In the 11th century Murasaki Shikibu wrote the world’s first novel, The Tale of Genji, the most popular work in the history of Japanese literature. In The Tale of Murasaki, Liza Dalby has created a breathtaking fictionalized narrative of the life of this timeless poet - a lonely girl who becomes such a compelling storyteller that she is invited to regale the empress with her tales. The Tale of Murasaki is the story of an enchanting time and an exotic place.

Murasaki Shikibu, born into the middle ranks of the aristocracy during the Heian period (794-1185 CE), wrote The Tale of Genji, widely considered the world's first novel, during the early years of the 11th century. Expansive, compelling, and sophisticated in its representation of ethical concerns and aesthetic ideals, Murasaki's tale came to occupy a central place in Japan's remarkable history of artistic achievement and is now recognized as a masterpiece of world literature.

Natsume Soseki's Kusamakura - meaning “grass pillow” - follows its nameless young artist-narrator on a meandering walking tour of the mountains. At the inn at a hot-spring resort, he has a series of mysterious encounters with Nami, the lovely young daughter of the establishment. Nami, or "beauty", is the center of this elegant novel, the still point around which the artist moves and the enigmatic subject of Soseki's word painting.

The classic samurai novel about the real exploits of the most famous swordsman. Miyamoto Musashi becomes a reluctant hero to a host of people whose lives he has touched and by whom he has been touched. Inevitably, he has to pit his skill against the naked blade of his greatest rival.

The Water Margin is one of the most popular classics of early Chinese literature. It tells the vigorous story of 108 characters who, falling foul of the established state authorities, are forced to become outlaws. They form a bandit community in Liangshan Marsh, becoming such a formidable force in their own right that they threaten the power of government itself.

Van Norden’s Introduction to Classical Chinese Philosophy is evidently of increasing importance in balancing our 21st century view of philosophy in general. It is to Van Norden’s regret, that when ‘philosophy’ is discussed or taught, it is almost always in the context of ‘Western Philosophy’ rather than a global perspective. Yet the contribution of China to global thought and understanding is crucial, especially in our contemporary context.

Lady Shonagon is an imperial courtesan, living at the court of the Japanese Emperor in the 10th century. When a series of disturbing thefts within the palace walls throws the court into confusion and unrest, Shonagon is appointed guide and assistant to Lieutenant Yukinari as he investigates. Together, Shonagon and Yukinari must solve the mysteries and escalating crimes that plague the Japanese court, and their romance blossoms in the tightly enclosed world behind the high palace walls. But soon Shonagon's lover, Tadanobu, becomes uncomfortable with how closely they are working together....

In her international bestseller SPQR, Mary Beard told the thousand-year story of ancient Rome. Now she shines her spotlight on the emperors who ruled the Roman empire, from Julius Caesar (assassinated 44 BCE) to Alexander Severus (assassinated 235 CE). Emperor of Rome is not your usual chronological account of Roman rulers, one after another: the mad Caligula, the monster Nero, the philosopher Marcus Aurelius.

In this collection of classic ghost stories from Japan, beautiful princesses turn out to be frogs, paintings come alive, deadly spectral brides haunt the living and a samurai delivers the baby of a Shinto goddess with mystical help. Here are all the phantoms and ghouls of Japanese folklore: 'rokuro-kubi', whose heads separate from their bodies at night; 'jikininki', or flesh-eating goblins; and terrifying faceless 'mujina' who haunt lonely neighbourhoods.

The subject of Kokoro, which can be translated as 'the heart of things' or as 'feeling,' is the delicate matter of the contrast between the meanings the various parties of a relationship attach to it. In the course of this exploration, Soseki brilliantly describes different levels of friendship, family relationships, and the devices by which men attempt to escape from their fundamental loneliness. The novel sustains throughout its length something approaching poetry, and it is rich in understanding and insight.

Praised by Chekhov as his favorite writer, Nikolai Leskov occupies a unique place in Russian literature. His original stories often seem like folk-tales, their larger-than-life characters including soldiers, Tsars, priests and gypsies. Leskov's storytelling, simple in its style, combines a deep religious spirit with comic absurdity. The Lady Macbeth of the Mtsensk District, Leskov's best-known work, is a realist account of a young woman who escapes from her loveless marriage through adultery, leading to violence and murder

Though it is for the sparkling epic, Aeneid, that the Roman poet Virgil is best known, it was these two poems, The Eclogues and Georgics, which first established his reputation.

In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.

Little has been written about the strangely obscured figure of Meiji himself, the first Japanese emperor ever to meet a European. But now, Donald Keene sifts the available evidence to present a rich portrait not only of Meiji but also of rapid and sometimes violent change during this pivotal period in Japan's history. Emperor of Japan conveys in sparkling prose the complexity of the man and offers an unrivaled portrait of Japan in a period of unique interest.

Upon its first publication in 1846, "Poor Folk" was an immediate critical triumph. Composed entirely of an exchange of letters between a middle-aged copy clerk and a young seamstress who live on opposite sides of a Petersburg tenement courtyard, the novel explores the emotional and psychological effects of a threatening urban environment on the psyches of poor people struggling to survive.

Lady Shonagon is an imperial courtesan, living at the court of the Japanese Emperor in the 10th century. When a series of disturbing thefts within the palace walls throws the court into confusion and unrest, Shonagon is appointed guide and assistant to Lieutenant Yukinari as he investigates. Together, Shonagon and Yukinari must solve the mysteries and escalating crimes that plague the Japanese court, and their romance blossoms in the tightly enclosed world behind the high palace walls. But soon Shonagon's lover, Tadanobu, becomes uncomfortable with how closely they are working together....

Murasaki Shikibu, born into the middle ranks of the aristocracy during the Heian period (794-1185 CE), wrote The Tale of Genji, widely considered the world's first novel, during the early years of the 11th century. Expansive, compelling, and sophisticated in its representation of ethical concerns and aesthetic ideals, Murasaki's tale came to occupy a central place in Japan's remarkable history of artistic achievement and is now recognized as a masterpiece of world literature.

Murasaki Shikibu, born into the middle ranks of the aristocracy during the Heian period (794-1185 CE), wrote The Tale of Genji - widely considered the world’s first novel - during the early years of the 11th century. Expansive, compelling, and sophisticated in its representation of ethical concerns and aesthetic ideals, Murasaki’s tale came to occupy a central place in Japan’s remarkable history of artistic achievement and is now recognized as a masterpiece of world literature.

In Praise of Shadows is an eloquent tribute to the austere beauty of traditional Japanese aesthetics. Through architecture, ceramics, theatre, food, women, and even toilets, Tanizaki explains the essence of shadows and darkness, and how they are able to augment beauty. He laments the heavy electric lighting of the West and its introduction to Japan, and shows how the artificial, bright, and polished aesthetic of the West contrasts unfavorably with the moody and natural light of the East.

The Water Margin is one of the most popular classics of early Chinese literature. It tells the vigorous story of 108 characters who, falling foul of the established state authorities, are forced to become outlaws. They form a bandit community in Liangshan Marsh, becoming such a formidable force in their own right that they threaten the power of government itself.

Japanese culture has fascinated the West ever since the country’s doors opened up in the 1800s. In many ways, Japan has remained elusive, and people have travelled from all around the world to see for themselves how unique this nation remains. Another way of exploring this enigmatic culture is through its literature. The English language succeeds surprisingly well in revealing the Japanese sense of life.

For 700 years, Japan was ruled by military commanders who waged war against one another incessantly. Shogun tells the fascinating story of Tokugawa Ieyasu, the man who finally unified and brought lasting peace to the nation. He established a new central government which enabled his descendants to rule Japan for the next 260 years—a period in which Japanese culture as we know it today flourished.

The Narrow Road to the Interior and Hojoki are two of the best-loved works of their kind; famous for their beautiful, delicate verse and subtle insight into the human condition. It has been said of The Narrow Road that 'it was as if the very soul of Japan had itself written it'. It takes the form of a travel diary, and traces the poet's journey from Edo (modern-day Tokyo) to the northern interior.

Together, these three volumes form an essential collection for anyone fascinated by mythology, folklore, and the cultural heritage of Japan. Each story in this anthology is not just a tale. It's a window into the ancient soul of Japan, its people, and its enduring legacy.

Monsters, spirits, fantastic beings, and supernatural creatures haunt the folklore and popular culture of Japan. Broadly labeled yōkai, they appear in many forms, from tengu mountain goblins and kappa water sprites, to shape-shifting kitsune foxes and long-tongued ceiling-lickers. Popular today in anime, manga, film, and video games, many yōkai originated in local legends, folktales, and regional ghost stories. The Book of Yōkai invites listeners to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them.

Japanese noblewoman Murasaki Shikibu wrote The Tale of Genji in the 11th century to entertain the other women in the court. It follows the romantic exploits of the title character, an emperor’s son, as he navigates life within aristocratic society and eventually outside of it. Praised for its psychological insight into the characters’ motivations, the book greatly influenced Japanese culture and is widely considered the world’s first novel. In 1882, Suematsu Kencho translated a condensed version of the text into English, allowing this classic tale to reach a wider audience.

Since his youth, renowned novelist Kogito Choko planned to fictionalize his father's fatal drowning in order to fully process the loss. Stricken with guilt and regret over his failure to rescue his father, Choko has long been driven to discover why his father was boating on the river in a torrential storm. Though he remembers overhearing his father and a group of soldiers discussing an insurgent scheme to stage a suicide attack on Emperor Mikado, Choko cannot separate his memories from imagination.

Brothers Philippe and Joseph Bridau are completely unalike: Philippe, braggart and soldier, formerly aide-de-camp to Napoleon, is their mother Agathe's favorite; Joseph, a poor and aspiring artist, is raised in his brother's shadow. When Agathe is reduced to poverty and Philippe accrues gambling debts, the family join forces to focus their attentions on Agathe's brother, Jean-Jacques Rouget, heir to the family fortune. The struggle for his inheritance pits the family against Rouget's beautiful maid Flore ("La Rabouilleuse"), the apple of her master's eye, and her crafty lover.

Patrick Lafcadio Hearn, was an Irish writer known also by the Japanese name Koizumi Yakumo. His book Kwaidan: Stories and Studies of Strange Things, comprises two parts, the first being the "Kwaidan Proper" and the second, "Insect-Studies", which consists of an essay each on ants, butterflies and mosquitos. According to the author, most of the folk tales and ghost stories in the first part were translated from old Japanese texts. The themes encompass resurrection, sacrifice, magic, and the realm of dreams.

The ancient Indian Sanskrit epic the Rāmāyana was composed some time between the first and fifth centuries BCE. As is the case with most ancient literature firmly rooted in the oral tradition, precise dating is problematic. Traditionally attributed to the sage Valmīki, and composed in rhyming couplets, it is one of the two great Indian epics (the other being the Mahābhārata); consequently it is known and revered not just throughout the Indian subcontinent but also in South-East Asian countries as well, indeed wherever Hindu culture became established.