and confesses to beating Harry to death. But he also claims that the assault was not premeditated and that he didn’t know the identity of his victim.

Out walking near the rain-swelled river running past her small Welsh town, she comes across the body of Amber Morgan. Fabia’s police training tells her instantly that the death is the result of foul play. But no longer in the force, all she can do is call it in. Yet she has mixed feelings when she discovers it is her former colleague, Matt Lambert, newly promoted to chief inspector, who will head the investigation into the girl’s death.

For Sam Lovell, organising the summer festival in her hometown is one of the highlights of her year. It’s not always smooth sailing, but she loves to see Porthmellow’s harbour packed with happy visitors and being on the committee has provided a much-needed distraction from the drama in her family life (and the distinct lack of it in her love life). When their star guest pulls out with only a few weeks to go, everyone’s delighted when a London chef who grew up locally steps in at the last minute.

Cat Kinsella overcame a troubled childhood to become a detective constable. When she’s called to the scene of a murder, not far from the pub her estranged father still runs, she discovers that Alice Lapaine is dead. Cat and her team suspect Alice’s husband, until she receives a phone call that links the victim to Maryanne Doyle, a teenage girl who went missing in Ireland 18 years earlier. The call raises uneasy memories for Cat. Though she was only a child, Cat knew that her father wasn’t telling the truth when he denied knowing anything about Maryanne or her disappearance.

An achingly funny story from the author of the best-selling You Had Me at Hello. When Edie is caught in a compromising position at her colleagues' wedding, all the blame falls on her - turns out that personal popularity in the office is not that different from your school days. Shamed online and ostracised by everyone she knows, Edie's forced to take an extended sabbatical - ghostwriting an autobiography for hot new acting talent, Elliot Owen. Easy, right? Wrong.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.