Despite warnings from the townspeople, Victoria Winters accepts the offer to come to the strange Collinwood as Governess. For some curious reason, she feels the secret of her past may be uncovered in the bleak manor high on Widow’s Hill. From the Moment she arrives, Victoria becomes the target of someone in the house determined to destroy her. As the wind moans and the rain lashes around the isolated Collinwood, Victoria, without friends in the manor, feels death close in on her - a choking, frightening death.

Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred. It’s now 1983, and home-health aide Kit McDeere arrives at a decaying Hope’s End to care for Lenora after her previous nurse fled in the middle of the night.

When she stumbles across the ad, she’s looking for something else completely. But it seems like too good an opportunity to miss - a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten - by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family. What she doesn’t know is that she’s stepping into a nightmare - one that will end with a child dead and herself in prison awaiting trial for murder.

Four seekers have come to the ugly, abandoned old mansion: Dr. Montague, an occult scholar looking for solid evidence of the psychic phenomenon called haunting; Theodora, his lovely and lighthearted assistant; Eleanor, a lonely, homeless girl well acquainted with poltergeists; and Luke, the adventurous future heir of Hill House.

Sarah Jennings knows there’s one place she can go to find some peace and quiet during her difficult divorce. But arriving at her beloved father’s home in the countryside, she finds him unwell and hunched over boxes of files, studying the records from Cedar Hall, the crumbling orphanage in town. He says that hidden behind the wrought iron gates and overgrown ivy are secrets about their family, and he asks for her help.

Ophelia Harrison used to live in a small house in the Georgia countryside. But that was before the night in November 1922, and the cruel act that took her home and her father from her. Which was the same night that Ophie learned she can see ghosts. Now Ophie and her mother are living in Pittsburgh with relatives they barely know. In the hopes of earning enough money to get their own place, Mama has gotten Ophie a job as a maid in the same old manor house where she works.

Desperate to find a job, Rachel Hurst accepts the position of housekeeper for a wealthy elderly woman in her isolated mansion. When odd near accidents threaten the elderly woman’s well-being, her relatives are quick to point fingers, but Rachel suspects someone is intent on harming her employer. When no one believes her, the only person she can turn to for help is Jacob. With danger deepening, Rachel faces a situation that could cost her life...and will certainly break her heart once again.

Seventeen-year-old Natalie Waite longs to escape home for college. Her father is a domineering and egotistical writer who keeps a tight rein on Natalie and her long-suffering mother. When Natalie finally does get away, however, college life doesn’t bring the happiness she expected. Little by little, Natalie is no longer certain of anything - even where reality ends and her dark imaginings begin. Chilling and suspenseful, Hangsaman is loosely based on the real-life disappearance of a Bennington College sophomore in 1946.

One hundred years ago in Port Arbello a pretty little girl began to scream. And struggle. And die. No one heard. No one saw. Just one man whose guilty heart burst in pain as he dashed himself to death in the sea. Now something peculiar is happening in Port Arbello. The children are disappearing, one by one. An evil history is repeating itself. And one strange, terrified child has ended her silence with a scream that began 100 years ago.

When Catherine Porter murders her only son and takes her own life, no one can understand why. Vilified for her crimes, she becomes synonymous with everything evil and wicked amongst the locals, and parents begin using her name to scare their errant children into behaving. Soon after her death, reports begin to circulate that her ghost has been seen inside her old house. Over the years, the sightings continue, sending most of the house's occupants running from the property, screaming into the night, never to return.

It’s 1875, and Alva Webster has perfected her stiff upper lip after three years of being pilloried in the presses of two continents over fleeing her abusive husband. Now his sudden death allows her to return to New York to make a fresh start, restoring Liefdehuis, a dilapidated Hyde Park mansion, and hopefully her reputation at the same time. However, fresh starts aren’t as easy as they seem, as Alva discovers when stories of a haunting at Liefdehuis begin to reach her.

Elizabeth Cage is a child when she discovers that there are things in this world that only she can see. But she doesn't want to see them, and she definitely doesn't want them to see her. What is a curse to Elizabeth is a gift to others - a very valuable gift they want to control. When her husband dies, Elizabeth's world descends into a nightmare. But as she tries to piece her life back together, she discovers that not everything is as it seems.

When Tom Rigby is commissioned to paint a young woman’s portrait at Woolvercombe House, the offer is too lucrative to refuse. But from the moment of his arrival at the secluded country mansion, strange and inexplicable events begin to transpire. Soon, he is drawn into an impenetrable maze of horror, and by the time he discovers the role he is intended to play in a diabolical design, it will already be too late. For, the seeds of evil have been sown, and the time to reap their wicked harvest is nigh!

It is 1946, and war-weary young ex-intelligence officer Lane Winslow leaves London to look for a fresh start. When she finds herself happily settled into a sleepy hamlet in the interior of British Columbia surrounded by a suitably eclectic cast of small-town characters, she feels like she may finally be able to put her past to rest. But then a body is discovered, the victim of murder, and although she works alongside the town's Inspectors Darling and Ames to discover who might have possibly have motivation to kill, she unknowingly casts doubt on herself.

When Grace’s husband, Adam, inherits an isolated North Yorkshire cottage, they leave the bustle of London behind to try a new life. A week later, Adam vanishes without a trace, leaving their baby daughter, Millie, in her stroller on the doorstep. The following year, Grace returns to the tiny village on the untamed heath. Everyone - the police, her parents, even her best friend and younger sister - is convinced that Adam left her. But Grace, unable to let go of her memories of their love and life together, cannot accept this explanation.

Despite warnings from the townspeople, Victoria Winters accepts the offer to come to the strange Collinwood as Governess. For some curious reason, she feels the secret of her past may be uncovered in the bleak manor high on Widow’s Hill. From the Moment she arrives, Victoria becomes the target of someone in the house determined to destroy her. As the wind moans and the rain lashes around the isolated Collinwood, Victoria, without friends in the manor, feels death close in on her - a choking, frightening death.

Four seekers have come to the ugly, abandoned old mansion: Dr. Montague, an occult scholar looking for solid evidence of the psychic phenomenon called haunting; Theodora, his lovely and lighthearted assistant; Eleanor, a lonely, homeless girl well acquainted with poltergeists; and Luke, the adventurous future heir of Hill House.

Did a sweet-faced Amish teenager brutally murder a young woman? To save her career, big-city lawyer Jessica Langdon is determined to defend him against the community's bitter and even violent outrage. Yet without an understanding of Amish culture, Jessica must rely on arrogant businessman Trey Morgan, who has ties to the Amish community and believes in the boy's guilt.

The moment her father takes his final breath, Sarah Courtenay becomes the sole heir of her family’s sprawling castle - and something far more unexpected. For on his deathbed, Lord Courtenay left his daughter a cryptic message: A dark curse will fall upon the house should Sarah fail to obtain and protect a priceless treasure. Sarah’s astonishment upon discovering the carefully hidden sword sparkling with jewels is nothing compared to the shock she feels when she learns the nature of her father’s death: He was poisoned.

Since her mother's death, Jennifer has devoted years of her life to her father, managing the family home. After the sudden announcement that he has taken a new wife, Jennifer, at 33, seizes the opportunity to lead an independent life. Quickly she secures the lease of Rose Cottage and turns her attention to her own interests. While Jennifer is desperate to experience life on her own terms within her reduced financial means, her neighbour, Alice, is pre-occupied with ensuring her position as head of her brother's household is never challenged.

A farmhouse is being reproduced a dozen times, with slight variations, throughout a valley. Three small graves have been dug in the front garden, the middle one lying empty. A woman in a wheelchair sorts through boxes while her husband clambers around the old demolished buildings, wondering where the animals have gone. A young woman – called ‘the barren one’ behind her back – dreams of love, while an ageing headmaster contemplates the end of his life.

Miranda Wood thought she had seen the last of Richard Tremain, her rich and married ex-lover - until she discovered him stabbed to death in her bed...with her knife. With her world falling around her, Miranda is determined to clear her name and discover who killed Richard. But proving her innocence may become secondary to staying alive.

Cold Hand in Mine stands as one of Aickman's best collections and contains eight stories that show off his powers as a 'strange story' writer to the full. The listener is introduced to a variety of characters, from a man who spends the night in a Hospice to a German aristocrat and a woman who sees an image of her own soul. There is also a nod to the conventional vampire story ("Pages from a Young Girl's Journal") but all the stories remain unconventional and inconclusive, which perhaps makes them all the more startling and intriguing.

When a maid in the upper class Ellison household is strangled, Inspector Pitt is called in to investigate. He finds a world ruled by strict manners and social customs, where the inhabitants of the Ellison's neighborhood appear to be more outraged by the thought of scandal than they are by murder. Inspector Pitt finds a most unlikely ally in Charlotte, the Ellison's spirited daughter. But as the murders continue, Charlotte and Pitt find themselves drawn together by more than the investigation.

Asher Todd comes to live with the mysterious Morwood family as a governess to their children. Asher knows little about being a governess but she is skilled in botany and herbcraft, and perhaps more than that. And she has secrets of her own, dark and terrible—and Morwood is a house that eats secrets. With a monstrous revenge in mind, Asher plans to make it choke. However, she becomes fond of her charges, of the people of the Tarn, and she begins to wonder if she will be able to execute her plan—and who will suffer most if she does.

It's Christmas and the well-born guests who have gathered at Applecross for a delicious weekend of relaxation are warmed by roaring fires, mistletoe, and gorgeously wrapped gifts. It's scarcely the setting for misfortune, and no one - not even that clever young aristocrat and budding sleuth Vespasia Cumming-Gould - anticipates the tragedy that is to darken this light-hearted holiday house party. But soon one young woman lies dead, a suicide, and Vespasia must uncover the heartbreaking truth behind the tragedy.

One night, Molly Clarke walked away from her life. She doesn't want to be found. Or at least, that's the story. The car abandoned miles from home. The note found at a nearby hotel. The shattered family that couldn’t be put back together. They called it a “walk away.” It happens all the time. Women disappear, desperate to leave their lives behind and start over. But is that what really happened to Molly Clarke?

Accepting employment as a governess after hard times hit her family, medieval scholar Rosalind Hawkins is surprised when she learns that her mysterious employer has no children and only wants her to read to him through a speaking tube.

An elderly couple living in Victorian London struggle against despair as their small resources dwindle. When an eccentric and mysterious gentleman answers their advertisement for a lodger, they celebrate. But as women begin dying at the hands of "The Avenger", they start to suspect something too horrific for words.

H. P. Lovecraft is arguably the most important horror writer of the 20th century. Culled from his 1927 essay "Supernatural Horror in Literature”, Lovecraft acknowledges those authors and stories that he feels are the very finest the horror field has to offer, including Washington Irving, Edgar Allan Poe, Henry James, Rudyard Kipling, Bram Stoker, Robert Louis Stevenson, Guy de Maupassant, Ambrose Bierce, and Arthur Conan Doyle. This chilling collection includes 20 works, each prefaced by Lovecraft's own opinions and insights in each author’s work.