A year after her child is born, Jane suffers a series of strange episodes: amnesia, premonitions, hallucinations, and an inexplicable sense of dread. Three days after her first visit to a psychiatrist, Jane suddenly goes missing. A day later she is found unconscious in Brooklyn’s Prospect Park, in the midst of what seems to be an episode of dissociative fugue; when she comes to, she has no memory of what has happened to her.

It’s been four months since glaciologist Rachael Beckett left her husband and daughter to join an urgent research trip to a remote field station deep in the Antarctic. But after losing all communication with her crew at base camp, she’s trapped and alone–and running out of supplies. The only information she has about what’s gone so catastrophically wrong is an emergency radio broadcast playing on a loop: a nuclear war has broken out, and Rachael might be the last survivor on Earth.

Charlie Tannehill and her twin sister, Maggie, are just eight years old when an unfortunate scientific discovery upends their world—and the world order. The revelation? Extinction, encoded in every creature’s DNA. The expiration date for humans? Only four generations away. A decade later, unsure of what tomorrow holds, Charlie and Maggie enroll as counselors in a government-run human-husbandry program.

Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate’s dreary confines come with an intimate knowledge of the perversions and pathetic preoccupations of the Pounds family—Mr. Pounds can’t keep his eyes off Winifred’s chest, and Mrs. Pounds takes a sickly pleasure in punishing Winifred for her husband’s wandering gaze.

Dalton Greaves is a hero. He’s one of humankind’s first representatives to Unity, a pan-species confederation working to bring all sentient life into a single benevolent brotherhood. That’s what they told him, anyway. The only actual members of Unity that he’s ever met are Boreau, a giant snail who seems more interested in plunder than spreading love and harmony, and Boreau’s human sidekick, Neera, who Dalton strongly suspects roped him into this gig so that she wouldn’t become the next one of Boreau’s crew to get eaten by locals while prospecting.

Sara has just landed at LAX, returning home from a conference abroad, when agents from the Risk Assessment Administration pull her aside and inform her that she will soon commit a crime. Using data from her dreams, the RAA’s algorithm has determined that she is at imminent risk of harming the person she loves most: her husband. For his safety, she must be kept under observation for twenty-one days. The agents transfer Sara to a retention center, where she is held with other dreamers, all of them women trying to prove their innocence from different crimes.

On a snowy December night, single mother Rebecca Carter drives her van into a snowbank to avoid hitting an elk on a desolate mountain highway. She is at the end of her rope, out of money and food. Still, she refuses help from a man in a pickup truck—Rebecca’s adolescent daughter, Moonflower, is on the run from a grisly secret, and the last thing they can afford is to be remembered by anyone they meet.

From her cell in a mysterious convent, a woman writes the story of her life in whatever she can find—discarded ink, dirt, and even her own blood. A lower member of the Sacred Sisterhood, deemed an unworthy, she dreams of ascending to the ranks of the Enlightened at the center of the convent and of pleasing the foreboding Superior Sister. Outside, the world is plagued by catastrophe—cities are submerged underwater, electricity and the internet are nonexistent, and bands of survivors fight and forage in a cruel, barren landscape. Inside, the narrator is controlled, punished, but safe.

When a shocking murder occurs in the home of Angie and David Sheehan, their lives are shattered. Desperate to defend their family, they turn to small-town lawyer Martine Dumont for help, but Martine isn’t just legal counsel—she’s also the mother of Angie’s first love, Julian, a now-successful New York City criminal defense attorney. As Julian and Angie confront their shared past and long-buried guilt from a tragic accident years ago, they must navigate their own culpability and the unresolved feelings between them.

In the heart of the Maine woods, an experienced Appalachian Trail hiker goes missing. She is forty-two-year-old Valerie Gillis, who has vanished 200 miles from her final destination. Alone in the wilderness, Valerie pours her thoughts into fractured, poetic letters to her mother as she battles the elements and struggles to keep hoping. At the heart of the investigation is Beverly, the determined Maine State Game Warden tasked with finding Valerie, who leads the search on the ground.

In the small town of Thistleford, on the edge of Faerie, dwells the mysterious Hawthorn family. There, they tend and harvest the enchanted willows and honour an ancient compact to sing to them in thanks for their magic. None more devotedly than the family’s latest daughters, Esther and Ysabel, who cherish each other as much as they cherish the ancient trees. But when Esther rejects a forceful suitor in favor of a lover from the land of Faerie, not only the sisters’ bond but also their lives will be at risk…

Books can seduce you. They can, Sarah Chihaya believes, annihilate, reveal, and provoke you. And anyone incurably obsessed with books understands this kind of unsettling literary encounter. Sarah calls books that have this effect “Life Ruiners”. Her Life Ruiner, Toni Morrison’s The Bluest Eye, became a talisman for her in high school when its electrifying treatment of race exposed Sarah’s deepest feelings about being Japanese American in a predominantly white suburb of Cleveland.

A house embedded with an artificial intelligence is a common thing: a house that is an artificial intelligence, infused with a thinking creature that is not human? That is something else. But now Deniau's been dead a year, and Rose House is locked up tight, as commanded by the architect's will: all his possessions and files and sketches are confined in its archives, and their only keeper is Rose House itself. Rose House, and one other.

Dominic Salt and his three children are caretakers of Shearwater, a tiny island not far from Antarctica. Home to the world’s largest seed bank, Shearwater was once full of researchers, but with sea levels rising, the Salts are now its final inhabitants. Until, during the worst storm the island has ever seen, a woman mysteriously washes ashore.

Eddie Asher arrives at Hudson Valley Psychiatric Hospital panicked that he may have murdered his brother’s fiancée, Lucy, with whom he shared a profound kinship. He can’t imagine doing such a terrible thing, but Eddie hasn’t been himself lately. Eddie’s anxiety is nothing new to Pär, the one Eddie calls his Other, who protects Eddie from truths he’s too sensitive to face. Or so Pär says. Troubled by Pär’s increasing sway over his life, Eddie seeks out Dr. Richard Montgomery, a specialist in dissociative identities.

The world is about to end. Again. Ever since the first Storm wreaked havoc on civilization as we know it, seventeen-year-old Liz Flannery has been holed up in an abandoned bookstore in suburban New Jersey where she used to work, trading books for supplies with the few remaining survivors. It’s the one place left that feels safe to her. Until she learns that another earth-shattering Storm is coming . . . and everything changes. Enter Maeve, a prickly and potentially dangerous out-of-towner who breaks into the bookstore looking for shelter one night.

Perched on a sloping hill, set away from a small town by the sea, the High House has a tide pool and a mill, a vegetable garden, and, most importantly, a barn full of supplies. Caro, Pauly, Sally, and Grandy are safe, so far, from the rising water that threatens to destroy the town and that has, perhaps, already destroyed everything else. But for how long?

Author Eiren Caffall is the inheritor of a family legacy of two hundred years of genetic kidney disease and the mother of a child who may inherit that legacy. A literary memoir on loss, chronic illness, and generational healing, Caffall’s The Mourner’s Bestiary is also a meditation on grief and survival told through the stories of animals in two collapsing marine ecosystems—the Gulf of Maine and the Long Island Sound—and the lives of a family facing a life-threatening illness on their shores.

In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of freedom.

For centuries, vampires freely roamed the land until the Grays came out of nowhere, wiping out half the population in a night. The survivors fled to the last vampire city of First Light, where the rules are simple. If you’re poor, you drink weak blood. If you’re nobility, you get the good stuff. And you can never, ever leave. Palace maid Sam has had enough of these rules, and she’s definitely had enough of cleaning the bedpans of the lords who enforce them. When the son of the city’s ruler is murdered, she seizes the chance to blackmail her way into a better class and better blood.

1800s China. Tightly bound feet, or "golden lilies," are the mark of an honorable woman, eclipsing beauty, a rich dowry and even bloodline in the marriage stakes. When Little Flower is sold as a maidservant—a muizai—to Linjing, a daughter of the prominent Fong family, she clings to the hope that one day her golden lilies will lead her out of slavery. Not only does Little Flower have bound feet, uncommon for a muizai, but she is extraordinarily gifted at embroidery, a skill associated with the highest class of a lady.

Going Home is a sparkling, funny, bighearted story of family and what happens when three men—all of whom are completely ill-suited for fatherhood—take charge of a toddler following an unexpected loss.

The daughter of a Taiwanese father and white mother, Vi Liu has never quite fit into her Midwestern college town. Aimless after getting dumped by her boyfriend and dropping out of college, Vi works at the front desk of a hotel where she greets guests, refills cucumber water samovars, and tries to evade her bubbly blond coworker, Rachel. Little does Vi know her life is about to be permanently transformed when she agrees to a night out with Rachel. In the alley outside the bar, Vi discovers a strange blob—a small living creature with beady black eyes.

It’s the early 1990s in Glasgow, Scotland, and Stephen has emerged from a lengthy hospital stay. Diagnosed with chronic fatigue syndrome, a little-understood disease which has robbed him of any prospects of work, friends, or independent living, he moves slowly toward new goals and meets others like him, including Richard, a friend from school, and Carrie, a young woman bedridden for five years. Feeling isolated and alone, they form their own support group, and try to get by with as little money and pain as possible.

Arriving at the University of Edinburgh for her first term, Pen knows her divorced parents back in Canada are hiding something from her. She believes she’ll find the answer here in Scotland, where an old friend of her father’s—now a famous writer known as Lord Lennox—lives. When she is invited to spend the weekend at Lord Lennox’s centuries-old estate with his enveloping, fascinating family, Pen begins to unravel her parents’ secret, just as she’s falling in love for the first time . . .

When Nema and her friends discover a hidden sugar-hooked society holding lost kids, they find their perfect world in danger. The strange, sticky place hides the truth about Nema’s missing brother and a plot to destroy the free life she knows. But only they can reverse a code to prevent a rock candy robot invasion and rescue the captives. Fail, and they might never make it back home. Moojag and the Auticode Secret is a quirky, Alice-esque, cli-fi adventure.

Maddy is 16. She has loyal friends, a mother with whom she’s unusually close, a father she’s never met, devoted grandparents, and a crush on a boy named Jack. Maddy also has cancer. Deeply curious, wry, and vivacious, she’s poised at the outset of adulthood, ready to untangle all the mysteries that living holds - if she survives her teens. All the Water in the World is the story of a family doing its best when faced with the worst.

At rock bottom following her daughter’s death, ex-Chicago detective Carrie Starr has nowhere to go but back to her roots. Starr’s father never talked much about the reservation where he was raised, but the tribe needs a new marshal as much as Starr needs a place to call home. In the past decade, too many young women have disappeared from the rez. Some have ended up dead, others just…gone. Now local college student Chenoa Cloud is missing, and Starr falls into an investigation that leaves her drowning in memories of her daughter—the girl she failed to save.

As Hollywood prepares for its most glamorous evening, five actresses compete to see who will claim the top prize. With humor, wit, and an insider’s insight, The Talent peels back the layers of women who are in the business of being perceived. And while they work to push their careers forward and maintain the public’s goodwill, all five are forced to confront truths about themselves that they would rather ignore.

Sofia Bottom lives in Elysia, a small country forgotten by Europe. But inside its borders, the old myths of trees that come alive and faeries who live among their roots have given way to an explosion of the arts and the consolations of philosophy. From the clarinetists to the cabaret singers, no artist is as revered as Sofia’s brilliant mother, the writer Clara Bottom. How can fourteen-year-old Sofia, with her tin ear and enduring love of ancient myths, ever hope to win her mother’s love?