Aftershocks
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Narrated by:
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Nadia Owusu
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By:
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Nadia Owusu
About this listen
In the tradition of The Glass Castle, this “gorgeous” (The New York Times, Editors’ Choice) and deeply felt memoir from Whiting Award winner Nadia Owusu tells the “incredible story” (Malala Yousafzai) about the push and pull of belonging, the seismic emotional toll of family secrets, and the heart it takes to pull through.
“In Aftershocks, Nadia Owusu tells the incredible story of her young life. How does a girl - abandoned by her mother at age two and orphaned at thirteen when her beloved father dies - find her place in the world? This memoir is the story of Nadia creating her own solid ground across countries and continents. I know the struggle of rebuilding your life in an unfamiliar place. While some of you might be familiar with that and some might not, I hope you’ll take as much inspiration and hope from her story as I did.” (Malala Yousafzai)
One of the Best Books of 2021 Selected by Vulture, Time, Esquire, NPR, and Vogue!
Young Nadia Owusu followed her father, a United Nations official, from Europe to Africa and back again. Just as she and her family settled into a new home, her father would tell them it was time to say their good-byes. The instability wrought by Nadia’s nomadic childhood was deepened by family secrets and fractures, both lived and inherited. Her Armenian American mother, who abandoned Nadia when she was two, would periodically reappear, only to vanish again. Her father, a Ghanaian, the great hero of her life, died when she was 13. After his passing, Nadia’s stepmother weighed her down with a revelation that was either a bombshell secret or a lie, rife with shaming innuendo.
With these and other ruptures, Nadia arrived in New York as a young woman feeling stateless, motherless, and uncertain about her future, yet eager to find her own identity. What followed, however, were periods of depression in which she struggled to hold herself and her siblings together.
“A magnificent, complex assessment of selfhood and why it matters” (Elle), Aftershocks depicts the way she hauled herself from the wreckage of her life’s perpetual quaking, the means by which she has finally come to understand that the only ground firm enough to count on is the one written into existence by her own hand.
“Full of narrative risk and untrammeled lyricism” (The Washington Post), Aftershocks joins the likes of Don’t Let’s Go to the Dogs Tonight and William Styron’s Darkness Visible, and does for race identity what Maggie Nelson does for gender identity in The Argonauts.
©2020 Nadia Owusu. All rights reserved. (P)2020 Simon & Schuster, Inc. All rights reserved.Listeners also enjoyed...
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Twin sisters Bibike and Ariyike are enjoying a relatively comfortable life in Lagos in 1996. Then their mother loses her job due to political strife, and the family, facing poverty, is drawn into the New Church, an institution led by a charismatic pastor who is not shy about worshipping earthly wealth. Soon Bibike and Ariyike's father wagers the family home on a sure bet that evaporates like smoke.
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Good Story - Awful accents
- By Tamara C-J on 02-15-21
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The Sum of Our Days
- By: Isabel Allende
- Narrated by: Blair Brown, Isabel Allende
- Length: 11 hrs and 12 mins
- Unabridged
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Overall
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Performance
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Story
Isabel Allende reconstructs the painful reality of her own life in the wake of the tragic death of her daughter, Paula. Narrated with warmth, humor, exceptional candor, and wisdom, this remarkable memoir is as exuberant and as full of life as its creator. Allende bares her soul while sharing her thoughts on love, marriage, motherhood, spirituality and religion, infidelity, addiction, and memory - and recounts stories of the wildly eccentric, strong-minded, and eclectic tribe she gathers around her and lovingly embraces as a new kind of family.
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She does not disappoint
- By ChiChi's Rule on 06-01-22
By: Isabel Allende
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The Latehomecomer
- A Hmong Family Memoir
- By: Kao Kalia Yang
- Narrated by: Kao Kalia Yang
- Length: 9 hrs and 23 mins
- Unabridged
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Overall
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Performance
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Story
In the 70s and 80s, thousands of Hmong families made the journey from the war-torn jungles of Laos to the overcrowded refugee camps of Thailand and onward to the United States, all in search of a new place to call home. Decades later, their experiences remain largely unknown. Kao Kalia Yang was driven to tell her own family's story after her grandmother’s death. The Latehomecomer is a tribute to that grandmother, a remarkable woman whose spirit held her family together.
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Great Hmong history, lousy literature
- By Isadore Ducasse on 10-12-18
By: Kao Kalia Yang
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Bitter in the Mouth
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- Narrated by: Jennifer Ikeda
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Overall
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Performance
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Story
Growing up in the small town of Boiling Springs, North Carolina, in the 70’s and 80’s, Linda believes that she is profoundly different from everyone else, including the members of her own family. “What I know about you, little girl, would break you in two” are the cruel, mysterious last words that Linda’s grandmother ever says to her.
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"Tasting Words" made this hard to hear!
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By: Monique Truong
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My Father's Paradise
- A Son's Search For His Family's Past
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- Narrated by: Fajer Al-Kaisi
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Overall
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Performance
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Story
In a remote corner of the world, forgotten for nearly 3,000 years, lived an enclave of Kurdish Jews so isolated that they still spoke Aramaic, the language of Jesus. Mostly illiterate, they were self-made mystics and gifted storytellers and humble peddlers who dwelt in harmony with their Muslim and Christian neighbors in the mountains of northern Iraq. To these descendants of the Lost Tribes of Israel, Yona Sabar was born.
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Great story, poorly narrated
- By Oren Kessler on 09-10-24
By: Ariel Sabar
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In the Time of Our History
- By: Susanne Pari
- Narrated by: Mozhan Marnò
- Length: 11 hrs and 52 mins
- Unabridged
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Overall
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Performance
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Story
Twelve months after her younger sister Anahita's death, Mitra Jahani reluctantly returns to her parents' home in suburban New Jersey to observe the Iranian custom of "The One Year." Ana is always in Mitra's heart, though they chose very different paths. While Ana, sweet and dutiful, bowed to their domineering father's demands and married, Mitra rebelled, and was banished.
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Enjoyable
- By J. E. Jordan on 05-23-23
By: Susanne Pari
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Say I'm Dead
- A Family Memoir of Race, Secrets, and Love
- By: E. Dolores Johnson
- Narrated by: Allyson Johnson
- Length: 7 hrs and 44 mins
- Unabridged
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Overall
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Performance
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Story
Fearful of prison time - or lynching - for violating Indiana’s anti-miscegenation laws in the 1940s, E. Dolores Johnson's Black father and White mother fled Indianapolis to secretly marry in Buffalo. Her mother simply vanished, evading an FBI and police search that ended with the declaration to her family that she was the victim of foul play, either dead or sold into white slavery.
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Deeply meaningful important read
- By A.M.Rousseau on 12-21-21
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On Division
- A Novel
- By: Goldie Goldbloom
- Narrated by: Barrie Kreinik
- Length: 7 hrs and 33 mins
- Unabridged
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Overall
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Performance
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Story
In Williamsburg, Brooklyn, just a block or two up from the East River on Division Avenue, Surie Eckstein is soon to be a great-grandmother. Her 10 children range in age from 13 to 39. Her in-laws, postwar immigrants from Romania, live on the first floor of their house. Her daughter Tzila Ruchel lives on the second. She and Yidel, a scribe in such demand that he makes only a few Torah scrolls a year, live on the third. Wed when Surie was 16, they have a happy marriage and a full life, and, at the ages of 57 and 62, they are looking forward to some quiet time together.
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A great book
- By Sab on 04-24-20
By: Goldie Goldbloom
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A Girl Is a Body of Water
- By: Jennifer Nansubuga Makumbi
- Narrated by: Tovah Ott
- Length: 14 hrs and 53 mins
- Unabridged
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Overall
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Performance
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Story
International award-winning author Jennifer Nansubuga Makumbi’s novel is a sweeping and powerful portrait of a young girl and her family: who they are, what history has taken from them, and - most importantly - how they find their way back to each other. In her thirteenth year, Kirabo confronts a piercing question that has haunted her childhood: who is my mother? Kirabo has been raised by women in the small Ugandan village of Nattetta - her grandmother, her best friend, and her many aunts - but the absence of her mother follows her like a shadow.
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African narrators for African novels!
- By Lynn on 04-24-21
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Who Killed My Father
- By: Édouard Louis
- Narrated by: Edouard Louis
- Length: 1 hr and 39 mins
- Unabridged
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Overall
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Performance
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Story
Who Killed My Father rips into France’s long neglect of the working class and its overt contempt for the poor, accusing the complacent French - at the minimum - of negligent homicide. The author goes to visit the ugly gray town of his childhood to see his dying father, barely 50 years old, who can hardly walk or breathe: “You belong to the category of humans whom politics consigns to an early death.” It’s as simple as that.
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Powerful. Poetic. Sparse. Piercing.
- By Theophile Jones on 06-01-23
By: Édouard Louis
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Virgins of Paradise
- By: Barbara Wood
- Narrated by: Joyce Bean
- Length: 19 hrs and 41 mins
- Unabridged
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Overall
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Performance
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Story
Jasmine and Camelia Rasheed grow to womanhood under the watchful eye of their grandmother inside the walls surrounding a beautiful house on Virgins of Paradise Street in exotic Cairo. They come of age in society in which the subjugation of women is assumed - they must wear veils, are forbidden to leave the house, have no independent rights, and are circumcised to ensure purity and obedience.
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eye opening
- By C Ohana on 11-13-08
By: Barbara Wood
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The Parted Earth
- By: Anjali Enjeti
- Narrated by: Deepti Gupta
- Length: 7 hrs and 48 mins
- Unabridged
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Overall
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Performance
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Story
Spanning more than half a century and cities from New Delhi to Atlanta, Anjali Enjeti’s debut is a heartfelt and human portrait of the long shadow of the partition of the Indian subcontinent on the lives of three generations.
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Riveting
- By MSE on 05-14-21
By: Anjali Enjeti
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The Complete Stories
- By: Clarice Lispector, Katrina Dodson, Benjamin Moser
- Narrated by: full cast
- Length: 22 hrs and 53 mins
- Unabridged
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Overall
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Performance
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Story
Here, gathered in one volume, are the stories that made Clarice a Brazilian legend. Originally a cloth edition of 86 stories, now we have 89 in all, covering her whole amazing career, from her teenage years to her deathbed. In these pages, we meet teenagers becoming aware of their sexual and artistic powers, humdrum housewives whose lives are shattered by unexpected epiphanies, old people who don't know what to do with themselves - and in their stories, Clarice takes us through their lives - and hers - and ours.
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Wonderful Collection
- By XX on 04-25-20
By: Clarice Lispector, and others
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I'm Telling the Truth, but I'm Lying
- Essays
- By: Bassey Ikpi
- Narrated by: Bassey Ikpi
- Length: 7 hrs and 12 mins
- Unabridged
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Overall
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Performance
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Story
In I’m Telling the Truth, but I’m Lying, Bassey Ikpi explores her life - as a Nigerian-American immigrant, a black woman, a slam poet, a mother, a daughter, an artist - through the lens of her mental health and diagnosis of bipolar II and anxiety. Her remarkable memoir in essays implodes our preconceptions of the mind and normalcy as Bassey bares her own truths and lies for us all to behold with radical honesty and brutal intimacy.
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Full, poignant, purposeful
- By Bree on 08-21-19
By: Bassey Ikpi
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- Susanna S.
- 12-04-23
Aftershocks
Very moving and mellifluous. Painfully honest and the author is empathic and you get to watch her awareness shift over the course of the book
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- Lily
- 02-15-21
Tender, healing, and triumphant
Nadia's recounting of her life is poetically done, thematically structured, and painted a picture of my own pain. it was healing for me to read about her life, because my life was also described. The feelings of not knowing your home, not knowing the people you came from, not knowing who your mother is, all very similar pain experienced. Thank you Nadia for sharing this with the world.
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5 people found this helpful
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- Amazon Customer
- 08-11-23
Kept me interested
This wasn't your usual memoir. I really enjoyed it and also found it educational to some degree in reference to her father's culture
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- Valda O Gibson
- 04-30-21
Beautiful memoir
This was a beautiful written poetic journey of a complex life. I look forward to her next work
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2 people found this helpful
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- Amazon Customer
- 01-09-24
Sometimes less is more
It feels like a truly compelling life story bogged down by delivery and unnecessary information added. It almost felt like she didn’t believe her story was good enough, so she just kept adding anything she could think of.
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1 person found this helpful
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- Oyuko-TRON
- 01-01-22
If you can’t find what you want…. Write it!
I’m always talking to my friends. 1st generation this, 1st generation that… This book slapped the shit out of that and was extremely complex. Nadia, thank you for writing this book. It’s amazing! Can’t wait for the next one. Much love!
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1 person found this helpful
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- Charles Henderson
- 01-14-23
Intellectually Stimulating & Emotionally Moving
Nadia is clearly not only a brilliant writer, but also, an intellectual of the highest calibre. I give this book my highest recommendation if you are looking for a storyteller that bares her soul and reaches into the soul of those who read her words.
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- AuthorAnnaBella
- 05-15-21
Litfantabulous
Once, when I was a very little girl in a bubble bath, I asked my father why I had a belly button. He was sitting on the toilet lid reading while I splashed. He peered at me over the top of his book. “So you know where your center is,” he said. “Why do I need to know where my center is?” I asked. “So you don’t lose your balance,” he said. “Your center is where all the different parts of who you are come together. It used to connect you to your mother and to the beginning of human history in Africa.”
From Aftershocks.
A story filled with love, longing to belong, identity, loss, displacement, fear, violence, death, disease, abandonment, mental health issues, feminism, sexuality and gender identity. All of this, dislocated her mind and body.
Nadia eloquently shared with us her literary memoir that explores the complexities of family, the meaning of home and the multiplicity of her identity. It exposes how multiple generational and personal trauma, just like an earthquake can cause aftershocks throughout your life. Skillfully embedded in the story is the rich African / Armenian cultural history of her heritage, political unrest in those regions and a bit about the study of epigenetic inheritance.
Her life existing on fault lines created her personal shaking. Her measurement of personal disaster was gauged by her internal seismometer. Her seismometer was triggered by several traumatic experiences throughout her life. Nadia connected the scientific meaning of aftershocks to her personal traumas and incidents leading to it.
Nadia's journey into finding peace and home will start in a blue chair.
"Let me show you my home. It is a border. It is the outer edge of both sides. It is where they drew the line. They drew the line right through me. I would like to file a territorial dispute. Let me show you my home. It is a live fault. The fault is in my body. Let me show you my home. It is a blue chair. I sought asylum here. I marked my application temporary. For myself, I am writing reconstruction, not elegy. Look into my eyes. See my glowing skin. My pores are open. I am made of the earth, flesh, ocean, blood, and bone of all the places I tried to belong to and all the people I long for. I am pieces. I am whole. I am home."
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11 people found this helpful
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- MG Stratford
- 10-04-22
Beautiful, Thoughtful Memoir
Beautiful language, lovely story woven into a tapestry that will hang in my memory long after the final words were read. Nadia narrates it well, also, which isn't always the case with a read-by-the-author selection. Rather than telling her story chronologically, the author works topically through memories of her childhood that she recalls during a personal crisis that emerges following a fight with her step-mother.
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- Danielle C.
- 11-19-22
Excellent
Just lovely. So much insight. So much context. Such gorgeous writing. It is a memoir and a history of the world.
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