Ruby Stewart is a slave living under the false pretense of a freed Black woman in New York in 1853. She abides in turmoil, longing to know where she came from. This unrest has caused her to be plagued by dreams and visions of a man she calls the "Black Knight" and a woman with haunting green eyes. Ruby's only recollection of her past is the name Mag, until she receives a letter from friend Willow Hendricks in the South describing a slave girl that passed through her family’s plantation over 20 years ago. Does Ruby dare hope this slave child might be her?

A Charleston belle with slavery on her conscience. A slave with rebellion in her heart. In South Carolina in 1858, no friendship could be more dangerous.

Moments after Lisbeth is born, she’s taken from her mother and handed over to an enslaved wet nurse, Mattie, a young mother separated from her own infant son in order to care for her tiny charge. Thus begins an intense relationship that will shape both of their lives for decades to come. Though Lisbeth leads a life of privilege, she finds nothing but loneliness in the company of her overwhelmed mother and her distant, slave-owning father.

Since they were children running barefoot about Toulouse Plantation, Josie and Cleo have been as close as sisters, forging an unbreakable bond that defies their roles as mistress and slave. Together, the two have shared secrets and protected each other through happiness and heartbreak. They never dream they could also share an intense passion for the same man, the elegant, charming, and irresistibly seductive Bertrand Chamard.

When two Union soldiers stumble onto a plantation in northern Georgia on a warm May day in 1864, the last thing they expect is to see the Union flag flying high - or to be greeted by a group of freed slaves and their Jewish mistress. Little do they know that this place has an unusual history. Twelve years prior, Adelaide Mannheim - daughter of Mordecai, the only Jewish planter in the county - was given her own maid, a young slave named Rachel. The two became friends, and soon they discovered a secret.

Daniel and Lori love each other, yet to live as one in 1856, they must escape from the unyielding society that imprisons them. Lori was born a slave in North Carolina, yet by chance was raised alongside Daniel in a wealthy abolitionist household. The sudden death of Daniel's mother catapults Lori back into bondage. Relegated to chattel on a rice plantation, Lori lives in constant fear under the tormenting scrutiny of Daniel's wretched aunt.

Orphaned during her passage from Ireland, young, white Lavinia arrives on the steps of the kitchen house and is placed, as an indentured servant, under the care of Belle, the master's illegitimate slave daughter. Lavinia learns to cook, clean, and serve food while guided by the quiet strength and love of her new family. In time Lavinia is accepted into the world of the big house, caring for the master's opium-addicted wife and befriending his dangerous yet protective son. She attempts to straddle the worlds of the kitchen and big house, but her skin color will forever set her apart.

Georgeanna “Georgey” Woolsey isn’t meant for the world of lavish parties and the demure attitudes of women of her stature. So when war ignites the nation, Georgey follows her passion for nursing during a time when doctors considered women on the battlefront a bother. In proving them wrong, she and her sister Eliza venture from New York to Washington, DC, to Gettysburg and witness the unparalleled horrors of slavery as they become involved in the war effort.

Harriet Jacobs’ autobiography, written under the pseudonym Linda Brent, details her experiences as a slave in North Carolina, her escape to freedom in the north, and her ensuing struggles to free her children. The narrative was partly serialized in the New York Tribune, but was discontinued because Jacobs’ depictions of the sexual abuse of female slaves were considered too shocking. It was published in book form in 1861.

When Cornelius Allen gives his daughter Clarissa’s hand in marriage, he presents her with a wedding gift: the young slave she grew up with, Sarah. Sarah is also Allen’s daughter and Clarissa’s sister, a product of his longtime relationship with his house slave, Emmeline. When Clarissa’s husband suspects that their newborn son is illegitimate, Clarissa and Sarah are sent back to her parents, Cornelius and Theodora, in shame, setting in motion a series of events that will destroy this once-powerful family.

It's 1924 in Branchville, South Carolina, and three women have come to a crossroads. Gertrude, a mother of four, must make an unconscionable decision to save her daughters. Retta, a first-generation freed slave, comes to Gertrude's aid by watching her children, despite the gossip it causes in her community. Annie, the matriarch of the influential Coles family, offers Gertrude employment at her sewing circle, while facing problems of her own at home.

1863: In a small Creole cottage in New Orleans, an ingenious young Black woman named Stella embroiders intricate maps on repurposed cloth to help enslaved men flee and join the Union Army. Bound to a man who would kill her if he knew of her clandestine activities, Stella has to hide not only her efforts but her love for William, a Black soldier and a brilliant musician.

Young Hiram Walker was born into bondage. When his mother was sold away, Hiram was robbed of all memory of her - but was gifted with a mysterious power. Years later, when Hiram almost drowns in a river, that same power saves his life. This brush with death births an urgency in Hiram and a daring scheme: to escape from the only home he’s ever known. So begins an unexpected journey that takes Hiram from the corrupt grandeur of Virginia’s proud plantations to desperate guerrilla cells in the wilderness, from the coffin of the South to dangerously idealistic movements in the North.

Olivia's marriage to an African-American man was unacceptable to her mother Emma, Southern-bred descendant of prominent South Carolina slaveholders. Olivia assumed that bigotry was the product of her mother's loyalty to long-dead relatives, an allegiance to maintain the family's white blood line. After Emma's death though, Olivia finds a letter and an old journal among her belongings.

In August 1831, Nat Turner leads a group of escaped slaves in a rebellion that rocks the South. The revolt comes to a quick and violent end. In November, Nat is publicly hanged, and as his body swings, a false sense of peace washes over Jerusalem, Virginia. Unbeknownst to the world, on the day Nat Turner dies, his son, Nat Hope Turner, is born. Reared by Big Mama on the Turner plantation, young Nat's identity is kept secret to keep him safe. As Nat grows to manhood, he leads his own uprising against slavery and is forever after known as Black.

When two Union soldiers stumble onto a plantation in northern Georgia on a warm May day in 1864, the last thing they expect is to see the Union flag flying high - or to be greeted by a group of freed slaves and their Jewish mistress. Little do they know that this place has an unusual history. Twelve years prior, Adelaide Mannheim - daughter of Mordecai, the only Jewish planter in the county - was given her own maid, a young slave named Rachel. The two became friends, and soon they discovered a secret.

It’s 1835 in Utica, New York, and newlywed Helen Galway discovers a secret: Two runaway slaves are hiding in the shack behind her husband’s house. Suddenly, she is at the center of not only the era’s greatest moral dilemma, but her own, as well. Should she be a “good wife” and report the fugitives to her husband? Or will she defy convention and come to their aid? Within her home, Helen is haunted by the previous Mrs. Galway, recently deceased but still an oppressive presence.

A Charleston belle with slavery on her conscience. A slave with rebellion in her heart. In South Carolina in 1858, no friendship could be more dangerous.

Harriet Jacobs’ autobiography, written under the pseudonym Linda Brent, details her experiences as a slave in North Carolina, her escape to freedom in the north, and her ensuing struggles to free her children. The narrative was partly serialized in the New York Tribune, but was discontinued because Jacobs’ depictions of the sexual abuse of female slaves were considered too shocking. It was published in book form in 1861.

Felicia Lyons, a stressed-out stay-at-home mom, struggles to sprint ahead of the demands of motherhood while her husband spends long days at the office. Felicia taps, utters mantras, and breathes her way through most situations, but on some days, like when the children won't stop screaming her name or arguing over toy trucks and pretzel sticks, she wonders what it would be like to get in her car and drive away.