A smog has spread. Food crops are rapidly disappearing. A chef escapes her dying career in a dreary city to take a job at a decadent mountaintop colony seemingly free of the world’s troubles. There, the sky is clear again. Rare ingredients abound. Her enigmatic employer and his visionary daughter have built a lush new life for the global elite, one that reawakens the chef to the pleasures of taste, touch, and her own body.

Julia Fox is famous for many things: her captivating acting, such as her breakout role in the film Uncut Gems; her trendsetting style, including bleached eyebrows, exaggerated eyeshadow, and cutout dresses; her mastery of social media, where she entertains and educates her millions of followers. But all these share the trait for which she is most famous: unabashedly and unapologetically being herself. This commitment to authenticity has never been more on display than in Down the Drain. With writing that is both eloquent and accessible, Fox recounts her turbulent path to cultural supremacy.

When Jack and Elizabeth meet as college students in the gritty '90s Chicago art scene, the two quickly join forces and hold on tight, each eager to claim a place in the thriving underground scene with an appreciative kindred spirit. Fast-forward twenty years to suburban married life, and alongside the challenges of parenting, they encounter the often-baffling pursuits of health and happiness from polyamorous would-be suitors to home-renovation hysteria.

In the spring of 2020, Lara’s three daughters return to the family's orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew.

Masterfully blending elements of psychological suspense and true crime, Jessica Knoll—bestselling author of Luckiest Girl Alive and the writer behind the Netflix adaptation starring Mila Kunis—delivers an “unflinching and evocative” (Laura Dave, New York Times bestselling author) thriller in Bright Young Women. The book opens on a Saturday night in 1978, hours before a soon-to-be-infamous murderer descends upon a Florida sorority house with deadly results. The lives of those who survive, including a sorority president and key witness, Pamela Schumacher, are forever changed.

Celebrating her forty-fifth birthday at her local pub, popular podcaster Alix Summer crosses paths with an unassuming woman called Josie Fair. Josie, it turns out, is also celebrating her forty-fifth birthday. They are, in fact, birthday twins. A few days later, Alix and Josie bump into each other again, this time outside Alix’s children’s school. Josie has been listening to Alix’s podcasts and thinks she might be an interesting subject for her series. She is, she tells Alix, on the cusp of great changes in her life.

Bustle editor Samantha Leach and her childhood best friend, Elissa, met as infants in the suburbs of Providence, Rhode Island, where they attended nursery, elementary school, and temple together. As seventh graders, they would steal drinks from bar mitzvahs and have boys over in Samantha’s basement—innocent, early acts of rebellion. But after one of their shared acts, Samantha was given a disciplinary warning by their private school while Elissa was dismissed altogether, and later sent away.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena’s a cross-genre literary darling, and June didn’t even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I.

Mia, the irreverent, hyperanalytical twenty-year-old daughter, has an explanation for everything—which is why she isn’t initially concerned when her father and younger brother Eugene don’t return from a walk in a nearby park. They must have lost their phone. Or stopped for an errand somewhere. But by the time Mia’s brother runs through the front door bloody and alone, it becomes clear that the father in this tight-knit family is missing and the only witness is Eugene, who has the rare genetic condition Angelman syndrome and cannot speak.

After writing a satirical novel that The New York Times calls classist, Anna is shunned by the literary establishment and, in her hurt, radicalized by the philosophy of Ayn Rand. Determined to follow Rand’s theory of rational selfishness, Anna alienates herself from the scene and eventually her friends and family. Finally, in true Randian style, she abandons everyone for the boundless horizons of Los Angeles, hoping to make a TV show about her beloved muse.

Sheena Patel’s incandescent first novel begins with the unnamed narrator describing her involvement in a seemingly unequal romantic relationship. With a clear and unforgiving eye, she dissects the behavior of all involved, herself included, and makes startling connections between the power struggles at the heart of human relationships and those of the wider world. I’m a Fan offers a devastating critique of class, social media, patriarchy’s hold on us, and our cultural obsession with status and how that status is conveyed.

Alice Carrière tells the story of her unconventional upbringing in Greenwich Village as the daughter of a remote mother, the renowned artist Jennifer Bartlett, and a charismatic father, European actor Mathieu Carrière. From an early age, Alice is forced to navigate her mother’s recovered memories of ritualized sexual abuse, which she turns into art, and her father’s confusing attentions—her childhood is spent in an adult’s world, with little-to-no boundaries or supervision.

No one knows Margo’s real name. Her colleagues and patrons at a small-town public library only know her middle-aged normalcy, congeniality, and charm. They have no reason to suspect that she is, in fact, a former nurse with a trail of countless premature deaths in her wake. She has turned a new page, so to speak, and the library is her sanctuary, a place to quell old urges.

Before moving in with the Crouch family, Juno thought Winnie and her husband, Nigel, had the perfect marriage, the perfect son — the perfect life. Only now that she’s living in their beautiful house, she sees the cracks in the crumbling facade are too deep to ignore. Still, she isn’t one to judge. After her grim diagnosis, the retired therapist simply wants a place to live out the rest of her days in peace. But that peace is shattered the day Juno overhears a chilling conversation between Winnie and Nigel....

When Astrid Strick witnesses a school bus accident in the center of town, it jostles loose a repressed memory from her young parenting days decades earlier. Suddenly, Astrid realizes she was not quite the parent she thought she'd been to her three, now-grown children. But to what consequence?

Nothing’s going well for Eve: she’s single, turning forty, stressed at work and anxious about a recent series of increasingly creepy incidents. Most devastatingly, her beloved father died last year, and her family still won’t acknowledge their sorrow. With her younger sister’s wedding rapidly approaching, Eve is on the verge of panic. She can’t bear to attend the event alone. That’s when she recalls a strange story her Yiddish grandmother once told her, about a protector forged of desperation…and Eve, to her own shock, manages to create a golem.

Rachele Luzzato is twelve years old when she learns that her father is gravely ill. While her family plans for her upcoming bat mitzvah, Rachele finds herself cast as the Madonna in her school’s Christmas play. Caught between spiritual poles, struggling to cope with her father’s mortality, Rachele feels as if the threads of her everyday life are unraveling.

It’s March of 2019, and twenty-eight-year-old Jules Gold—anxious, artistically frustrated, and internet-obsessed—has been living alone in the apartment she once shared with the man she thought she’d marry when her younger sister Poppy comes to crash. Indefinitely. Poppy, a year and a half out from a suicide attempt only Jules knows about, searches for work and meaning in Brooklyn while Jules spends her days hate-scrolling the feeds of Mormon mommy bloggers and waiting for life to happen.

When Hadassah Morfawitz flees Nazi Germany with her siblings and arrives in New York, she is determined to turn the city into her own Mount Olympus—at any cost. In choosing orphaned concentration camp survivor Zev Kretinberg as her husband and accomplice—ensuring his loyalty with the promise of riches and the burial of a dark past—she begins a ruthless journey toward the upper echelons of Park Avenue synagogue society.

Corbin College, not quite upstate New York, winter 1959-1960: Ruben Blum, a Jewish historian—but not an historian of the Jews—is co-opted onto a hiring committee to review the application of an exiled Israeli scholar specializing in the Spanish Inquisition. When Benzion Netanyahu shows up for an interview, family unexpectedly in tow, Blum plays the reluctant host to guests who proceed to lay waste to his American complacencies. Mixing fiction with nonfiction, the campus novel with the lecture, The Netanyahus is a wildly inventive comedy of blending, identity, and politics.

Avishay is up for the Nobel Prize for Economics. There’s just one problem—he’s dead. His four closest friends agree that the well-earned prize must stay within his grasp, and so conspire to conceal Avishay’s corpse until the committee’s announcement. The potential of a glorious legacy for their late friend – and by extension, for them all – is only a mere eight days away. What could go wrong?

Living with her Babby after her parents’ death, ten-year-old Dinah Ash is invited to train at Leningrad’s legendary Vaganova Ballet School. In the world of elite dance, she works hard, falls in love, and weathers the Soviet Union’s ubiquitous antisemitism, but despite an impressive talent, she quickly learns that dancers of her “profile” don’t make prima ballerinas. Love of Leningrad, ballet, friends, family, and books sustain Dinah until history intervenes.

In 1980, a wealthy businessman named Carl Fletcher is kidnapped from his driveway, brutalized, and held for ransom. He is returned to his wife and kids less than a week later, only slightly the worse, and the family moves on with their lives, resuming their prized places in the saga of the American dream, comforted in the realization that though their money may have been what endangered them, it is also what assured them their safety.

This ambitious, electrifying work traces the harrowing journey of the famed Sarajevo Haggadah, a beautifully illuminated Hebrew manuscript created in 15th-century Spain. When it falls to Hanna Heath, an Australian rare-book expert, to conserve this priceless work, the series of tiny artifacts she discovers in its ancient binding—an insect wing fragment, wine stains, salt crystals, a white hair—only begin to unlock its deep mysteries.

Daniel Rosenberg and Liyah Cohen-Jackson’s last conversation—fourteen years ago at summer camp—ended their friendship. Until they find themselves seated next to each other on a plane, and bitterly pick up right where they left off. At least they can go their separate ways again after landing... That is, until Daniel's marketing firm gets hired by the Chicago museum where Liyah works as a junior curator, and they’re forced to collaborate with potential career changing promotions on the line.

January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest’s maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz. Fifteen years after the postcard is delivered, Anne, the heroine of this novel, is moved to discover who sent it and why.

Taking over from her father and grandfather as the head of the Survivor’s Campaign, an organization whose purpose is to bring Nazi war criminals to justice, Milia Gottstein has dedicated her life to making sure the voices of Holocaust victims will never be silenced. It is an overwhelming and heartbreaking mission that has often usurped her time and energy being a wife to busy surgeon Julius, and a mother and grandmother. But now, just as she is finally ready to pass on her work to others, an unexpected phone call suddenly explodes all she thought she knew about her present and her future.

Hannah Gold never thought she’d speak to Ethan Reisner ever again. Getting dumped in high school will do that to you. But when she needs to find a beloved sweater in time for her parents’ 50th anniversary, she begins her search where she last saw it: Ethan’s childhood home. She thought calling Ethan out of the blue would be the hardest part, but breaking fifteen years of silence was just the beginning. Why is Ethan being so friendly? And helpful? And funny? And is it possible for someone to be handsome over the phone?

Avital Cohen isn’t wearing underpants—woefully, for unsexy reasons. Chronic pelvic pain has forced her to sideline her photography dreams and her love life. It’s all she can do to manage her family’s kosher bakery, Best Babka in Brooklyn, without collapsing. She needs hired help. And distractingly handsome Ethan Lippmann seems the perfect fit. Except Ethan isn’t there to work—he’s undercover, at the behest of his ironfisted grandfather. Though Lippmann’s is a household name when it comes to mass-produced kosher baked goods, they don’t have the charm of Avital’s bakery.

Millions of us use restrictive diets, intermittent fasting, IV therapies, and Ozempic abuse to shrink until we are sample-size acceptable. But for the 30 million Americans who live with eating disorders, it isn’t just about less. More, Please is a chronicle of a lifelong fixation with food—its power to soothe, to comfort, to offer a fleeting escape from the outside world—as well as an examination of the ways in which compulsory thinness, diet culture, and the seductive promise of “wellness” have resulted in warping countless Americans’ relationship with healthy eating.