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All Systems Red (Dramatized Adaptation)
- The Murderbot Diaries, Book 1
- Narrated by: Alejandro Ruiz, Bradley Foster Smith, Holly Adams, Michael John Casey, Zeke Alton, Rayner Gabriel, Natalie Van Sistine, David Cui Cui, Khaya Fraites, Aure Nash, Megan Dorminy
- Length: 2 hrs and 33 mins
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Publisher's summary
A murderous android discovers itself in All Systems Red, a tense science fiction adventure by Martha Wells that interrogates the roots of consciousness through Artificial Intelligence.
"As a heartless killing machine, I was a complete failure."
In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety.
But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern.
On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is.
But when a neighboring mission goes dark, it's up to the scientists and their Murderbot to get to the truth.
Performed by David Cui Cui, Khaya Fraites, Zeke Alton, Alejandro Ruiz, Aure Nash, Bradley Foster Smith, Holly Adams, Megan Dorminy, Natalie Van Sistine, Michael John Casey, Rayner Gabriel, Shanta Parasuraman, Tanja Milojevic and Wyn Delano.
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- By L. Newman on 01-11-20
By: Andy Weir
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Constituent Service
- A Third District Story
- By: John Scalzi
- Narrated by: Amber Benson
- Length: 2 hrs and 30 mins
- Original Recording
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Ashley Perrin is fresh out of college and starting a job as a community liaison for the Third District–the city’s only sector with more alien residents than humans. Ashley’s barely found where the paper clips are kept when she’s beset with constituent complaints–from too much noise at the Annual Lupidian Celebration Parade to a trip-and-fall chicken to a very particular type of alien hornet that threatens the very city itself. And if that’s not terrifying enough, Ashley is next up at the office karaoke night.
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What a silly and sweet quick listen!
- By Geoffrey Christian on 10-08-24
By: John Scalzi
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Temporal
- By: Julian Simpson, Richard MacLean Smith, Bec Boey, and others
- Narrated by: Nicola Walker, Sanjeev Bhaskar, Jessie Mei Li, and others
- Length: 4 hrs and 26 mins
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In the not-too-distant future, a 21-member crew launches from Earth. Their mission: to establish a temporary colony on Mars. Little do they know that colony will become permanent–and the last stand of the human race. Because, without warning, every single person left on Earth simply...vanishes. Now, a thousand years later, the resources needed to sustain life are running out, and the very existence of the Mars colony is threatened. Humankind has only one option–to return to its home planet.
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It was ok.
- By Cregg Terasa on 08-06-24
By: Julian Simpson, and others
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In the future, when mankind has spread across the stars, the hierarchy of man is dictated by the color of one’s caste. The Golds rule all, but what will happen when one falls for a lowly Red? See how a forbidden love will set the course of events for the future and lead to the formation of the formidable Sons of Ares!
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Pell was just the first living planet. Then came Cyteen, and later others, and a new and frighteningly different society grew in the farther reaches of space. The importance of Earth faded and the Company reaped ever smaller profits as the economic focus of space turned outward. But the powerful Earth Fleet was still a presence in the Beyond, and Pell Station was to become the last stronghold in a titanic struggle between the vast, dynamic forces of the rebel Union and those who defended Earth's last, desperate grasp for the stars.
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Stunningly Magnificent Performance/Production
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What listeners say about All Systems Red (Dramatized Adaptation)
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Joyce Melvin
- 09-30-23
Not sure about this interpretation
I was really looking forward to this when I first saw it. I'm a big fan of Murderbot, and I love to see how different creative groups interpret the source material. in other words, I am that person who will watch and probably enjoy every variation of a book/movie/play that i like.
For this production, I'm not sure how successful this interpretation was. the added sound effects provided a surprisingly interesting environment. I didn't notice the music at all, but then I never notice the music in movies. the voice actors did a fine job, though I had difficulty telling characters apart in group scenes. unfortunately, some of the characters sounded very wrong. one who is a very serious and down to earth political leader sounded flippant and immature. the inflections were off (way off) for most of the production. towards the end, it was sounding better and finally hitting the emotional marks. these are production and directoral issues and not the fault of the actors.
this was my first Graphics Audio purchase, and it could very well be my last.
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4 people found this helpful
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- BlindWanderer
- 10-20-23
I'm a fan
I'm a fan of the series and got this version with a coupon. I already have the other version.
The audio is technically fine, no glitches, chirps, or repeats. A well edited audiobook. The only problem is the chapter transitions. They are abrupt. Reading the chapter numbers makes the transitions smoother.
There are some voice acting problems. First, the narrator is too chipper. MB is not a chipper character, it's a sarcastic character. Conversely some of the other characters are a bit flat.
That said, these are only really noticeable if you've listened to both.
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2 people found this helpful
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- Lucy A. Pithecus
- 10-05-23
Mismatch of story & casts
The story is excellent, I love the dramatized effects (the clings and clangs). and the narrators are established performers, but this production is a mismatch.
First, this version is too fast. The original audiobook is 3 hours 17 minutes, and the dramatized version is 2 hours 30 minutes (the last few minutes in this version is a sample of another book). Just because the story is fast-paced, it doesn't mean the reading needs to be rapid. The book sounds to me like the narrators want to finish reading the book quickly and finish it. A more leisurely narration helps the readers to enjoy the story and the special effects. The people can talk fast, but the narration needs to be stable and clear.
Second, the narrator for Murderbot reads everything in a monotone - the story narration, the actions, the inter-thoughts, and the dialogues - everything sounds more or less the same. This technique could be good for non-fiction, but what's the point of dramatizing a book if the narration is flat?
Third, the voices of some characters sound out of character. For example, the voice of Dr. Mensha, who is an established middle-aged woman and a fearless leader, sounds too young. Yes, in real life, someone in her shoes could technically sound like that, but in an audiobook, we, the readers, want the character to sound like what we expect him/her/them to be unless there is a good reason for otherwise. Also, I (and my friend, who has only read the books and not listened to the audio versions) think Murderbot's voice should be lower. I do like the casts for Ratthi and Gurathin - they fit the personalities.
If you are new to the story and intrigued by the story, please listen to the original version narrated by Kevin R. Free. If you are a fan and curious, try this at your own risk. (I know about the risk, but I still can't resist.)
If you are looking for outstanding dramatized audiobooks, check out: "Good Omens - A Full Cast Production" by Neil Gaiman & Terry Pratchett, and narrated by the main actors in the TV show; "The Graveyard Book: Full-Cast Production" by Neil Gaiman; or "The Sandman" by Neil Gaiman, all three books, which are straight-out full cast books, not dramatized version of audiobooks, but the best dramatized audiobook ever.
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13 people found this helpful
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- Marlene Morris
- 05-10-24
Love the story, not the performance
I love The Murderbot Diaries, and have read them several times so I decided to try the audio versions for my work commute. The audio version of Network Effect was pretty good so I decided to get the whole series. Unfortunately All Systems Red is poorly cast and poorly performed. The reader for SecUnit is light, chipper, and going way too fast. SecUnit is anxious and depressed and it expresses that in sarcasm and dry humor. To convey that you need a slower pacing and emphasis for emotional weight. Also, the reader for SecUnit mispronounced a few words - was there no director? Was the director not paying attention? And Dr. Mensah is described as having very dark skin and being calm and mature but the reader for her sounds like a 20-something white woman. I returned the audio and Audible returned my credit so I have no complaints there. I'll listen to samples before I buy next time. Maybe the series will be re-done after the Apple+ show.
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- Jason
- 10-10-23
fun, but go with the audio book rather than this
Huge fan of the book series in print and audio. I snatched this up to have a new way to enjoy Murderbot. This story definitely benefits from a full cast! My complaints are all about the editing/production choices. 1. The edits cram audio information too close together to be easily parsed. The original audio book is much easier to understand in this regard.
2. Murderbot essentially needs three consistent voices or voice effects from its narrator: one to voice the dialogue, one to narrate the thoughts, and one to give voice to feed messages. Instead, this production chose to put effects on in-flight communications (but only on Murderbot's voice, even though there were other people on the flight talking - wth?). It was too little and too inconsistent to work for helping me to understand when Murderbot was talking out loud versus not. The original audio book's performance is able to subtly convey these voices. I had been hoping for a more obvious performance here that did not at all deliver.
3. I had hoped for sound effects that were more immersive, but they seem sort of added on timidly in the background.
I'd say pick this up if you enjoy the story already and therefore don't need to scramble to understand it. If you're new to Murderbot, go with the audio book narrated by Kevin R. Free. Their performance is great, and more easily understood. I really missed their performance of Pin Lee in particular.
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7 people found this helpful
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- Jyoung
- 09-16-23
Just, ok.
I have listened to the original audiobook version, several times. I was excited for this new version. If you’ve never listened to the original version, this enhanced version is a good introduction to the Murderbot series. However, I did not find it an improvement over the original.
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3 people found this helpful
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- Paul G. Davitt
- 09-19-23
voice problem
seriously, who chose a young woman to play an old woman? the background noises didn't overwhelm the narrative. I enjoyed except for the one voice
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1 person found this helpful
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- Amazon Customer
- 01-13-24
Should have considered the story’s legacy
The work (book—narrative) is so good that it deserves better than this. Another reviewer’s critique addressed speed of delivery and gender and age of key characters, and nailed the disparagement of what comes off as an amateur review performance. Dramatic presentation of the Murderbot Diaries is desirable! But this isn’t it.
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- Kaitlin
- 04-02-24
funny and action packed
murderbot is a delightful and funny narrator! it's nice to see such a great representation of a nonbinary, introverted character, I cannot wait to read more in the series. full cast recording is excellent!
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- Keith G.
- 05-14-24
Mediocre version of the audiobook
Multiple voices and sound effects don’t make the story any better than the original. Movie in the mind is a little bit of a stretch
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