The folklore roots of Christmas under its many other guises (Yule, the Winter Solstice, Saturnalia) is examined in a different, darker light. The Winter Solstice is a time to be afraid. It’s the shortest day of the year, the longest night. In some parts of the world, the sun doesn’t rise at all. It’s dark, and we have to wonder if the sun will ever come back at all. Christmas has always been creepy and with The Fright Before Christmas, you'll see that side. This is a book for everyone who loves a little darkness around the holidays.

He sees you when you’re sleeping, he knows when you’re awake. He knows if you’ve been bad or good, so be good for goodness’ sake. This lighthearted song is a bit more ominous in the context of other Christmas traditions. From beasts that threaten to cook children into stew to sinister crones who snatch little ones from their beds, you won’t find any dancing sugar plums here. Outside of the heartwarming Christmas tales we all know and love, there are an abundance of frightening stories to chill all who hear them to the bone.

New York Times bestselling author Peter Swanson pens a spectacularly spine-chilling novella in which an American art student in London is invited to join a classmate for the holidays at Starvewood Hall, her family’s Cotswold manor house. But behind the holly and pine boughs, secrets are about to unravel, revealing this seemingly charming English village’s grim history.

The Christmas season has arrived in Lower Lockwood, and the Fairway Players are busy rehearsing their festive holiday production of Jack and the Beanstalk to raise money for a new church roof. But despite the season, goodwill is distinctly lacking among the amateur theater enthusiasts with petty rivalries, a possibly asbestos-filled beanstalk, and some perennially absent players behind the scenes. Of course, there’s also the matter of the dead body onstage. Who could possibly have had the victim on their naughty list?

Martin Lorensen is a twenty-three-year-old counselor for disturbed teenagers. He’s bright, compassionate, attractive, and outgoing. He’s also—and this is the most interesting thing—not dead. Martin has improbably survived not one but two deadly disasters that claimed dozens of lives. The kid is riding one hell of a lucky streak. Two federal agents think there is something darker at play. Now that they’ve arranged to interview Martin, they want answers. Martin is ready to share everything he knows. One thing is for certain: when it comes to escaping death, luck doesn’t figure into it at all.

At first glance, Phil Pendleton and his son Adam are just an ordinary father and son, no different from any other. What no one knows is that Phil is a prisoner, and that up until a few weeks ago and a chance encounter at a grocery store, he had never seen the child before in his life.

Every night, in the college’s ancient cemetery, five people cross paths as they work the late shift: a bartender, a rideshare driver, a hotel receptionist, the steward of the derelict church that looms over them, and the editor-in-chief of the college paper, always in search of a story. One dark October evening in the defunct churchyard, they find a hole that wasn’t there before. A fresh, open grave where no grave should be. But who dug it, and for whom?

A recurrent, unidentifiable noise in her apartment. A memo to her boss that's replaced by obscene insults. Amanda - a successful architect in a happy marriage - finds her life going off kilter by degrees. She starts smoking again, and one night for no reason, without even the knowledge that she's doing it, she burns her husband with a cigarette. At night she dreams of a beautiful woman with pointed teeth on the shore of a blood-red sea.

In Edwardian Suffolk, a manor house stands alone in a lost corner of the Fens: a glinting wilderness of water whose whispering reeds guard ancient secrets. Maud is a lonely child growing up without a mother, ruled by her repressive father. When he finds a painted medieval devil in a graveyard, unhallowed forces are awakened. Maud's battle has begun. She must survive a world haunted by witchcraft, the age-old legends of her beloved fen - and the even more nightmarish demons of her father's past.

When best-selling horror author Sam McGarver is invited to spend Halloween night in one of the country's most infamous haunted houses, he reluctantly agrees. At least he won't be alone; joining him are three other masters of the macabre, writers who have helped shape modern horror. But what begins as a simple publicity stunt will become a fight for survival. The entity they have awakened will follow them, torment them, threatening to make them a part of the bloody legacy of Kill Creek.

On a sunny morning in June, Margaret Carpenter wakes up to find a new iPhone on her doorstep. She switches it on to find a text from her best friend, Charity Atwater. The problem is, Charity’s been missing for over a month. Most people in town—even the police—think she’s dead. Margaret and Charity have been lifelong friends. They share everything, know the most intimate details about one another…except for the destructive secret hidden from them both. A secret that will trigger a chain of events ending in tragedy, bloodshed, and death. And now Charity wants Margaret to know her story.

Jennifer Thorne skewers all-too-familiar family dynamics in this sly, wickedly funny vacation-Gothic. Beautifully unhinged and deeply satisfying, Diavola is a sharp twist on the classic haunted house story, exploring loneliness, belonging, and the seemingly inescapable bonds of family mythology.

Despite the uncomfortably claustrophobic quarters and rapidly dropping temperature, Christa believes they'll be safe as they wait out the storm. She couldn't be more wrong. Deep in the night, their tour guide goes missing...only to be discovered the following morning, his severed head impaled on a tree outside the cabin. Terrified, and completely isolated by the storm, Christa finds herself trapped with eight total strangers. One of them kills for sport...and they're far from finished.

For best friends with vastly different fortunes, what’s left to hash out other than a forced confession at gunpoint? All that the destitute, sickly, and grieving Will demands is that monstrously successful Barry admit to draining all the luck right out of him. Like blood. As the standoff escalates, the truth is not the only thing ready to come out.

"Mom seems off." Her brother's words echo in Sam Montgomery's ear as she turns onto the quiet North Carolina street where their mother lives alone. She brushes the thought away as she climbs the front steps. Sam's excited for this rare extended visit, and looking forward to nights with just the two of them, drinking boxed wine, watching murder mystery shows, and guessing who the killer is long before the characters figure it out. But stepping inside, she quickly realizes home isn’t what it used to be.

Annie has always had high hopes for her future. But the reality of her life just isn’t measuring up. She loves her fiancé, Greg–doesn’t she? She’s going to get her degree and open her own business–won’t she? Then, a strange old woman shows up outside her house, and she seems to know a lot about Annie. An awful lot. Annie could tell the old woman to get lost. Yet there’s something about her Annie just can’t shake. And what she learns could change her life forever–but is it the life she envisioned?

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.

The folklore roots of Christmas under its many other guises (Yule, the Winter Solstice, Saturnalia) is examined in a different, darker light. The Winter Solstice is a time to be afraid. It’s the shortest day of the year, the longest night. In some parts of the world, the sun doesn’t rise at all. It’s dark, and we have to wonder if the sun will ever come back at all. Christmas has always been creepy and with The Fright Before Christmas, you'll see that side. This is a book for everyone who loves a little darkness around the holidays.

Hollywood, the late 1930s. Raymond Chandler writes detective stories for pulp magazines and drinks more than he should. Boris Karloff plays monsters in the movies. Together, they investigate mysterious matters in a town run by human and inhuman monsters. Joh Devlin, an investigator for the DA’s office who scores high on insubordination, enlists the pair to work a case that threatens to expose Hollywood’s most horrific secrets. Together, Chandler and Karloff will find out more than they should about the way this town works.

Hugo Award-winning editor, and horror legend Ellen Datlow presents a terrifying and chilling horror anthology of original short stories exploring the endless terrors of winter solstice traditions across the globe, featuring chillers by Tananarive Due, Stephen Graham Jones, Alma Katsu, and many more. This anthology of all-new stories invites you to huddle around the fire and revel in the unholy, the dangerous, the horrific aspects of a time when families and friends come together—for better and for worse.

Meet Genevieve Dieudonné. She’s beautiful, powerful, resourceful, courageous, and over four hundred years old. In the crowded cities and dark forests of the Warhammer world, Genevieve and her unlikely companions battle the forces of malevolence and insanity. However, the vampire blood running through Genevieve’s veins means she must constantly fight the urge to surrender to the evil within.

One Christmas Eve in a small hollow in Boone County, West Virginia, struggling songwriter Jesse Walker witnesses a strange spectacle: seven devilish figures chasing a man in a red suit toward a sleigh and eight reindeer. When the reindeer leap skyward, taking the sleigh, devil men, and Santa into the clouds, screams follow. Moments later, a large sack plummets back to earth, a magical sack that thrusts the down-on-his-luck singer into the clutches of the terrifying Yule Lord, Krampus.

Not so very long ago, Yuletide was as much a chilling season of ghosts and witches as it was a festival of goodwill. In The Old Magic of Christmas, you'll rub elbows with veiled spirits, learn the true perils of elves, and discover a bestiary of enchanted creatures. Rife with the more frightful characters from folklore and the season's most petulant ghosts, this book takes you on a spooky sleigh ride from the silvered firs of a winter forest to the mirrored halls of the Snow Queen.

Something festive is growing in the sewer... After last year’s tragedy, Douglas’ parents are ignoring Christmas. But when Douglas finds an eerie strand of lights slithering through the sewer, he unwittingly unleashes merry terror upon his neighborhood’s tacky lights contest. String lights spread like invasive kudzu, turning festive decorations into surreal, predatory nightmares.

The three Maxwell siblings keep their distance from the lily-white gated enclave outside Dallas where they grew up. When their family moved there, they were the only Black family in the neighborhood. The neighbors acted nice enough, but right away bad things, scary things—the strange and the unexplainable—began to happen in their house. Maybe it was some cosmic trial, a demonic rite of passage into the upper-middle class. Whatever it was, the Maxwells, steered by their formidable mother, stayed put, unwilling to abandon their home, terrors and trauma be damned.

New York Times best-selling and Hugo Award-winning author John Scalzi gift-wraps 15 short takes on the holiday season - interviews with holiday notables, "informational" articles about TV specials and Christmas carols, short stories and poems, and even a couple of nods to Thanksgiving and New Year’s - and puts them all into a stocking stuffer-sized package that makes the perfect gift for friends, family, or yourself.

In 1942, six people destroyed Anna Matheson’s family. Twelve years later, she’s ready for retribution. Under false pretenses, Anna has lured those responsible for her family’s downfall onto a luxury train from Philadelphia to Chicago, an overnight journey of thirteen hours. Her goal? Confront the people who’ve wronged her, get them to confess their crimes, and deliver them into the hands of authorities waiting at the end of the line. Justice will at last be served. But Anna’s plan is quickly derailed by the murder of one of the passengers.