
A Haunting on the Hill
A Novel
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Narrated by:
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Carol Monda
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By:
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Elizabeth Hand
From award-winning author Elizabeth Hand comes the first-ever novel authorized to return to the world of Shirley Jackson's The Haunting of Hill House—a "scary and beautifully written" (Neil Gaiman) new story of isolation and longing perfect for our present time.
Open the door . . . .
Holly Sherwin has been a struggling playwright for years, but now, after receiving a grant to develop her play Witching Night, she may finally be close to her big break. All she needs is time and space to bring her vision to life. When she stumbles across Hill House on a weekend getaway upstate, she is immediately taken in by the mansion, nearly hidden outside a remote village. It’s enormous, old, and ever-so eerie—the perfect place to develop and rehearse her play.
Despite her own hesitations, Holly’s girlfriend, Nisa, agrees to join Holly in renting the house for a month, and soon a troupe of actors, each with ghosts of their own, arrive. Yet as they settle in, the house’s peculiarities are made known: strange creatures stalk the grounds, disturbing sounds echo throughout the halls, and time itself seems to shift. All too soon, Holly and her friends find themselves at odds not just with one another, but with the house itself. It seems something has been waiting in Hill House all these years, and it no longer intends to walk alone . . .
"A fitting—and frightening—homage."—New York Times Book Review
"It’s thrilling to find this is a true hybrid of these two ingenious women’s work—a novel with all the chills of Jackson that also highlights the contemporary flavor and evocative writing of Hand."—Washington Post
"Only the brilliant Elizabeth Hand could so expertly honor Jackson's rage, wit, and vision."—Paul Tremblay
"Eerily beautiful, strangely seductive, and genuinely upsetting."—Alix E. Harrow
©2023 Elizabeth Hand (P)2023 Mulholland BooksListeners also enjoyed...




















Critic reviews
“Scary and beautifully written, imbued with the same sense of dread and inevitability as Jackson’s original, A Haunting on the Hill is quite extraordinary. It's not pastiche, not ventriloquism. It puts me strongly in mind of a singer you love covering a song by another artist. It's that song but now it's being done by someone else. Remarkable.”—Neil Gaiman
"The lines of paranoia, art, and reality are terrifyingly blurred for our group of hungry and damaged actors cloistered within the moldering walls of Hill House. Only the brilliant Elizabeth Hand could so expertly honor Jackson's rage, wit, and vision with a twenty-first century twist. The old place is as creepy, disorienting, and menacing as ever."—Paul Tremblay, author of A Head Full of Ghosts and The Cabin at the End of the World
“Hill House is back and haunting as ever in this vividly imagined return to Shirley Jackson’s iconic setting. Elizabeth Hand weaves eerie beauty into the genuine terror lurking in her pages, crafting some of the most striking scares I’ve read in years. This book gave me the best kind of nightmares."—Ana Reyes, New York Times bestselling author of The House in the Pines
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Another retelling of Jackson’s story
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Solid 4 stars, CUT THE SINGING
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Atmospheric and Terrifying in the BEST Way
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Zero relationship with Shirley Jackson
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A Haunting on the Hill is the perfect continuation of the Jackson classic. I find some of my fellow reviewers’ comments that the characters are dislikable to be odd since Hill House is - and always has been- a house of illusion, manifesting and preying upon the darker parts of each character’s psyche.
This production defined creeping dread. I enjoyed every second of it.
Terrific Production!
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Nice treatment but singing is a problem
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Fantastic but -- wraps up too quickly
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Loved this!
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But I found it creepy and I really liked the strange three female characters that tries to warn them.
It has a ‘waking the moon’ vibe that I enjoyed. So while Elizabeth Hand did use her own artistic voice, I didn’t find it off putting in the slightest.
I would fully recommend. I’ve listened to is a couple of times since it came out on the 3rd.
I enjoyed it a lot, but for different reasons than the original.
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Rather than letting Hill House prey on the soft, dark subconscious of its guests until they collapse in on themselves, the author brought in far too many disparate side plots and backstories. This distracted from the heart of what made Hill House so chilling in Jackson’s version… it’s demented nature was both singular and it’s own, while also serving as a mirror and activator to the violent threads of evil in our own psyches.
Overwritten and underwhelming
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