Shaw Connolly is no stranger to trauma. As a fingerprints analyst, she’s one of the first on-site for crimes, including murder scenes and a mysterious string of arsons popping up throughout the rural Maine community her department serves. But the tragedy of her little sister’s disappearance sixteen years ago has always weighed on her the most; Thea is never far from her thoughts or dreams, and Shaw knows that her obsession with finding the truth about Thea is driving her husband away and impacting her two boys. Still, she can't let it go.

After her husband’s unexpected death eighteen months ago, Kausar Khan never thought she’d receive another phone call as heartbreaking—until her thirty-something daughter, Sana, phones to say that she's been arrested for killing the unpopular landlord of her clothing boutique. Determined to help her child, Kausar heads to Toronto for the first time in nearly twenty years. Returning to the Golden Crescent suburb where she raised her children and where her daughter still lives, Kausar finds that the thriving neighborhood she remembered has changed.

MEET AUDRE. Junior class president. Debate team captain. Unofficial student therapist. Desperately in need of a good time. MEET BASH. Mysterious new senior. Everybody’s crush. Tall, floppy, great taste in jewelry. King of having a good time. It’s the last day of school at Cheshire Prep, Brooklyn’s elite academy—and Audre Mercy-Moore’s life is a mess. Her dad cancelled her annual summer visit to his Malibu beach house. Now? She’s stuck in a claustrophobic apartment with her mom, stepdad, and one-year-old sister (aka the Goblin Baby).

When thirty-four-year-old Cath loses her mostly absentee mother, she is ambivalent. With days of quiet, unassuming routine in Buffalo, New York, Cath consciously avoids the impulsive, thrill-seeking lifestyle that her mother once led. But when she’s forced to go through her mother’s things one afternoon, Cath is perplexed to find tickets for an upcoming “murder week” in England’s Peak District: a whole town has come together to stage a fake murder mystery to attract tourism to their quaint hamlet.

In the quaint English town of Hoslewit, the biggest names in crime writing have congregated to celebrate all things bookish and murderous. Author Jane Hepburn is determined to make her time at the Killer Lines festival worthwhile. This is her chance to change her fortunes and make her fictional Private Detective Baker a household name. And if she has to resort to sneaking into the book tent after hours to rearrange some books so hers are front and center, so be it. But when Jane encounters the dead body of renowned literary agent Carrie Marks, the festival takes on a decidedly different tone.

South London, 1981: Daphne is the only Black girl in her class. All she wants is to keep her head down, preferably in a book. The easiest way to survive is to go unnoticed. Daphne’s attempts at invisibility are upended when a boy named Connie Small arrives from Jamaica. Connie is the opposite of small in every way: lanky, outgoing, and unapologetically himself. Daphne tries to keep her distance, but Connie is magnetic, and they form an intense bond.

Ella Simone’s popstar life is what dreams are made of. Her eight year marriage to renowned music producer, Elliot Majors, has helped garner the hits, awards, and adoring fans to prove it. But when Ella tires of Elliot's many infidelities, she decides to fight for her independence despite the ironclad prenup that threatens her career.

It feels like kismet when Sarah Jones, newly relocated to Minneapolis after abruptly calling off her engagement, gets invited to join a group of women who share her same (very common) name. For years Sarah has received all types of correspondence intended for different Sarah Joneses, but now it seems that this mistake has given her the opportunity for an instant community. What starts as a low-stakes meet-up called “The Sarah Jones Project” soon turns sinister when another local Sarah Jones is found dead, under suspicious circumstances, at the base of the downtown Minneapolis bridge.

In the fall of 1959, Freda Gilroy arrives on the campus of Fisk University full of hope, carrying a suitcase and the voice of her father telling her she’s part of a family legacy of greatness. Soon, the ugliness of the Jim Crow South intrudes, and she’s thrust into a movement for social change. Freda is reluctant to get involved, torn between a soon-to-be doctor her parents approve of and an audacious young man willing to risk it all in the name of justice.

Avery Jensen is almost thirty, fresh off a breakup, and she’s tired of always being so uptight and well-behaved. She wants to get a hobby, date around (especially women), flirt with everyone she sees, wear something not from the business casual section of her closet—all the fun stuff normal people do in their twenties. One problem: Avery doesn't know where to start. She doesn't have a lot of dating experience, with men or women, and despite being self-assured at work, she doesn't have a lot of confidence when it comes to romance. Enter Taylor Cameron, Napa Valley's biggest flirt.

In 1942, six people destroyed Anna Matheson’s family. Twelve years later, she’s ready for retribution. Under false pretenses, Anna has lured those responsible for her family’s downfall onto a luxury train from Philadelphia to Chicago, an overnight journey of thirteen hours. Her goal? Confront the people who’ve wronged her, get them to confess their crimes, and deliver them into the hands of authorities waiting at the end of the line. Justice will at last be served. But Anna’s plan is quickly derailed by the murder of one of the passengers.

Based on an 1895 disaster that went down in history when it was captured in a series of surreal, extraordinary photographs, The Paris Express is a propulsive novel set on a train packed with a fascinating cast of characters who hail from as close as Brittany and as far as Russia, Ireland, Algeria, Pennsylvania, and Cambodia.

Chiamaka is a Nigerian travel writer living in America. Alone in the midst of the pandemic, she recalls her past lovers and grapples with her choices and regrets. Zikora, her best friend, is a lawyer who has been successful at everything until—betrayed and brokenhearted—she must turn to the person she thought she needed least. Omelogor, Chiamaka’s bold, outspoken cousin, is a financial powerhouse in Nigeria who begins to question how well she knows herself. And Kadiatou, Chiamaka’s housekeeper, is proudly raising her daughter in America—but faces an unthinkable hardship.

In the New Mexico badlands, the skeleton of a woman is found—and the case is assigned to FBI Agent Corrie Swanson. The victim walked into the desert, shedding clothes as she went, and died in agony of heatstroke and thirst. Two rare artifacts are found clutched in her bony hands—lightning stones used by the ancient Chaco people to summon the gods. Is it suicide or… sacrifice?

Shy, bookish, and admittedly awkward, Lily Greene has always felt inadequate compared to the rest of her accomplished family, who strive for Black excellence. She dreams of becoming a children’s books editor, but she’s been frustratingly stuck in the nonfiction division for years without a promotion in sight. Lily finds escapism in her correspondences with her favorite fantasy author, and what begins as two lonely people connecting over email turns into a tentative friendship and possibly something else Lily won’t let herself entertain—until he ghosts her without a word.