Carmen Rita Wong has always craved a sense of belonging: First as a toddler in a warm room full of Black and brown Latina women, like her mother, Lupe, cheering her dancing during her childhood in Harlem. And in Chinatown, where her immigrant father, “Papi” Wong, a hustler, would show her and her older brother off in opulent restaurants decorated in red and gold. Then came the almost exclusively white playgrounds of New Hampshire after her mother married her stepfather, Marty, who seemed to be the ideal of the white American dad.

Notes on Grief is an exquisite work of meditation, remembrance, and hope, written in the wake of Chimamanda Ngozi Adichie's beloved father’s death in the summer of 2020. As the COVID-19 pandemic raged around the world, and kept Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure. Expanding on her original New Yorker piece, Adichie shares how this loss shook her to her core.

Violeta Sanoguera had always done what she was told. She left the man she loved in Colombia in pursuit of a better life for herself and because her mother and grandmother didn’t approve of him. Chasing dreams of education and art in New York City, and with a new love, twenty-eight-year-old Violeta establishes a new life for herself, on her terms. But when her grandmother suddenly dies, everything changes.

Tina Knowles, the mother of iconic singer-songwriters Beyoncé Knowles-Carter, Solange Knowles, and bonus daughter Kelly Rowland, is known the world over as a Matriarch with a capital M: a determined, self-possessed, self-aware, and wise woman who raised and inspired some of the great artists of our time. But this story is about so much more than that. Matriarch begins with a precocious, if unruly, little girl growing up in 1950s Galveston, the youngest of seven.

The Day God Saw Me as Black is a genre-defying, cultural critique of white supremacy in the Black Pentecostal religious experience through the lenses of race, gender, sexual expression, and class analyses. A narrative that weaves between critique and meditation, decolonization and reconciliation, the theoretical and the deeply personal, The Day God Saw Me as Black is an imagining of what could be if we stopped denying ourselves — and each other — full liberation.

A 2022 Pulitzer Prize finalist and former Wall Street Journal writer exhaustively examines his family’s legacy of post-enslavement trauma and resilience, in this riveting memoir. I Am Nobody’s Slave tells the story of one Black family's pursuit of the American Dream through the impacts of systemic racism and racial violence. This book examines how trauma from enslavement and Jim Crow shaped their outlook on thriving in America, influenced each generation, and how they succeeded despite these challenges.

His parents, village, and Panama Canal Zone events prepared him. Above and beyond his tribulations, this Afro-Latino Caribbean man did not allow racism to stop his smile, resolve, or journey forward. Walk with him through his eyes.

Carmen Rita Wong has always craved a sense of belonging: First as a toddler in a warm room full of Black and brown Latina women, like her mother, Lupe, cheering her dancing during her childhood in Harlem. And in Chinatown, where her immigrant father, “Papi” Wong, a hustler, would show her and her older brother off in opulent restaurants decorated in red and gold. Then came the almost exclusively white playgrounds of New Hampshire after her mother married her stepfather, Marty, who seemed to be the ideal of the white American dad.

Keeonna and Jason met as young teens. Only fourteen, Keeonna had never had a boyfriend before, dreamed of attending Spelman to become an obstetrician, and thought she was “grown.” Within a year she was pregnant and Jason was in prison, convicted of a carjacking and sentenced to twenty-two years. Overnight Keeonna had become a “mainline mama,” a parent facing the task of raising a child—while still growing up herself—with an incarcerated partner.

Profoundly moving and powerful, the stories in this collection dig deeply into the question of belonging. A young woman is torn between overwhelming love for her mother and the need to break free from her damaging influence during a desperate and disastrous attempt to rescue her brother from foster care. A man, his wife, and his mistress each confront the borders separating love and hate, obligation and longing, on the eve of a flight to San Juan. A college student grapples with the space between chivalry and machismo in a tense encounter involving a nun.

Dr. Raleigh Foster, an operative for a top-secret intelligence organization, knows that her undercover work has its risks. So she doesn't hesitate when asked to infiltrate Scimitar, the terrorist group that has stolen lethal environmental technology. But when she's assigned a partner—brooding, sexy Adam Grayson—to pose as her lover, Raleigh discovers that the most dangerous risk of all...is falling in love.

Rich Benjamin’s mother, Danielle Fignolé, grew up the eldest in a large family living a comfortable life in Port-au-Prince. Her mother was a schoolteacher, her father a populist hero—a labor leader and politician. The first true champion of the black masses, he eventually became the country’s president in 1957. But two weeks after his inauguration, that life was shattered. Soldiers took Danielle’s parents at gunpoint and put them on a plane to New York, a coup hatched by the Eisenhower administration. Danielle and her siblings were kidnapped, and ultimately smuggled out of the country.

This searing audio documentary brings listeners deep inside the unforgettable story of MOVE, gaining unprecedented access to surviving MOVE members, elected officials from the era, eyewitnesses, and historians to create an indelible portrait of an American tragedy.

In 1943, when a frail old white woman shows up in Red Clay, Alabama, at the home of a Black former slave—on the morning following his funeral—his family hardly knows what to expect after she utters the words “… a lifetime ago, my family owned yours.” Adelaide Parker has a story to tell—one of ambition, betrayal, violence, and redemption—that shaped both the fate of her family and that of the late Felix H. Parker. But there are gaps in her knowledge, and she’s come to Red Clay seeking answers from a family with whom she shares a name and a history that neither knows in full.

Flor has a gift: she can predict, to the day, when someone will die. So when she decides she wants a living wake—a party to bring her family and community together to celebrate the long life she’s led—her sisters are surprised. Has Flor foreseen her own death, or someone else’s? Does she have other motives? She refuses to tell her sisters, Matilde, Pastora, and Camila.

In My Remaining Years, by creative juggernaut Jean Grae, debunks the myth that coming-of-age narratives should be reserved for the kids, providing a much-needed rallying cry for those of us still trying to figure it out in our forties. These laugh-out-loud essays cover everything from aging gracefully, what happens when you look for community and almost start a cult, befriending childhood demons, gender fluidity in middle age, the cost of being too fabulous, and the various gymnastics we do to avoid becoming our parents, taking us from her childhood in 1980s NYC to present-day Baltimore.

Mirta Ojito was one teenager among more than a hundred thousand fellow refugees who traveled to Miami during the unprecedented events of the Mariel boatlift. Growing up, Ojito was eager to fit in and join Castro’s Young Pioneers, but as she grew older and began to understand the darker side of the Cuban revolution, she and her family began to aspire to a safer, happier life. When Castro opened Cuba’s borders for those who wanted to leave, her family was more than ready to go: they had been waiting for the opportunity for twenty years.

With a PsyD from Yale and a job at a renowned Connecticut therapy practice, Dominican psychologist Michelle Rojas is a Washington Heights success story. When she gets fired for lashing out at co-workers and giving patients questionable advice, Michelle returns home.

By a prize-winning young Black trans writer of outsized talent, a fierce and disciplined memoir about queerness, masculinity, and race, Pretty is as much a powerful and tender love letter as it is a call for change.

In Florida, one of the first things you’re taught as a child is that if you’re ever chased by a wild alligator, the only way to save yourself is to run away in zigzags. It’s a lesson on survival that has guided much of Edgar Gomez’s life. Alligator Tears is a fiercely defiant memoir-in-essays charting Gomez’s quest to claw his family out of poverty by any means necessary, and learning to see the archetype of the humble poor person for what it is: a scam that insists we remain quiet and servile while we wait for a prize that will always be out of reach.