Beautiful Stacey Marsh made a mistake—she should never have come home for her wedding. She had forsaken her hometown of Dorsham, England, long ago because it was too quiet, not at all the kind of place for the likes of Stacey. Stacey met Jules Charbonnier in Paris and planned to marry. As soon as Stacey returns to Dorsham, the town was frantic with upcoming activity and Stacey’s grandfather’s ghost has come back to haunt them. As for the boy next door, Nigel is simply too handsome for his own good.

In the small town of Beilford, Sue, the Baker's daughter, makes an uncharacteristically impulsive decision to accept a post as housekeeper to Mr and Mrs Darnay, dashing her family's hopes of her marrying a local suitor. And when Mrs Darnay suddenly departs, Sue's position in the house is left open to idle gossip - Mr Darnay is after all an artist, and everybody knows what that means. But it is not until Sue is summoned home that she finally realises the strength of her feelings towards her charming employer. . .

Hugo Ross is perfect for the job as irascible inventor Ambrose Minstrel’s new secretary: young, completely inexperienced, and with an occasional stutter that makes him seem somewhat dim—a mug, in fact. But from his first day, odd things begin to happen. A stranger offers him an absurd amount for an ordinary pair of field glasses; soon, the written offer is stolen from his room. A lovely girl he runs into in the dark one night outside his new employer’s house warns him not to take the job.

1940 finds Adam Southey in a mood of bitter resentment: he cannot join up because he is lame. But at the school where he is teaching, the headmaster, Sam Cooke, is a brilliant scientist. And Adam suddenly finds that the battleground is not the only place to fight a war — for Dr. Cooke has developed a deadly secret weapon and enemy agents are after the plans. Adam and the doctor move to an engineering works in Scotland to build a working model of the weapon.

Into the ordered life of thirty-three-year-old Edward Netherford comes the Brockman family. Loud, brash and demanding the return of three Impressionist paintings which have been retained - illegally, they claim—by their late father’s second wife. Edward’s legal services—and his even temperament - have never been more severely tested as letters to the second Mrs. Brockman in York remain ignored and unanswered. It soon becomes clear that some more positive move has to be made.

Successful lady novelist Laura Morland and her boisterous young son, Tony, set off to spend Christmas at her country home in the sleepy surrounds of High Rising. But Laura's wealthy friend and neighbor, George Knox, has taken on a scheming secretary whose designs on marriage to her employer threaten the delicate social fabric of the village.

Natalie Rome, timid and retiring, discovers that a new life at forty is not, after all, as difficult of achievement as she had feared. With new relations and a new home, she finds security and happiness. She also finds a stepdaughter as timid as herself and a stepson of exceptional charm; a mother-in-law in garden boots and ancient, formal hats who talks loudly and a great deal; and a father-in-law who seldom talks at all. Into this assembly comes Natalie’s own daughter Helen; young, beautiful, successful and supremely confident.

Since being widowed, Caroline Dering has been content to live her life solely for her children. Then the mysterious Robert Shepperton arrives in the village. At first, Caroline's gentle heart is simply touched by his obvious unhappiness; until gradually she finds her sympathy turning into love. But the visit of her lovely younger sister, Harriet, to Vittoria Cottage, throws Caroline into a turmoil - because Harriet also falls for Mr. Shepperton....

Three girls decide to share a flat in Chelsea: Denny, the sensible daughter of a famous actress; Chess, the long, lean, temperamental daughter of an Earl; Marya, the beautiful daughter of an Argentinian millionaire. The light-hearted story of their life together and of the men they meet is suddenly interrupted by the death of Mr. Flower, their meek little landlord.

"A week at Trysting had its trials", Leigh thought. A round of odd jobs with Aunt Elvira, bad poetry with Aunt Rosande, and bouts of hay fever with Aunt Dolly were not his idea of a restful holiday. Nor did his cousin Raymond, who seemed sunk in gloom, help matters. Or a mystery Leigh could not fathom about someone burning down the old house and the disappearance of the family silver. But meanwhile there was a Hampshire summer, and there was Auriol. Auriol, Leigh thought, was lovely - but he didn’t want to live on eggs.

Elfrida Jane, accustomed to the energetic life of a small-part actress, finds life at Mountain Cross very different. At first her mother's old cliff-top house seems lonely and bleak, compared to the glitter and bustle of the theatre. But Elfrida has plenty of courage and soon settles down to enjoy herself. Then, suddenly, her peace is shattered. To the house on the cliff come unexpected visitors from the world of the theatre - a world Elfrida thought she had left behind forever.

When, like Ruth and Roger Mallard, you inherit a large house but no money to keep it up, one thing you can do is turn it into a guest-house. And having made up their minds, the Mallards decided that River Lodge was to be a guest-house of the very best kind. The first week’s guests were specially chosen - or self invited: a rich aunt; a theatrical producer and the lovely Felicity; Felicity’s sister and her twins; a famous artist and the amiable “Goosey”; the fattest dog in fiction; and a not-so-rich but very comic uncle and aunt.

The memory of her late husband's slow and painful death is fresh in Anita Stratton's mind when she finds herself confronted with the high-voltage glare of national publicity when her first novel rockets into the best-seller lists. The furor she arouses leaves her publishers, the staid and respectable firm of Beetham Brothers, as bewildered as she herself is.

Narrated by the great-granddaughter of Elizabeth Cadell! At Edmund Brooke's insistence, his 10-year-old daughter, Vitorina, leaves the closed world of her old and strait-laced great-aunts and their Portuguese mansion - complete with chapel - and journeys to a boarding school in England. Edmund readily accepts the offer of a golfing acquaintance to act as chaperone for Tory. Tory is called upon to let down her facade of meekness and to reveal her real nature: she is shrewd, imaginative and - as the situation calls for - brave.

When young doctor Kit Stone returns to Britain, a female associate of his brother Henry secures him a post in a country practice. He meets a selection of charming - and not-so-charming - characters and quickly settles in. But then he falls in love with Mrs Rochester. Mardie Rochester is married to Henry's business associate, but her marriage is unhappy. Her husband is mentally ill. Yet, even when he suddenly disappears, Kit knows that it would be wrong to pursue his love. And when Mardie decides to live in a secluded part of Scotland to await her husband’s return, it seems all hope is lost.

Beautiful Stacey Marsh made a mistake—she should never have come home for her wedding. She had forsaken her hometown of Dorsham, England, long ago because it was too quiet, not at all the kind of place for the likes of Stacey. Stacey met Jules Charbonnier in Paris and planned to marry. As soon as Stacey returns to Dorsham, the town was frantic with upcoming activity and Stacey’s grandfather’s ghost has come back to haunt them. As for the boy next door, Nigel is simply too handsome for his own good.

The memory of her late husband's slow and painful death is fresh in Anita Stratton's mind when she finds herself confronted with the high-voltage glare of national publicity when her first novel rockets into the best-seller lists. The furor she arouses leaves her publishers, the staid and respectable firm of Beetham Brothers, as bewildered as she herself is.

When bookstore owner Isobel Shadow and her magical book club, The Charmed Circle, receive a cryptic black envelope inviting them to the infamous Astor Manor, the timing is chilling—a man has just been poisoned to death on its doorstep. Determined to uncover the truth, they step into the abandoned estate, only to find themselves entangled in a chilling mystery.

One Sip Too Fatal As Murder Brews at The Book Nook! At a charming book club gathering in the storybook town of Willow Creek, murder isn't on the menu—until sharp-tongued Madeline Prescott keels over, poisoned mid-sip. Enter Harper Lane: sarcastic, sharp-eyed, and owner of the quaint bookshop, The Book Nook. With a trusty cup of tea and her gossip-loving parrot, Edgar, Harper prefers plots on the page—until real murder lands in her lap. When the police chalk it up to a tragic accident, Harper isn’t convinced. After all, Edgar won’t stop muttering, “Not mine! Not mine!” Between ...

Into the ordered life of thirty-three-year-old Edward Netherford comes the Brockman family. Loud, brash and demanding the return of three Impressionist paintings which have been retained - illegally, they claim—by their late father’s second wife. Edward’s legal services—and his even temperament - have never been more severely tested as letters to the second Mrs. Brockman in York remain ignored and unanswered. It soon becomes clear that some more positive move has to be made.

When, like Ruth and Roger Mallard, you inherit a large house but no money to keep it up, one thing you can do is turn it into a guest-house. And having made up their minds, the Mallards decided that River Lodge was to be a guest-house of the very best kind. The first week’s guests were specially chosen - or self invited: a rich aunt; a theatrical producer and the lovely Felicity; Felicity’s sister and her twins; a famous artist and the amiable “Goosey”; the fattest dog in fiction; and a not-so-rich but very comic uncle and aunt.

On his retirement, George Ainstey had moved to Ellstream, hoping to escape from the tensions of London life. His only neighbors were Lady Charlotte Merrion, who lived in the mansion on the site of an 18th-century ruin, and her daughter-in-law, Antonia Merrion, whose land adjoined Mr. Ainstey’s.

David Eliot’s future seemed secure with his engagement to Marly Tranter, the daughter of the incredibly rich and powerful Sir Bertram Tranter. As an architect, David seemed to fit right in with the family, even if it included a golden collar. But the mission on which Sir Bertram sent David and Marly to Portugal created havoc in everyone’s plans, including the preposterous Mr. Easter, the eccentric Lady Pearling, and Teresa, Senhora Silva’s delightful and beautiful niece. What David finds out when he gets there changes his perspective on his life and future.

Natalie Rome, timid and retiring, discovers that a new life at forty is not, after all, as difficult of achievement as she had feared. With new relations and a new home, she finds security and happiness. She also finds a stepdaughter as timid as herself and a stepson of exceptional charm; a mother-in-law in garden boots and ancient, formal hats who talks loudly and a great deal; and a father-in-law who seldom talks at all. Into this assembly comes Natalie’s own daughter Helen; young, beautiful, successful and supremely confident.

Elfrida Jane, accustomed to the energetic life of a small-part actress, finds life at Mountain Cross very different. At first her mother's old cliff-top house seems lonely and bleak, compared to the glitter and bustle of the theatre. But Elfrida has plenty of courage and soon settles down to enjoy herself. Then, suddenly, her peace is shattered. To the house on the cliff come unexpected visitors from the world of the theatre - a world Elfrida thought she had left behind forever.

In the small town of Beilford, Sue, the Baker's daughter, makes an uncharacteristically impulsive decision to accept a post as housekeeper to Mr and Mrs Darnay, dashing her family's hopes of her marrying a local suitor. And when Mrs Darnay suddenly departs, Sue's position in the house is left open to idle gossip - Mr Darnay is after all an artist, and everybody knows what that means. But it is not until Sue is summoned home that she finally realises the strength of her feelings towards her charming employer. . .

Emily Dennistoun lives alone with her elderly tyrannical father at Borriston Hall on the Scottish coast. Her mother died many years before, and her younger brother is at Oxford, presented with opportunities that Emily can only dream of. She has few friends and lives through her writing. Then she meets Francis, and despite vicissitudes of fortune, despite uncertainties, loneliness, and unhappiness, Emily holds steadfast to a love she knows is true.

Madame Landini’s memoirs promised to be sensational. Rodney, who had captured them for his publishing house, and Oliver, his literary agent friend who would handle the business side of the book, could congratulate themselves on a brilliant coup. But having covered her childhood as a Russian princess, her years of exile in Paris, and the discovery of her phenomenal voice, the prima donna reached her first husband’s death — "man overboard" — and declared she would write no more. Rodney suspected there was more to this than a display of temperament.

The Season is in full swing with parties nearly every night and Fanny is enjoying every moment. Then John Shaw comes to town on business and loses his heart to her. He sets about his wooing without delay and eventually brings his young bride to his farmhouse near the sea. Fanny is unhappy at first. John is hard to understand, and she misses the excitement and glamour of city life and the companionship of her sister. But she struggles hard to become a good farmer's wife and, with the help of a strange old book, learns to manage.

Elaine Tracy wins a luxury cruise to Las Palmas for her fiancé and herself. They quarrel, and Elaine breaks off the engagement but decides to go on the cruise alone. Attractive and unattached, once on board she inevitably draws a certain amount of masculine attention and for her, the holiday promises to be extremely diverting. But not all her fellow passengers, she discovers, are quite what they seem.