Since her canonical 2017 essay “On Liking Women,” the Pulitzer Prize-winning critic Andrea Long Chu has established herself as a public intellectual straight out of the 1960s. With devastating wit and polemical clarity, she defies the imperative to leave politics out of art, instead modeling how the left might brave the culture wars without throwing in with the cynics and doomsayers. Authority brings together Chu’s critical work across a wide range of media—novels, television, theater, video games—as well as an acclaimed tetralogy of literary essays first published in n+1.

In the thick of lockdown, 2020, poet, critic, and memoirist Jamie Hood published her debut, how to be a good girl, an interrogation of modern femininity and the narratives of love, desire, and violence yoked to it. The Rumpus praised Hood’s “bold vulnerability,” and Vogue named it a Best Book of 2020. In Trauma Plot, Hood draws on disparate literary forms to tell the story that lurked in good girl’s margins—of three decades marred by sexual violence and the wreckage left behind.

Two couples in two separate but similar times-set against a backdrop of political disappointment and intellectual controversy-face the challenges of marriage, fidelity, and pregnancy. Lauren Elkin's Scaffolding is about the way our homes hold communal memories of all their inhabitants and their stories; about the bonds we create, and the difficulty of ever fully severing them; about the ways people we've loved live on in us.

In the wake of a catastrophic two-year relationship, Melissa Febos decided to take a break: For three months she would abstain from dating, relationships, and sex. Her friends were amused. Did she really think three months was a long time? But to Febos, it was. Ever since her teens, she had been in one relationship after another with men and women. As she puts it, she could trace a “daisy chain of romances” from her adolescence to her midthirties. Finally, she would carve out time to focus on herself and examine the patterns that had produced her midlife disaster.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day–partner, parent, creator, muse–and the truths every performance masks, especially from those who think they know us most intimately.

Since her canonical 2017 essay “On Liking Women,” the Pulitzer Prize-winning critic Andrea Long Chu has established herself as a public intellectual straight out of the 1960s. With devastating wit and polemical clarity, she defies the imperative to leave politics out of art, instead modeling how the left might brave the culture wars without throwing in with the cynics and doomsayers. Authority brings together Chu’s critical work across a wide range of media—novels, television, theater, video games—as well as an acclaimed tetralogy of literary essays first published in n+1.

Stepping back to look at our precariously interdependent global society of today—with the threat of nuclear war ever present, the world getting hotter and hotter, and the rapid creation of dangerous algorithms—one couldn’t be blamed for asking: Will we make it? Addressing this question with the seriousness it demands, Cambridge scholar Luke Kemp conducts a historical autopsy that stretches over 300,000 years, from our beginnings as a species to early attempts at cities to Egypt, Rome, and on into our cloudy future.

It is hard for Veena Dinavahi to live while her classmates keep dying. The high-achieving daughter of loving Indian immigrants, Veena lives in a typical white American suburb—except for its unusually high suicide rate. For years, she tries to manage her mental health in all the right ways, but nothing seems to work. Until, on a late-night Google search, Veena’s mom discovers Bob Lyon—a sixty-year-old white man in the backwoods of Georgia who claims he can make her want to live again. He calls himself “The True Happiness Company” and, as their relationship progresses, “Daddy.”

An aspiring veterinarian survives a plane crash and starts life over in California. A woman mourns the loss of her childhood friend's innocence and rethinks justice. A queer teacher's sense of safety in the classroom is destroyed. With settings ranging from small-town Minnesota to New Mexico, from bars and bedrooms to a furniture store and a community college, Are You Happy? casts a spotlight on people who try—and often fail—to make peace with their pasts while navigating their present relationships and notions of self.

Why would anyone research how elephants pee? Or study worms who tie themselves into a communal knot? Or quantify the squishability of a cockroach? It all sounds pointless, silly, or even disgusting. Maybe it is. But in The Salmon Cannon and the Levitating Frog, Carly Anne York shows how unappreciated, overlooked, and simply curiosity-driven science has led to breakthroughs big and small. Got wind power? You might have humpback whales to thank. Know anything about particle physics? Turns out there is a ferret close to the heart of it all.

The Rainbow Ain’t Never Been Enuf fills a necessary gap in our understanding of how racism, transphobia, and antiblackness operate in liberal spaces. Black feminist and queer theorist Kaila Adia Story blends analysis, pop culture, and her lived experiences to explore the silencing practices of mainstream queer culture.

In The Little Book of Data, each chapter illustrates one of the core principles of solving problems with data by featuring an expert who has solved a big problem with data—from the entrepreneur creating a “loneliness score” to the epidemiologist trying to save lives by finding disease “hotspots.”

So Many Stars knits together the voices of trans, nonbinary, genderqueer, and two-spirit elders of color as they share authentic, intimate accounts of how they created space for themselves and their communities in the world. This singular project collects the testimonies of twenty elders, each a glimmering thread in a luminous tapestry, preserving their words for future generations—who can more fully exist in the world today because of these very trailblazers.

When a video depicting the brutal murder of a former classmate leaks online, Kylie Bennington’s—whose dreams of becoming a successful influencer remain frustratingly elusive—curiosity gets the better of her, leading to the discovery of an off-the-grid social media app called MonoLife. As it turns out, there are certain cryptic rules in the user agreement that must be adhered to, such as interacting with other users at least twice daily or risk losing it all…and never, ever speaking of MonoLife’s existence to non-users or risk dire consequences.

When Wilco's 2007 album Sky Blue Sky was infamously criticized as "dad rock," Niko Stratis was a twenty-five-year-old closeted trans woman working in her dad's glass shop in the Yukon Territory. As she sought escape from her hypermasculine environment, Stratis found an unlikely lifeline amid dad rock's emotionally open and honest music. Listening to dad rock, Stratis could access worlds beyond her own and imagine a path forward.

Across the world, patriarchy has oppressed women and denied their contributions, but every nation has its own unique gendered hierarchy. Dr. Anna Malaika Tubbs applies her signature approachable yet rigorous analysis to define American patriarchy in this definitive and groundbreaking history. Humanity in the United States is determined by gender in a limited and flawed binary logic that is also always tied to whiteness. Tubbs shows how a fabricated hierarchy became so deeply ingrained in the country over time that it now goes unnoticed, along with everything it intentionally conceals.

When it was released to the public in November 2022, ChatGPT awakened the world to a secretive project: teaching AI-powered machines to write. Its creators had a sweeping ambition—to build machines that could not only communicate, but could do all kinds of other activities, better than humans ever could. But was this goal actually achievable? And if reached, would it lead to our liberation or our subjugation?

A novel that leaps across centuries past and future, as if different eras were separated by only a door. Lina and her father arrive at an enclave called The Sea, a staging post between migrations, with only a few possessions. In this mysterious and shape-shifting place, a building made of time, pasts and futures collide. Lina befriends her neighbors: Bento, a Jewish scholar in seventeenth-century Amsterdam; Blucher, a philosopher in 1930s Germany fleeing Nazi persecution; and Jupiter, a poet of Tang Dynasty China.

Karie Fugett’s story depicts an oft-overlooked reality of war: the experience of the many thousands of caregivers and spouses—mostly women, mostly young, mostly poor—whose lives have been shattered by battles fought against enemies abroad and against addiction at home. Tender, vivid, and laced with dark humor, Alive Day is at once an epic and engrossing love story, a testament to the resilience of the human spirit, and a powerful indictment of the sins of a nation.

Thirty years old with a lifetime of dysphoria and irritating exes rattling around in her head, Max is plagued by a deep dissatisfaction. Shouldn't these be the best years of her life? Why doesn't it feel that way? After taking a spill down the stairs at a New Year’s Eve party, she decides to make some changes. First: a stab at good old-fashioned heteronormativity.