Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

It's 1979, and fourteen-year-old Suzanne, who should be enjoying her first year at Denver East High, is instead reckoning with the aftermath of her mother Alex's shooting death during a robbery at Alex's store, Zoe's Records. A clairvoyant since childhood, Suzanne is unsurprised when Alex's ghost appears. But when Alex raises alarm bells about Suzanne's father's new girlfriend, what Suzanne can't foresee is the lifelong repercussions as she heeds Alex's warning.

Cecilia has it all. The house on the beach. The cute figure. The beautiful baby. But she’s a long way from perfect. She’s let me into her gorgeous house as her nanny because now she’s on her own, she needs a little help with her baby daughter Peyton. She barely notices me. But I see everything. While Peyton naps, I rifle through her drawers and discover the dark secrets in her past, the threatening letter from her ex-husband. It's a shame that Cecilia doesn’t have my powers of observation. If she took some time, she might just recognise me. I’ve been following her for a while, after all.

FBI Special Agent Avril Dahl has spent a decade chasing shadows—the Frost Killer, a meticulous murderer who stole fifty-three lives, including her mother's. Now, after years of silence, Avril returns to her childhood home in the snowy streets of Täby, Sweden, desperate to leave the hunt behind. But as she sorts through the remnants of her past, she discovers eerie signs that the killer is not only alive but watching her.

She told me she was the housekeeper, and who was I to question? Our stay in this perfectly renovated Victorian house on the rich side of Hastings was a favour from an old school friend while the fire damage to our own little place was being fixed. This is not my house, and they are not my rules. So I step aside, and I let her in. Am I paranoid to think that she’s watching my every move? What am I supposed to do when she rests her head on my husband’s broad shoulder, a glint in her eye that only I can see?

Struggling private investigator Kate Myles is shattered to learn her late father isn't her biological dad. She's still reeling when she discovers that an unknown distant relative is the prime suspect in a decades-old murder investigation. Trying to convince her to take on the case for free, an old colleague recommends her as an investigator for a recent arson murder in the same small town.