In September of 1892, Oscar Wilde and his family retreated to the idyllic Norfolk countryside for a holiday. His wife, Constance, has every reason to be happy: two beautiful sons, a stellar reputation as an advocate for progressive causes, and a delightfully charming and affectionate husband and father, who is perhaps the most famous man in England. But as an assortment of houseguests arrive, including an aristocratic young wannabe poet named Lord Alfred Douglas, Constance gradually—and then all at once—comes to see that her husband's heart is elsewhere.

Among the women of Greek mythology, the witch Medea may be the most despised. Known for the brutal act of killing her own children to exact vengeance on her deceitful husband, Jason, the leader of the Argonauts, Medea has carved out a singularly infamous niche in our histories.

Jocasta is just fifteen when she is told that she must marry the King of Thebes, an old man she has never met. Her life has never been her own, and nor will it be, unless she outlives her strange, absent husband. Ismene is the same age when she is attacked in the palace she calls home. Since the day of her parents' tragic deaths a decade earlier, she has always longed to feel safe with the family she still has. But with a single act of violence, all that is about to change. With the turn of these two events, a tragedy is set in motion. But not as we’ve known it.

In London, twenty-six-year-old Venetia Stanley—aristocratic, clever, bored, reckless—is part of a fast group of upper-crust bohemians and socialites known as “The Coterie.” She’s also engaged in a clandestine love affair with the Prime Minister, H. H. Asquith, a man more than twice her age. He writes to her obsessively, sharing the most sensitive matters of state.

Based on an 1895 disaster that went down in history when it was captured in a series of surreal, extraordinary photographs, The Paris Express is a propulsive novel set on a train packed with a fascinating cast of characters who hail from as close as Brittany and as far as Russia, Ireland, Algeria, Pennsylvania, and Cambodia.

Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

Annie has always had high hopes for her future. But the reality of her life just isn’t measuring up. She loves her fiancé, Greg–doesn’t she? She’s going to get her degree and open her own business–won’t she? Then, a strange old woman shows up outside her house, and she seems to know a lot about Annie. An awful lot. Annie could tell the old woman to get lost. Yet there’s something about her Annie just can’t shake. And what she learns could change her life forever–but is it the life she envisioned?

For some it’s an opportunity. For others it’s a moment to question their faith: In God, in science, in everything. Still others try to keep the world running in the face of absurdity and uncertainty. And then there are the billions looking to the sky and wondering how a thing that was always just there is now... something absolutely impossible.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

It’s the summer of 1984 in Swaffham, Massachusetts, when Mel (short for Melanie) meets Sylvia, a tough-as-nails trans woman whose shameless swagger inspires Mel’s dawning self-awareness. But Sylvia’s presence sparks fury among her neighbors and throws Mel into conflict with her mother and best friend. Decades later, in 2019, Max (formerly Mel) is on probation from his teaching job for, ironically, defying speech codes around trans identity. Back in Swaffham, he must navigate life as part of a fractured family and face his own role in the disasters of the past.

Thisbe Chisholm wants to be a writer. It’s 2007, a time of digital revolution and skyrocketing property prices, but she’s an old-fashioned girl. She longs only to tell the stories written on her heart. While her best friends, Penny and Jane, and her darling boyfriend, John, seem set for stellar careers in their chosen fields, Thisbe works nights as a hostess at a glitzy harbourside Sydney club - a job she despises but has paid the rent for the last three years since university graduation.

Joel Golby's writing for Vice and The Guardian, with its wry observation and naked self-reflection, has brought him a wide and devoted following. Now, in his first book, he presents a blistering collection of new and newly expanded essays - including the achingly funny viral hit "Things You Only Know When Both Your Parents Are Dead." In this audiobook, he travels to Saudi Arabia, where he acts as a perplexed bystander at a camel pageant; offers a survival guide for the modern dinner party (i.e. how to tactfully escape at the first sign of an adult board game); and more.

Abandoned by first her father and then her mother, as a girl Tessa is left to live with her abusive stepfather and stepbrother. She survives by finding reserves of strength in herself, and by the transformative love of another teenage girl, Mel, who sees through Tessa’s tough exterior to the loving woman inside. When she suddenly loses Mel, too, Tessa stumbles into a kind of refuge with Henry and his mama, becoming a mother and finding herself in a familial existence that somehow carries her into adulthood—until the day she runs into Mel, who has just returned to Perris after years away.

More Than I Love My Life is the story of three strong women: Vera, age ninety; her daughter, Nina; and her granddaughter, Gili, who at thirty-nine is a filmmaker and a wary consumer of affection. A bitter secret divides each mother and daughter pair, though Gili—abandoned by Nina when she was just three—has always been close to her grandmother.

All through her childhood in Tehran, Forugh Farrokhzad is told that Persian daughters should be quiet and modest. She is taught only to obey, but she always finds ways to rebel - gossiping with her sister among the fragrant roses of her mother's walled garden, venturing to the forbidden rooftop to roughhouse with her three brothers, writing poems to impress her strict, disapproving father, and sneaking out to flirt with a teenage paramour over café glacé. During the summer of 1950, Forugh's passion for poetry takes flight - and tradition seeks to clip her wings.

Esther Ann Hicks - Essie - is the youngest child on Six for Hicks, a reality television phenomenon. She's grown up in the spotlight, both idolized and despised for her family's fire-and-brimstone brand of faith. When Essie's mother, Celia, discovers that Essie is pregnant, she arranges an emergency meeting with the show's producers: Do they sneak Essie out of the country for an abortion? Do they pass the child off as Celia's? Or do they try to arrange a marriage - and a ratings-blockbuster wedding?

Zagreb, 1991. Ana Jurić is a carefree 10-year-old, living with her family in a small apartment in Croatia's capital. But that year, civil war breaks out across Yugoslavia, splintering Ana's idyllic childhood. Daily life is altered by food rations and air raid drills, and soccer matches are replaced by sniper fire. Neighbors grow suspicious of one another, and Ana's sense of safety starts to fray. When the war arrives at her doorstep, Ana must find her way in a dangerous world.

Young, handsome, intelligent, and gay, he hopes to escape his Rust Belt poverty and give his mother a better life by pursuing a career in high finance. But by the spring of 2016, Alistair’s plan has come undone: His fantasy banking job has eluded him, he’s mired in student debt, and in his desperation he’s gone to work for an enigmatic billionaire whose ambitions turn out to be far darker than Alistair could have imagined. By the time Alistair uncovers his employer’s secret, his life is in danger and he’s forced to go on the run.

It is the summer of 1969 and Rome is awash with glamour and intrigue: the stars of Cinecittà are drinking and dancing along the paparazzo-lined Via Veneto, where royalty, American expats, and the occasional Russian spy rub shoulders. Teddy Huntley Carlyle has just arrived in Italy from Dallas, Texas, eager for a fresh start with her new husband, a diplomat assigned to the American embassy. After years of “spoiling like old milk,” in the words of her controlling, politically minded uncle, Teddy vows to turn over a new leaf.

Ireland, 1924. For 13-year-old Nora Doyle every day is a fight for survival in Ballybun, the rural Irish village she calls home. Each night, as she feels the cold wind blowing through the cracks of her family’s cramped cottage, Nora longs to escape the poverty surrounding her and find her place in the world. When she meets Edward, from the grand house that looms over her tiny village, she feels an unlikely kinship that is impossible to explain, and as she grows from an impulsive child into a beautiful woman, Nora spends every moment she can with him.

Young Elly's world is shaped by those who inhabit it: her loving but maddeningly distractible parents; a best friend who smells of chips and knows exotic words like 'slag'; an ageing fop who tapdances his way into her home, a Shirley Bassey impersonator who trails close behind; lastly, of course, a rabbit called God. In a childhood peppered with moments both ordinary and extraordinary, Elly's one constant is her brother Joe. Twenty years on, Elly and Joe are fully grown and as close as they ever were. Until, that is, an earth-shattering event that threatens to destroy their bond for ever.

Once in a great while a writer comes along who can truly capture the drama and passion of the life of a family. David James Duncan, author of the novel The River Why and the collection River Teeth, is just such a writer. And in The Brothers K he tells a story both striking and in its originality and poignant in its universality.

Cana, Massachusetts: a utopian vision of 18th-century Puritan New England. To the outside world, Reverend Nathaniel Whitfield and his family stand as godly pillars of their small-town community, drawing Christians from across the New World into their fold. One such Christian, physician Arthur Lyman, discovers in the minister’s words a love so captivating it transcends language. As the bond between these two men grows more and more passionate, their families must contend with a tangled web of secrets, lies, and judgments which threaten to destroy them in this world and the next.

When tragedy forces Delphine Auber, an aspiring writer on the cusp of adulthood, from her home in postwar Paris, she seizes the opportunity to embark on the journey she's long dreamed of: finding the father she has never known. But her quest—spanning from Paris to New York’s Harlem, to Havana and Key West—is complicated by the fact that she believes him to be famed luminary Ernest Hemingway, a man just as elusive as he is iconic. She desperately yearns for his approval, as both a daughter and a writer, convinced that he holds the key to who she's truly meant to be.