Thom and Wendy Graves have been married for over twenty-five years. They live in a beautiful Victorian on the north shore of Massachusetts. Wendy is a published poet and Thom teaches English literature at a nearby university. Their son, Jason, is all grown up. All is well…except that Wendy wants to murder her husband.

Anatol invites five of his oldest friends to his family home in the Wiltshire countryside to celebrate his thirtieth birthday. At his request, they play a game of his invention called Motive Method Death. The rules are simple: Everyone chooses two players at random, then writes a short story in which one kills the other. Points are awarded for making the murders feel real. Of course, it’s only natural for each friend to use what they know. Secrets. Grudges. Affairs. But once they’ve put it in a story, each secret is out.

Brought to her uncle’s decaying Oxfordshire estate when she was a child, Grace has grown up on the periphery of a once-great household, an outsider in her own home. Now a self-possessed and secretive young woman, she has developed unusual predilections: for painting, particularly forgery; for deception; for other girls.

When Mrs. Blossom finds a winning ticket in a parking lot, everything changes...including Mrs. Blossom. She is determined to see the world that sometimes feels as if it’s passing her by. But when Mrs. Blossom booked her cruise through France on the MS Solitaire, she did not expect to meet Allan on her transatlantic flight. He is the first man who’s sparked something inside her since her beloved husband passed. She also didn’t expect Allan to be found, dead, twenty-four hours later in Paris, a city he wasn’t supposed to be in.

Bobbing and weaving across the ever-shifting canvas of a changing country, The Slip is an audacious, daring look at sex and race in America that builds to an unforgettable collision in the center of the ring.

If you ask Jill Tingley, she'll tell you she and her husband Jack are college sweethearts living the dream in Southern California. Newly empty nesting with their daughter Maggie away at college, Jill suggests a road trip to reconnect. Jack would rather do anything else than drive to Utah with his wife. He's only stayed in this marriage because of a shared secret, a tragedy in the past he wanted to keep buried. But Jack is finished with the charade of his marriage. He's filing for divorce as soon as they return, no matter what. But he doesn't realize what else Jill is hiding.

Jack might be a polished, Harvard-educated lawyer on paper, but everyone in the down-at-the-heels, if picturesque, village of Onset, Massachusetts, knows his real job: moving people on the run from powerful enemies. The family business—co-managed with his father, a retired spy—is smooth sailing, as they fill up Onset’s holiday homes during the town’s long, drowsy off-season and help clients shed their identities in preparation for fresh starts.

Debut sensation Tessa Calloway is on a whirlwind book tour for her instant bestseller, All This Could Be Yours. In a different city every night, Tessa receives standing ovations from adoring fans while her husband Henry and their two children cheer her on from their brand-new dream house. But there's a chilling problem with Tessa's triumphant book tour—she soon discovers she is being stalked by someone who's obsessed not only with sabotaging her career, but also with destroying her perfect family back home.

Mark was the most dangerous killer-for-hire in the world. But after learning the hard way that his life’s work made him more monster than man, he left all of that behind, and joined a twelve-step group for reformed killers. When Mark is viciously attacked by an unknown assailant, he is forced on the run. From New York to Singapore to London, he chases after clues while dodging attacks and trying to solve the puzzle of who’s after him. All without killing anyone. Or getting killed himself. For an assassin, Mark learns, nonviolence is a real hassle.

The Ophelia is your typical billionaire yacht: ridiculously luxurious, owned by a ruthless money man, and staffed by a crew whose only job is to indulge the guests’ every wish. Model-gorgeous Sasha is a last-minute hire for a weeklong Atlantic crossing. She joins fellow stewardesses Jade, Imogen, Euphemia, and Lola. The Ophelia’s stewardesses are almost identical—blonde and model-gorgeous—and all were lured to the Ophelia by high wages and a chance to leave their problems behind when they set sail. But despite its sleek opulence, the Ophelia isn’t as heavenly as it seems.

Growing up in an isolated cabin in Montana in the mid-1990s, Jane knows only the world that she and her father live in: the woodstove that heats their home, the vegetable garden where they try to eke out a subsistence, the books of nineteenth-century philosophy that her father gives her to read in lieu of going to school. Her father is elusive about their pasts, giving Jane little beyond the facts that they once lived in the Bay Area and that her mother died in a car accident, the crash propelling him to move Jane off the grid to raise her in a Waldenesque utopia.

From national bestselling author Meg Mitchell Moore comes a sparkling new novel following a young woman entwined in the opulent lives of her neighbors on Block Island, set against a backdrop of scandal, secrets, and a not-so-subtle love triangle, perfect for readers of The Wedding People and Pineapple Street.

When eldest son Roman Carruthers is summoned home after his father’s car accident, he finds his younger brother, Dante, in debt to dangerous criminals and his sister, Neveah, exhausted from holding the family—and the family business—together. Neveah and their father, who run the Carruthers Crematorium in the run-down central Virginia town of Jefferson Run, see death up close every day. But mortality draws even closer when it becomes clear that the crash that landed their father in a coma was no accident and Dante’s recklessness has placed them all in real danger.

1532. Santo Domingo de la Calzada. A young girl grows up wild and wily—her beauty is only outmatched by her dreams of escape. But María knows she can only ever be a prize, or a pawn, in the games played by men. When an alluring stranger offers an alternate path, María makes a desperate choice. She vows to have no regrets.

“The afternoon of September first, dishwater-gray and rainy, a man named Dale Figgo picked up a hitchhiker on Gus Grissom Boulevard in Tangelo Falls, Florida. The hitchhiker, who reminded Figgo of Danny DeVito, asked for a lift to the interstate. Figgo said he’d take him there after finishing an errand.” Thus begins Fever Beach, with an errand that leads—in pure Hiaasen-style—into the depths of Florida at its most Floridian: a sun-soaked bastion of right-wing extremism, white power, greed, and corruption.