Set against the backdrop of a lush and exotic Greece, The Names is considered the book that began to drive "sharply upward the size of his readership" ( Los Angeles Times Book Review). Among the cast of DeLillo's bizarre yet fully realized characters in The Names are Kathryn, the narrator's estranged wife; their son, the six-year-old novelist; Owen, the scientist; and the neurotic narrator obsessed with his own neuroses.

Nick Shay and Klara Sax knew each other once, intimately, and they meet again in the American desert. He is trying to outdistance the crucial events of his early life, haunted by the hard logic of loss and by the echo of a gunshot in a basement room. She is an artist who has made a blood struggle for independence.

At the heart of the book is Bill Gray, a famous reclusive writer who escapes the failed novel he has been working on for many years and enters the world of political violence, a nightscape of Semtex explosives and hostages locked in basement rooms. Bill's dangerous passage leaves two people stranded: his brilliant, fixated assistant, Scott; and the strange young woman who is Scott's lover - and Bill's.

At Logos College in West Texas, huge young men, vacuum-packed into shoulder pads and shiny helmets, play football with intense passion. During an uncharacteristic winning season, the perplexed and distracted running back Gary Harkness has periodic fits of nuclear glee; he is fueled and shielded by his fear of and fascination with nuclear conflict. Among oddly afflicted and recognizable players, the terminologies of football and nuclear war - the language of end zones - become interchangeable, and their meaning deteriorates as the collegiate year runs its course.

In this powerful, eerily convincing fictional speculation on the assassination of John F. Kennedy, Don DeLillo chronicles Lee Harvey Oswald's odyssey from troubled teenager to a man of precarious stability who imagines himself an agent of history. When "history" presents itself in the form of two disgruntled CIA operatives who decide that an unsuccessful attempt on the life of the president will galvanize the nation against communism, the scales are irrevocably tipped.

The Corrections is a grandly entertaining novel for the new century--a comic, tragic masterpiece about a family breaking down in an age of easy fixes. After almost 50 years as a wife and mother, Enid Lambert is ready to have some fun. Unfortunately, her husband, Alfred, is losing his sanity to Parkinson's disease, and their children have long since flown the family nest to the catastrophes of their own lives. Enid has set her heart on an elusive goal: bringing her family together for one last Christmas at home.

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman (Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel

The Hours, brings the impressionistic prose of this classic to vibrant life.

One of William Faulkner’s finest novels, As I Lay Dying, originally published in 1930, remains a captivating and stylistically innovative work. The story revolves around a grim yet darkly humorous pilgrimage, as Addie Bundren’s family sets out to fulfill her last wish: to be buried in her native Jefferson, Mississippi, far from the miserable backwater surroundings of her married life.

In the spring of 1974, Calliope Stephanides, a student at a girls' school in Grosse Pointe, finds herself drawn to a chain-smoking, strawberry-blonde classmate with a gift for acting. The passion that furtively develops between them - along with Callie's failure to develop physically - leads Callie to suspect that she is not like other girls. In fact, she is not really a girl at all.

On November 22, 1963, three shots rang out in Dallas, President Kennedy died, and the world changed. What if you could change it back? In this brilliantly conceived tour de force, Stephen King - who has absorbed the social, political, and popular culture of his generation more imaginatively and thoroughly than any other writer - takes listeners on an incredible journey into the past and the possibility of altering it.

Vineland, a zone of blessed anarchy in Northern California, is the last refuge of hippiedom, a culture devastated by the sobriety epidemic, Reaganomics, and the Tube. Here, in an Orwellian 1984, Zoyd Wheeler and his daughter, Prairie, search for Prairie's long-lost mother, a '60s radical who ran off with a narc.

Part noir, part psychedelic romp, all Thomas Pynchon - Private eye Doc Sportello surfaces, occasionally, out of a marijuana haze to watch the end of an era. In this lively yarn, Thomas Pynchon, working in an unaccustomed genre that is at once exciting and accessible, provides a classic illustration of the principle that if you can remember the '60s, you weren't there. It's been a while since Doc Sportello has seen his ex- girlfriend. Suddenly she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with.

It is three in the morning when Bobby Western plunges from the Coast Guard tender into darkness. His dive light illuminates the sunken jet, nine bodies still buckled in their seats, hair floating, eyes devoid of speculation. Missing from the site are the pilot’s bag, the plane’s black box, and the tenth passenger. A collateral witness to machinations that can only bring him harm, Western is shadowed in body and spirit—by men with badges; by the ghost of his father, inventor of the bomb that melted glass and flesh in Hiroshima; and by his sister, the love and ruin of his soul.

From the eerily "real", almost holographic evocations of historical figures like Lyndon Johnson and over-televised game-show hosts and late-night comedians to the title story, in which terminal punk nihilism meets Young Republicanism, David Foster Wallace renders the incredible comprehensible, the bizarre normal, the absurd hilarious, and the familiar strange.

Wyatt Gwyon's desire to forge is not driven by larceny but from love. Exactingly faithful to the spirit and letter of the Flemish masters, he produces uncannily accurate "originals" - pictures the painters themselves might have envied. In an age of counterfeit emotion and taste, the real and fake have become indistinguishable; yet Gwyon's forgeries reflect a truth that others cannot touch - cannot even recognize.

Louis Holland arrives in Boston in a spring of ecological upheaval (a rash of earthquakes on the North Shore) and odd luck: the first one kills his grandmother. Louis tries to maintain his independence, but falls in love with a Harvard seismologist whose discoveries about the earthquakes' cause complicate everything.

The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal.

Children Playing Before a Statue of Hercules is a collection of short stories, some classic, others impending, selected and introduced by David Sedaris.

Wolff here returns with fresh revelations - about biding one's time, or experiencing first love, or burying one's mother - that come to a variety of characters in circumstances at once everyday and extraordinary. A retired Marine enrolls in college while her son trains for Iraq. A lawyer takes a difficult deposition. An American in Rome indulges the Gypsy who's picked his pocket.

Ray Bradbury - peerless storyteller, poet of the impossible, and one of America's most beloved authors - is a literary giant whose remarkable career spanned seven decades. Now 26 of today's most diverse and celebrated authors offer new short works in honor of the master; stories of heart, intelligence, and dark wonder from a remarkable range of creative artists.

Alone and un-tethered, feeling lost in the country he had come to regard as home, Hans stumbles upon the vibrant New York subculture of cricket, where he revisits his lost childhood and, thanks to a friendship with a charismatic and charming Trinidadian named Chuck Ramkissoon, begins to reconnect with his life and his adopted country. Ramkissoon, a Gatsby-like figure who is part idealist and part operator, introduces Hans to an "other" New York populated by immigrants and strivers of every race and nationality.

When an industrial accident unleashes an "airborne toxic event", a lethal black chemical cloud floats over the Gladneys' lives. The menacing cloud is a more urgent and visible version of the "white noise" engulfing the Gladneys - radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmurings - pulsing with life yet suggesting something ominous.

In the spring of 1978, a young Haruki Murakami sat down at his kitchen table and began to write. The result: two remarkable short novels—Hear the Wind Sing and Pinball, 1973—that launched the career of one of the most acclaimed authors of our time. These powerful, at times surreal, works about two young men coming of age—the unnamed narrator and his friend the Rat—are stories of loneliness, obsession, and eroticism. They bear all the hallmarks of Murakami’s later books, and form the first two-thirds, with A Wild Sheep Chase, of the trilogy of the Rat.

In 1943, LSD is synthesized in Basel. Two decades later, a coterie of grad students at Harvard are gradually drawn into the inner circle of renowned psychologist and psychedelic drug enthusiast Timothy Leary. Fitzhugh Loney, a psychology PhD student, and his wife, Joanie, become entranced by the drug’s possibilities such that their “research” becomes less a matter of clinical trials and academic papers and instead turns into a freewheeling exploration of mind expansion, group dynamics, and communal living.

Welcome to the childhood of Catherine McClure Gildiner. It is the middle of the 1950s in Lewiston, New York, a small and sleepy American town very near Niagara Falls. No one is divorced. Mothers wear high heels to the beauty salon and children pop Pez candy and swing from vines over a local gorge. But at the tender age of four, it becomes clear to her Cathy's parents that their rambunctious daughter is no ordinary child and they soon put her "to work" at her father's pharmacy.

Welcome to the Monkey House is a collection of Kurt Vonnegut's shorter works. Originally printed in publications as diverse as The Magazine of Fantasy and Science Fiction and The Atlantic Monthly, what these superb stories share is Vonnegut's audacious sense of humor and extraordinary range of creative vision.

A convict named Farragut struggles to remain a man while inside a nightmarish prison. Cheever crafted his most powerful work of fiction out of Farragut's suffering and astonishing salvation.

Marina Willett, MD, has a problem. Her husband, Charlie, has become obsessed with H. P. Lovecraft, in particular with one episode in the legendary horror writer's life: In the summer of 1934, the "old gent" lived for two months with a gay teenage fan named Robert Barlow, at Barlow's family home in central Florida. What were the two of them up to? Were they friends - or something more? Just when Charlie thinks he's solved the puzzle, a new scandal erupts, and he disappears.

A classic novel by John D. MacDonald with an exclusive introduction written and read by Dean Koontz. A Flash of Green tells the gripping story of small-town corruption and two people brave enough to fight back, featuring many of the themes John D. MacDonald explored better than anyone in his legendary career as a leading crime novelist. The opportunists have taken over Palm City. Silent and deadly, like the snakes that infest the nearby swamps, they lay hidden from view, waiting for the right moment to strike. Political subterfuge has already eased the residents toward selling out.

Laguna: a place where a crazed killer has turned paradise into a Disneyland of depraved violence - with a fiery vengeance - and where homicide cop Tom Shephard unravels a grisly mystery. It reaches back across 40 years of sordid sex, blackmail, and suicide into the dark corners of his own past.

Set against the backdrop of a lush and exotic Greece, The Names is considered the book that began to drive "sharply upward the size of his readership" ( Los Angeles Times Book Review). Among the cast of DeLillo's bizarre yet fully realized characters in The Names are Kathryn, the narrator's estranged wife; their son, the six-year-old novelist; Owen, the scientist; and the neurotic narrator obsessed with his own neuroses.

In this powerful, eerily convincing fictional speculation on the assassination of John F. Kennedy, Don DeLillo chronicles Lee Harvey Oswald's odyssey from troubled teenager to a man of precarious stability who imagines himself an agent of history. When "history" presents itself in the form of two disgruntled CIA operatives who decide that an unsuccessful attempt on the life of the president will galvanize the nation against communism, the scales are irrevocably tipped.

When an industrial accident unleashes an "airborne toxic event", a lethal black chemical cloud floats over the Gladneys' lives. The menacing cloud is a more urgent and visible version of the "white noise" engulfing the Gladneys - radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmurings - pulsing with life yet suggesting something ominous.

At the heart of the book is Bill Gray, a famous reclusive writer who escapes the failed novel he has been working on for many years and enters the world of political violence, a nightscape of Semtex explosives and hostages locked in basement rooms. Bill's dangerous passage leaves two people stranded: his brilliant, fixated assistant, Scott; and the strange young woman who is Scott's lover - and Bill's.

Nick Shay and Klara Sax knew each other once, intimately, and they meet again in the American desert. He is trying to outdistance the crucial events of his early life, haunted by the hard logic of loss and by the echo of a gunshot in a basement room. She is an artist who has made a blood struggle for independence.

At Logos College in West Texas, huge young men, vacuum-packed into shoulder pads and shiny helmets, play football with intense passion. During an uncharacteristic winning season, the perplexed and distracted running back Gary Harkness has periodic fits of nuclear glee; he is fueled and shielded by his fear of and fascination with nuclear conflict. Among oddly afflicted and recognizable players, the terminologies of football and nuclear war - the language of end zones - become interchangeable, and their meaning deteriorates as the collegiate year runs its course.

Pammy and Lyle Wynant are an attractive, modern couple who seem to have it all. Yet behind their "ideal" life is a lingering boredom and quiet desperation: Their talk is mostly chatter, their sex life more a matter of obligatory "satisfaction" than pleasure. Then Lyle sees a man killed on the floor of the Stock Exchange and becomes involved with the terrorists responsible; Pammy leaves for Maine with a homosexual couple...and still they remain untouched, "players" indifferent to the violence that surrounds them and that they have helped to create.

In the opening scene of Falling Man, Keith Neudecker emerges from the smoke and ash of the burning tower where he worked, and makes his way to the apartment of his ex-wife and young son uptown. Throughout this bold and haunting novel, DeLillo traces the way the events of September 11 kindled or rekindled relationships, reconfigured our emotional landscape, our memory, and our perception of the world.

Jeffrey Lockhart's father, Ross, is a billionaire in his 60s with a younger wife, Artis Martineau, whose health is failing. Ross is the primary investor in a remote and secret compound where death is exquisitely controlled and bodies are preserved until a future time when biomedical advances and new technologies can return them to lives of transcendent promise. Jeff joins Ross and Artis at the compound to say "an uncertain farewell" to her as she surrenders her body.

It is an April day in the year 2000 and an era is about to end, those booming times of market optimism when the culture boiled with money and corporations seemed more vital and influential than governments.