Anyone but Her
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Narrated by:
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Jennifer Pickens
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By:
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Cynthia Swanson
About this listen
Knowledge has a price . . .
It's 1979, and fourteen-year-old Suzanne, who should be enjoying her first year at Denver East High, is instead reckoning with the aftermath of her mother Alex's shooting death during a robbery at Alex's store, Zoe's Records. A clairvoyant since childhood, Suzanne is unsurprised when Alex's ghost appears. But when Alex raises alarm bells about Suzanne's father's new girlfriend, what Suzanne can't foresee is the lifelong repercussions as she heeds Alex's warning.
In 2004, Suzanne returns to Denver with her husband and their two children, a defiant teenage daughter and a nine-year-old son with unspecified cognitive disabilities. When the opportunity arises to rent the old Zoe's Records space and turn it into a gallery, Suzanne jumps at the chance. While ecstatic to honor Alex's legacy, Suzanne nonetheless can't shake the sensation that she's being watched—while at the same time tackling a clandestine investigation of her own, searching for genetic clues into her family's hidden past that might lead to a diagnosis for her son.
What if she knows too little? What if she discovers too much?
©2024 Cynthia Swanson (P)2024 Tantor MediaRelated to this topic
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The Grandmother
- By: Jane E. James
- Narrated by: Anna Cordell, Max Dinnen
- Length: 8 hrs and 39 mins
- Unabridged
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Overall
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Performance
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Story
Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.
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Not too outlandish
- By Jackie H on 12-14-24
By: Jane E. James
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Verity
- By: Colleen Hoover
- Narrated by: Vanessa Johansson, Amy Landon
- Length: 8 hrs and 10 mins
- Unabridged
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Overall
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Performance
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Story
Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.
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intriguing but skip if triggered by child abuse
- By Amazon Customer on 05-16-19
By: Colleen Hoover
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Say No More
- By: Caroline Overington
- Narrated by: Anna Skellern
- Length: 5 hrs and 47 mins
- Original Recording
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Overall
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Performance
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Story
Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.
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Good read with a not so good ending.
- By Katie A Scribner on 12-26-24
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10 Rules for the Perfect Murder
- By: James Patterson, Chris Tebbetts
- Narrated by: Reid Scott, Cobie Smulders, full cast
- Length: 3 hrs and 2 mins
- Original Recording
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Overall
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Performance
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Story
After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”
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Tricky
- By Robert Scott Read on 10-30-24
By: James Patterson, and others
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7 Hours to Die
- By: James Patterson, Duane Swierczynski
- Narrated by: Sarah Paulson, Patina Miller, Mel Rodriguez, and others
- Length: 2 hrs and 25 mins
- Original Recording
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Overall
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Performance
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Story
Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.
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This was such a fun Quick listen
- By Mdc on 10-08-24
By: James Patterson, and others
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George Orwell’s 1984
- An Audible Original adaptation
- By: George Orwell, Joe White - adaptation
- Narrated by: Andrew Garfield, Cynthia Erivo, Andrew Scott, and others
- Length: 3 hrs and 27 mins
- Original Recording
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Overall
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Performance
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Story
It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.
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A Revelation!
- By wotsallthisthen on 04-07-24
By: George Orwell, and others
-
The Grandmother
- By: Jane E. James
- Narrated by: Anna Cordell, Max Dinnen
- Length: 8 hrs and 39 mins
- Unabridged
-
Overall
-
Performance
-
Story
Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.
-
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Not too outlandish
- By Jackie H on 12-14-24
By: Jane E. James
-
Verity
- By: Colleen Hoover
- Narrated by: Vanessa Johansson, Amy Landon
- Length: 8 hrs and 10 mins
- Unabridged
-
Overall
-
Performance
-
Story
Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.
-
-
intriguing but skip if triggered by child abuse
- By Amazon Customer on 05-16-19
By: Colleen Hoover
-
Say No More
- By: Caroline Overington
- Narrated by: Anna Skellern
- Length: 5 hrs and 47 mins
- Original Recording
-
Overall
-
Performance
-
Story
Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.
-
-
Good read with a not so good ending.
- By Katie A Scribner on 12-26-24
-
10 Rules for the Perfect Murder
- By: James Patterson, Chris Tebbetts
- Narrated by: Reid Scott, Cobie Smulders, full cast
- Length: 3 hrs and 2 mins
- Original Recording
-
Overall
-
Performance
-
Story
After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”
-
-
Tricky
- By Robert Scott Read on 10-30-24
By: James Patterson, and others
-
7 Hours to Die
- By: James Patterson, Duane Swierczynski
- Narrated by: Sarah Paulson, Patina Miller, Mel Rodriguez, and others
- Length: 2 hrs and 25 mins
- Original Recording
-
Overall
-
Performance
-
Story
Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.
-
-
This was such a fun Quick listen
- By Mdc on 10-08-24
By: James Patterson, and others
-
George Orwell’s 1984
- An Audible Original adaptation
- By: George Orwell, Joe White - adaptation
- Narrated by: Andrew Garfield, Cynthia Erivo, Andrew Scott, and others
- Length: 3 hrs and 27 mins
- Original Recording
-
Overall
-
Performance
-
Story
It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.
-
-
A Revelation!
- By wotsallthisthen on 04-07-24
By: George Orwell, and others
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Moved fast
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What listeners say about Anyone but Her
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Sara S.
- 12-09-24
not bad
The story was decent. For a Denver native, it was nice reading about local stuff. But the narrator was awful. Flat voice and lispy.
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Overall
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Performance
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Story
- AmazonC.
- 11-24-24
Authenticity of Mother/Teen Daughter Relationships
Swanson carefully wove a tapestry of alternating time periods in the life of the protagonist. Each time period explored the character’s parallel challenges and flaws in the context of the mother daughter relationship.
There were times I got a little lost with all the extra characters (e.g., Laura/Rosalee, dad/son criminals, Renee/Donna); but it was a minor distraction.
The dialogue was superb; it had substance and flowed like a real conversation every time—especially the Mother/Daughter conflict. I especially appreciated the contrast of how love and compassion beats mistrust and cynicism every time.
It’s rare that a book so grips me that my emotions become involved. Swanson managed to gather up all my motherhood regrets and fears and shake me like a dog playing with a toy. I didn’t notice I was crying until I wiped the tears away.
I appreciated the accurate descriptions of Denver during the 70s (both culturally and spatially) juxtaposed with growing issues in the early 2000s.
The narrator brilliantly combined all the nuances of voice, intonation, pause, etc., to tease out Swanson’s skillfully crafted imagery of the complexities of mother/daughter and family relationships.
A captivating story made even better by superb narration.
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