When Amitav Ghosh began the research for his monumental cycle of novels the Ibis trilogy ten years ago, he was startled to learn how the lives of the nineteenth-century sailors and soldiers he wrote about were dictated not only by the currents of the Indian Ocean but also by the precious commodity carried in enormous quantities on those currents: opium. Most surprising of all, however, was the discovery that his own identity and family history were swept up in the story. Smoke and Ashes is at once a travelogue, a memoir, and an essay in history, drawing on decades of archival research.

In the spring of 1972, twelve-year-old Tomoko leaves her mother behind in Tokyo and boards a train alone for Ashiya, a coastal town in Japan, to stay with her aunt’s family. Tomoko’s aunt is an enigma and an outlier in her working-class family, and her magnificent home—and handsome foreign husband, the president of a soft drink company—are symbols of that status. The seventeen rooms are filled with German-made furnishings; there are sprawling gardens and even an old zoo where the family’s pygmy hippopotamus resides.

In this harrowing story based on authentic historical documents, we follow the career of Dr. Silas Weir, “Father of Gyno-Psychiatry,” as he ascends from professional anonymity to national renown. Humiliated by a procedure gone terribly wrong, Weir is forced to take a position at the New Jersey Asylum for Female Lunatics, where he reigns. There, he is allowed to continue his practice, unchecked for decades, making a name for himself by focusing on women who have been neglected by the state—women he subjects to the most grotesque modes of experimentation.

Ellen and Avery North share a stable and secure life. Everything is well looked after: their teenage children, their garden, and Avery’s elderly mother who lives nearby. In time, old Mrs North decides she is in need of a live-in companion, and Louise Lanier arrives after responding to a newspaper advert. When Louise sets out to seduce Avery for the fun of it, her behaviour threatens to destroy Ellen and Avery’s peaceful life together.

Daughters are the Ang family’s curse. In 1948, civil war ravages the Chinese countryside, but in rural Shandong, the wealthy, landowning Angs are more concerned with their lack of an heir. Hai is the eldest of four girls and spends her days looking after her sisters. Headstrong Di, who is just a year younger, learns to hide in plain sight, and their mother—abused by the family for failing to birth a boy—finds her own small acts of rebellion in the kitchen.

When she was still a child, Lucy Nelson had her alcoholic failure of a father thrown in jail. Ever since then she has been trying to reform the men around her, even if that ultimately means destroying herself in the process. With his unerring portraits of Lucy and her hapless, childlike husband, Roy, Roth has created an uncompromising work of fictional realism, a vision of provincial American piety, yearning, and discontent that is at once pitiless and compassionate.

Gritta, Appel, and Efi managed to survive the Black Death, only to find that they are in desperate need of money. With limited options and lots of obstacles, they band together to become alewives—brewing and selling ale in the free Alsatian town of Colmar.

It’s 1938, and hard-working Lily Baker’s life turns upside down when she and her family move to a new town. Two jobs leave little free time, yet she becomes involved in a struggle to improve her area. Pushed by the group leader, she undertakes tasks she previously thought impossible and meets the man of her dreams. Amidst homesickness, looming war, and an aggressive father, can she find the strength to win through?

When Works Progress Administration editor Millie Lang finds herself on the wrong end of a potential political scandal, she’s shipped off to Montana to work on the state’s American Guide Series—travel books intended to put the nation’s destitute writers to work. Millie arrives to an eclectic staff claiming their missed deadlines are due to sabotage, possibly from the state’s powerful Copper Kings who don’t want their long and bloody history with union organizers aired. But Millie begins to suspect that the answer might instead lie with the town’s mysterious librarian, Alice Monroe.

It is 1486 and Venice is a wealthy, opulent center for trade. Orsola Rosso is the eldest daughter in a family of glassblowers on Murano, the island revered for the craft. As a woman, she is not meant to work with glass—but she has the hands for it, the heart, and a vision. When her father dies, she teaches herself to make glass beads in secret, and her work supports the Rosso family fortunes.