Miranda’s parents live in a dilapidated house in rural France that they share with two llamas, eight ducks, five chickens, two cats, and a freezer full of food dating back to 1983. This wry, propulsive story about a singularly eccentric family and the sibling rivalry, generational divides, and long-buried secrets that shape them, is a glorious debut novel from a seasoned playwright with immense empathy and a flair for dialogue.

It's 1986, and "beautiful, radical ideas" are in the air. The narrator of Theory & Practice, a young woman originally from Sri Lanka, arrives in Melbourne for graduate school to research the novels of Virginia Woolf. In the bohemian neighborhood of St. Kilda she meets artists, activists, students—and Kit. He claims to be in a "deconstructed relationship." They become lovers, and the narrator's feminism comes up against her jealousy. Meanwhile, an entry in Woolf's diary upends what the narrator knows about her literary idol, and throws her own work into disarray.

Teenaged István lives with his mother in a quiet apartment complex in Hungary. Shy and new in town, he is a stranger to the social rituals practiced by his classmates and soon becomes isolated, with his neighbor—a married woman close to his mother’s age, whom he begrudgingly helps with errands—as his only companion. But as these periodical encounters shift into a clandestine relationship that István himself can barely understand, his life soon spirals out of control, ending in a violent accident that leaves a man dead.

A dazzling novel about one young woman’s summer of infinite possibility . . .

Keru and Nate are college sweethearts who marry despite their family differences: Keru’s strict, Chinese, immigrant parents demand perfection (“To use a dishwasher is to admit defeat,” says her father), while Nate’s rural, white, working-class family distrusts his intellectual ambitions and his “foreign” wife. Some years into their marriage, the couple invites their families on vacation.

At the turn of the twenty-first century, three young people come of age in Tanzania. Karim returns to his sleepy hometown after university with new swagger and ambition. Fauzia glimpses in him a chance at escape from a smothering upbringing. The two of them offer a haven to Badar, a poor boy still unsure if the future holds anything for him at all. As tourism, technology, and unexpected opportunities and perils reach their quiet corner of the world, bringing, each arrives at a different understanding of what it means to take your fate into your own hands.

After suffering her first big heartbreak two years earlier, Penelope Lin has built a quiet life with no romantic entanglements. She spends her days cataloging a museum's vast collection of Qing Dynasty bound-foot shoes and in the comfortable company of close friends. One day, she happens to meet Hoang, who confesses to releasing mice from the cancer research lab where he works. Hoang's openness catches Penelope off guard; from then on, she finds her carefully constructed life slowly start to unravel.

“Climb up here, Little Alien. Sit next to me. I will tell you about life on this planet. I will tell you how it goes.” Before she thinks of herself as Little Alien, our narrator is only a lonely little girl living in southeast England, who doesn’t understand the world the way other children seem to. So when a late-night TV special introduces her to the mysterious Voynich Manuscript—an ancient tome written in an indecipherable language—Little Alien experiences something she hasn’t before: hope. Could there be others like her, who also feel like they’re from another planet?

A year after her child is born, Jane suffers a series of strange episodes: amnesia, premonitions, hallucinations, and an inexplicable sense of dread. Three days after her first visit to a psychiatrist, Jane suddenly goes missing. A day later she is found unconscious in Brooklyn’s Prospect Park, in the midst of what seems to be an episode of dissociative fugue; when she comes to, she has no memory of what has happened to her.

Steven Mills has reached a crossroads. His wife and son have left, and they may not return. Which leaves him determined to find out what happened to his own father, a brilliant, charismatic professor who disappeared in 1984 when Steve was twelve, on a wave of ignominy. As Steve drives up the coast of California, seeking out his father’s friends, family members, and former colleagues, the novel offers us tantalizing glimpses into Steve’s childhood—his parents’ legendary pool parties, the black-and-white films on the backyard projector, secrets shared with his closest friend.

A tech billionaire and the flight attendant he’s marrying. A TV superhero who used to be married to the flight attendant. A Manhattan book editor and the sensitivity associate who got him fired. A twenty-three-year-old wild child prodigy who’s perhaps the savior of American literature. A vengeful Arkansas sheriff who sells a vitamin-enriched, ten-pounds-off-today demulsifier. A Wall Street bro who raps on TikTok. Two dentists—possibly stalking each other. What do these people have in common? Invited or not, they’re all headed to the most anticipated destination wedding ever.

Sucker Punch is about what happens when the life you thought you’d be living radically changes course, everything you thought you knew about the world and yourself has tilted on its axis, and you have to start forging a new path forward. Scaachi employs her biting wit to interrogate her previous belief that fighting is the most effective tool for progress.

Anthony Fennell, an Irish journalist and playwright, is assigned to cover the underwater cables that carry the world’s information. The sum of human existence—words, images, transactions, memes, voices, viruses—travels through the tiny fiber-optic tubes. But sometimes the tubes break, at an unfathomable depth.

Many cultural and religious traditions expect those who are grieving to step away from the world. In contemporary life, we are more often met with red tape and to-do lists. This is exactly what happened to Geraldine Brooks when her partner of more than three decades, Tony Horwitz–just sixty years old and, to her knowledge, vigorous and healthy–collapsed and died on a Washington, D. C. sidewalk.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day–partner, parent, creator, muse–and the truths every performance masks, especially from those who think they know us most intimately.

It’s the early 1990s in Glasgow, Scotland, and Stephen has emerged from a lengthy hospital stay. Diagnosed with chronic fatigue syndrome, a little-understood disease which has robbed him of any prospects of work, friends, or independent living, he moves slowly toward new goals and meets others like him, including Richard, a friend from school, and Carrie, a young woman bedridden for five years. Feeling isolated and alone, they form their own support group, and try to get by with as little money and pain as possible.

For centuries, vampires freely roamed the land until the Grays came out of nowhere, wiping out half the population in a night. The survivors fled to the last vampire city of First Light, where the rules are simple. If you’re poor, you drink weak blood. If you’re nobility, you get the good stuff. And you can never, ever leave. Palace maid Sam has had enough of these rules, and she’s definitely had enough of cleaning the bedpans of the lords who enforce them. When the son of the city’s ruler is murdered, she seizes the chance to blackmail her way into a better class and better blood.

As Hollywood prepares for its most glamorous evening, five actresses compete to see who will claim the top prize. With humor, wit, and an insider’s insight, The Talent peels back the layers of women who are in the business of being perceived. And while they work to push their careers forward and maintain the public’s goodwill, all five are forced to confront truths about themselves that they would rather ignore.

The world is about to end. Again. Ever since the first Storm wreaked havoc on civilization as we know it, seventeen-year-old Liz Flannery has been holed up in an abandoned bookstore in suburban New Jersey where she used to work, trading books for supplies with the few remaining survivors. It’s the one place left that feels safe to her. Until she learns that another earth-shattering Storm is coming . . . and everything changes. Enter Maeve, a prickly and potentially dangerous out-of-towner who breaks into the bookstore looking for shelter one night.

The daughter of a Taiwanese father and white mother, Vi Liu has never quite fit into her Midwestern college town. Aimless after getting dumped by her boyfriend and dropping out of college, Vi works at the front desk of a hotel where she greets guests, refills cucumber water samovars, and tries to evade her bubbly blond coworker, Rachel. Little does Vi know her life is about to be permanently transformed when she agrees to a night out with Rachel. In the alley outside the bar, Vi discovers a strange blob—a small living creature with beady black eyes.

All the Water in the World is told in the voice of a girl gifted with a deep feeling for water. In the years after the glaciers melt, Nonie, her older sister and her parents and their researcher friends have stayed behind in an almost deserted New York City, creating a settlement on the roof of the American Museum of Natural History. The rule: Take from the exhibits only in dire need. They hunt and grow their food in Central Park as they work to save the collections of human history and science. When a superstorm breaches the city’s flood walls, Nonie and her family must escape north.

At rock bottom following her daughter’s death, ex-Chicago detective Carrie Starr has nowhere to go but back to her roots. Starr’s father never talked much about the reservation where he was raised, but the tribe needs a new marshal as much as Starr needs a place to call home. In the past decade, too many young women have disappeared from the rez. Some have ended up dead, others just…gone. Now local college student Chenoa Cloud is missing, and Starr falls into an investigation that leaves her drowning in memories of her daughter—the girl she failed to save.

In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of freedom.

The unnamed Iranian-Indian American narrator of Liquid has always believed herself to be the smartest person in the room. And from an early age, she and her best friend—a poet-turned-marketer named Adam—have turned their noses up at other peoples’ riches. But two years after earning a PhD from UCLA, the narrator is no closer to the middle-class comfort promised to her by the prestige of her fancy, scholarship-funded education and the successes of her immigrant parents. Jokingly, Adam suggests she just "marry rich."

Edie Walker’s life is not going as planned. At thirty-five, she feels stuck: in her career, in her love life, and in her tiny San Francisco studio apartment. It doesn’t help that her best friend, Peter Masterson, is basically the über successful male version of her—and she’s hopelessly, unrequitedly in love with him. But when Peter breaks up with his girlfriend of seven years, Edie thinks her life might finally be turning around. He’ll discover how toxic dating app culture is and realize that Edie has been right for him all along.

After her recurring role in tabloid headlines, Valerie Quinn’s musical TV show is on the network chopping block. Desperate for good press, she hastily reassembles her wildly beloved pop punk band, Glitter Bats. A reunion concert could be the former lead vocalist’s ticket to a media makeover, especially if it renews public speculation around her iconic situationship with bassist Caleb Sloane. The only problem? They haven’t spoken in six years.

Meet Relebogile Naledi Mpho Moruakgomo. Or, for short, Eddie: an aspiring playwright who dreams of making it big in London’s theater world. But after repeated rejections from white talent agents, Eddie suspects her non-white sounding name might be the problem. Enter Hugo Lawrence Smith: good looking, well-connected, charismatic and…very white. Stifled by his law degree and looking for a way out of the corporate world, he finds a kindred spirit in Eddie after a chance encounter at a cafe. Together they devise a plan, one which will see Eddie’s play on stage and Hugo’s name in lights.

Ada’s little sister is getting married. Which should be a happy thought, right? But the once close sisters have been in a year long fight, the wedding is all the way in Ireland, and Ada is so broke that she just barely managed to get a ticket on a budget airline. And as if things couldn’t get worse, said airline just cancelled her connection. Which means Ada is stuck in London with no way to make it to the wedding.

Arriving at the University of Edinburgh for her first term, Pen knows her divorced parents back in Canada are hiding something from her. She believes she’ll find the answer here in Scotland, where an old friend of her father’s—now a famous writer known as Lord Lennox—lives. When she is invited to spend the weekend at Lord Lennox’s centuries-old estate with his enveloping, fascinating family, Pen begins to unravel her parents’ secret, just as she’s falling in love for the first time . . .

Vasalie Moran was once a dancer in King Illian’s court, until he framed her for murder. Barely surviving her two years in the dungeons, she’s suddenly called to face her king. He offers her a deal: become his spy at the six-week royal Gathering and he’ll grant her freedom. As Illian’s orders grow bloody and dangerous, forcing her to harm and betray those around her, Vasalie discovers that the monster she serves may be aligned with a bigger monster—one far closer to home.