A Haunting on the Hill Audiobook By Elizabeth Hand cover art

A Haunting on the Hill

A Novel

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A Haunting on the Hill

By: Elizabeth Hand
Narrated by: Carol Monda
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About this listen

From award-winning author Elizabeth Hand comes the first-ever novel authorized to return to the world of Shirley Jackson's The Haunting of Hill House—a "scary and beautifully written" (Neil Gaiman) new story of isolation and longing perfect for our present time.

Open the door . . . .

Holly Sherwin has been a struggling playwright for years, but now, after receiving a grant to develop her play Witching Night, she may finally be close to her big break. All she needs is time and space to bring her vision to life. When she stumbles across Hill House on a weekend getaway upstate, she is immediately taken in by the mansion, nearly hidden outside a remote village. It’s enormous, old, and ever-so eerie—the perfect place to develop and rehearse her play.

Despite her own hesitations, Holly’s girlfriend, Nisa, agrees to join Holly in renting the house for a month, and soon a troupe of actors, each with ghosts of their own, arrive. Yet as they settle in, the house’s peculiarities are made known: strange creatures stalk the grounds, disturbing sounds echo throughout the halls, and time itself seems to shift. All too soon, Holly and her friends find themselves at odds not just with one another, but with the house itself. It seems something has been waiting in Hill House all these years, and it no longer intends to walk alone . . .

"A fitting—and frightening—homage."—New York Times Book Review

"It’s thrilling to find this is a true hybrid of these two ingenious women’s work—a novel with all the chills of Jackson that also highlights the contemporary flavor and evocative writing of Hand."—Washington Post

"Only the brilliant Elizabeth Hand could so expertly honor Jackson's rage, wit, and vision."—Paul Tremblay

"Eerily beautiful, strangely seductive, and genuinely upsetting."—Alix E. Harrow

©2023 Elizabeth Hand (P)2023 Mulholland Books
Gothic Horror Psychological Suspense Thriller & Suspense Scary
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Critic reviews

“Scary and beautifully written, imbued with the same sense of dread and inevitability as Jackson’s original, A Haunting on the Hill is quite extraordinary. It's not pastiche, not ventriloquism. It puts me strongly in mind of a singer you love covering a song by another artist. It's that song but now it's being done by someone else. Remarkable.”—Neil Gaiman

"The lines of paranoia, art, and reality are terrifyingly blurred for our group of hungry and damaged actors cloistered within the moldering walls of Hill House. Only the brilliant Elizabeth Hand could so expertly honor Jackson's rage, wit, and vision with a twenty-first century twist. The old place is as creepy, disorienting, and menacing as ever."—Paul Tremblay, author of A Head Full of Ghosts and The Cabin at the End of the World

“Hill House is back and haunting as ever in this vividly imagined return to Shirley Jackson’s iconic setting. Elizabeth Hand weaves eerie beauty into the genuine terror lurking in her pages, crafting some of the most striking scares I’ve read in years. This book gave me the best kind of nightmares."—Ana Reyes, New York Times bestselling author of The House in the Pines

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It’s ok. As with Jackson’s tale, it lacks background and resolution. The house is haunted, no one knows why. The house causes people to die, cycle repeats. Zero resolution.

Another retelling of Jackson’s story

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The Haunting of Hill House by Shirley Jackson is my favorite book, so I knew going into this book that my standards were high. Other books have tried to latch onto the Hill House narrative (such as Hell House) and have failed. While I enjoyed the story of this book, I have to admit that the characters left a lot to be desired. On top of that, the narration was, I feel, not the best fit. I probably would’ve enjoyed it more without the singing. The singing just took me out, as did the gratuitous sound effects. Just let the words do what they do; they don’t need bells and whistles. Anyway, it was decent and I’m not upset that I listened to it, but it fell short for me. Better than a lot of supernatural horror novels though, I will give it that!

Solid 4 stars, CUT THE SINGING

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Taking on the world of Shirley Jackson’s beloved Hill House is quite a bold move, but Elizabeth Hand pulls it off. Hand manages to honor the house Jackson created while spinning her own terrifying story

Atmospheric and Terrifying in the BEST Way

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It’s like saying my life is a retelling of Shirley Jackson’s as I am also a woman. That’s how flimsy the connection is. This writing is not nearly as inventive or lively and the story is average. Did not enjoy.

Zero relationship with Shirley Jackson

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Hand and Monda are my audio book dream team. Elizabeth Hand writes smart, utterly engaging stories. Carol Monda is my favorite reader and has a particular affinity for reading Hand’s outstanding novels. This work is also extraordinarily well produced; the sound effects actually enhance the storytelling. Usually, they just get in the way.

A Haunting on the Hill is the perfect continuation of the Jackson classic. I find some of my fellow reviewers’ comments that the characters are dislikable to be odd since Hill House is - and always has been- a house of illusion, manifesting and preying upon the darker parts of each character’s psyche.

This production defined creeping dread. I enjoyed every second of it.

Terrific Production!

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I’m a Hillhouse guy from Wayback I enjoyed this reimagining but the singing was not convincing for someone who is supposed to be a professional it was distracting and annoying I understand it’s central to the theme but you can do better if that was the narrator singing get somebody else

Nice treatment but singing is a problem

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First -- Carol Monda is incredible as a narrator. I've loved her for the Elizabeth Hand Generation Loss series and she's so so so good here. I thought the concept & character-building here was terrific -- I especially love the device of the group gathered at Hill House to rehearse a play based on Witch of Edmonton (there needs to be more Jacobean drama everywhere, all the time) -- but felt that I definitely could have spent a much longer time in the world Hand built; I wanted more! The narrative wraps up a bit abruptly, too, I thought. I could have done with another few hours of development including more fleshing out of the Hill House backstory. WELL WELL worth it, though, despite this quibble, although be forewarned -- the sound design here is more immersive than the typical audiobook and the extra background sounds UNNERVED ME at times.

Fantastic but -- wraps up too quickly

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A really great take on the hill house, enjoyable and detailed! I've been anticipating this one and it didn't disappoint.

Loved this!

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So, yes; the characters aren’t quite as deep as in the original. But, I hate Nel so much. I love the original story, but Nel just gets so upset when its not about her. Like when luke tries to open up about his issues. She’s just thinking ‘omg, why is this guy not talking about me.’

But I found it creepy and I really liked the strange three female characters that tries to warn them.
It has a ‘waking the moon’ vibe that I enjoyed. So while Elizabeth Hand did use her own artistic voice, I didn’t find it off putting in the slightest.

I would fully recommend. I’ve listened to is a couple of times since it came out on the 3rd.

I enjoyed it a lot, but for different reasons than the original.

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Was excited to “return” to Hill House, but the experience disappointed me. I found the characters shallow and unlikeable in a way that was uninteresting rather than provocative.

Rather than letting Hill House prey on the soft, dark subconscious of its guests until they collapse in on themselves, the author brought in far too many disparate side plots and backstories. This distracted from the heart of what made Hill House so chilling in Jackson’s version… it’s demented nature was both singular and it’s own, while also serving as a mirror and activator to the violent threads of evil in our own psyches.

Overwritten and underwhelming

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