One of the 20th century's most challenging novels of ideas, The Fountainhead champions the cause of individualism through the story of a gifted young architect who defies the tyranny of conventional public opinion. The struggle for personal integrity in a world that values conformity above creativity is powerfully illustrated through three characters: Howard Roarke, a genius; Gail Wynand, a newspaper mogul and self-made millionaire; and Dominique Francon, a devastating beauty.

Ayn Rand here sets forth the moral principles of Objectivism, the philosophy that holds human life - the life proper to a rational being - as the standard of moral values and regards altruism as incompatible with human nature, with the creative requirement of survival, and with a free society.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."

The foundations of capitalism are being battered by a flood of altruism, which is the cause of the modern world's collapse. This was the view of Ayn Rand, a view so radically opposed to prevailing attitudes that it constituted a major philosophic revolution. In this series of essays, she presented her stand on the persecution of big business, the causes of war, the default of conservatism, and the evils of altruism.

We the Living portrays the impact of the Russian Revolution on three people who demand the right to live their own lives. At its center is a girl whose passionate love is her fortress against the cruelty and oppression of a totalitarian state. Rand said of this book: "It is as near to an autobiography as I will ever write."

Published together for the first time are three of Ayn Rand's compelling stage plays. The courtroom drama Night of January 16th, a 1935 Broadway success famous for leaving the verdict to the audience, is presented here in its definitive, final revised text - a superb dramatization of Rand's vision of human strengths and weaknesses.

This remarkable, newly revised collection of Ayn Rand's early fiction ranges from beginner's exercises to excerpts from early versions of We the Living and The Fountainhead. Arranged chronologically, from 1926 through 1940, these works allow readers to follow the extraordinary trajectory of Rand's literary and intellectual growth, from a 21-year-old Russian immigrant struggling to master English to the brilliant prose stylist and sophisticated philosopher she was to become in her mature work.

Who needs philosophy? Ayn Rand's answer: Everyone. This collection of essays was the last work planned by Ayn Rand before her death in 1982. In it, she summarizes her view of philosophy and deals with a broad spectrum of topics. According to Ayn Rand, the choice we make is not whether to have a philosophy, but which one to have: a rational, conscious, and therefore practical one, or a contradictory, unidentified, and ultimately lethal one.

Albert Camus' The Stranger is one of the most widely read novels in the world, with millions of copies sold. It stands as perhaps the greatest existentialist tale ever conceived, and is certainly one of the most important and influential books ever produced. Now, for the first time, this revered masterpiece is available as an unabridged audio production.

Set in Italy during World War II, this is the story of the incomparable, malingering bombardier Yossarian, a hero who is furious because thousands of people he has never met are trying to kill him. But his real problem is not the enemy - it is his own army, which keeps increasing the number of missions the men must fly to complete their service. Yet if Yossarian makes any attempt to excuse himself from the perilous missions he's assigned, he'll be in violation of Catch-22.

In 2006, Ben S. Bernanke was appointed chair of the Federal Reserve, capping a meteoric trajectory from a rural South Carolina childhood to professorships at Stanford and Princeton, to public service in Washington's halls of power. There would be no time to celebrate, however - the burst of the housing bubble in 2007 set off a domino effect that would bring the global financial system to the brink of meltdown.

Volume One of Stalin begins and ends in January 1928 as Stalin boards a train bound for Siberia, about to embark upon the greatest gamble of his political life. He is now the ruler of the largest country in the world, but a poor and backward one, far behind the great capitalist countries in industrial and military power, encircled on all sides. In Siberia, Stalin conceives of the largest program of social reengineering ever attempted.

Harold Bloom explores our Western literary tradition by concentrating on the works of twenty-six authors central to the Canon. He argues against ideology in literary criticism; he laments the loss of intellectual and aesthetic standards; he deplores multiculturalism, Marxism, feminism, neoconservatism, Afrocentrism, and the New Historicism. Insisting instead upon "the autonomy of aesthetic," Bloom places Shakespeare at the center of the Western Canon.....

A world with no hunger, no disease, no war, no misery: Humanity has conquered all those things and has even conquered death. Now Scythes are the only ones who can end life - and they are commanded to do so in order to keep the size of the population under control. Citra and Rowan are chosen to apprentice to a scythe - a role that neither wants. These teens must master the "art" of taking life, knowing that the consequence of failure could mean losing their own.

After a violent coup in the United States overthrows the Constitution and ushers in a new government regime, the Republic of Gilead imposes subservient roles on all women. Offred, now a Handmaid tasked with the singular role of procreation in the childless household of the enigmatic Commander and his bitter wife, can remember a time when she lived with her husband and daughter and had a job, before she lost everything, even her own name.

One of the 20th century's most challenging novels of ideas, The Fountainhead champions the cause of individualism through the story of a gifted young architect who defies the tyranny of conventional public opinion. The struggle for personal integrity in a world that values conformity above creativity is powerfully illustrated through three characters: Howard Roarke, a genius; Gail Wynand, a newspaper mogul and self-made millionaire; and Dominique Francon, a devastating beauty.

When a maid in the upper class Ellison household is strangled, Inspector Pitt is called in to investigate. He finds a world ruled by strict manners and social customs, where the inhabitants of the Ellison's neighborhood appear to be more outraged by the thought of scandal than they are by murder. Inspector Pitt finds a most unlikely ally in Charlotte, the Ellison's spirited daughter. But as the murders continue, Charlotte and Pitt find themselves drawn together by more than the investigation.

This remarkable, newly revised collection of Ayn Rand's early fiction ranges from beginner's exercises to excerpts from early versions of We the Living and The Fountainhead. Arranged chronologically, from 1926 through 1940, these works allow readers to follow the extraordinary trajectory of Rand's literary and intellectual growth, from a 21-year-old Russian immigrant struggling to master English to the brilliant prose stylist and sophisticated philosopher she was to become in her mature work.

A world with no hunger, no disease, no war, no misery: Humanity has conquered all those things and has even conquered death. Now Scythes are the only ones who can end life - and they are commanded to do so in order to keep the size of the population under control. Citra and Rowan are chosen to apprentice to a scythe - a role that neither wants. These teens must master the "art" of taking life, knowing that the consequence of failure could mean losing their own.

They mustn't harm a human being, they must obey human orders, and they must protect their own existence...but only so long as that doesn't violate rules one and two. With these Three Laws of Robotics, humanity embarked on a bold new era of evolution that would open up enormous possibilities, and unforeseen risks.

What happens after the bombs drop? This is the troubling question Philip K. Dick addresses with Dr. Bloodmoney, or How We Got Along After the Bomb. It is the story of a world reeling from the effects of nuclear annihilation and fallout, a world where mutated humans and animals are the norm, and the scattered survivors take comfort from a disc jockey endlessly circling the globe in a broken-down satellite.

Kidnapped at an early age, Ansset has been raised in isolation at a mystical retreat called the Songhouse. His life is filled with music, and having only songs for companions, he develops a voice that is unlike any other. But Ansset's voice is both a blessing and a curse, for it reflects all the hopes and fears of his audience, and, by magnifying their emotions, can be used either to heal or to destroy.

The world is only half made. What exists has been carved out amidst a war between two rival factions: the Line, paving the world with industry and claiming its residents as slaves; and the Gun, a cult of terror and violence that cripples the population with fear. The only hope at stopping them has seemingly disappeared - the Red Republic that once battled the Gun and the Line, and almost won. Now they're just a myth, a bedtime story parents tell their children, of hope.

High above the planet Harmony, the Oversoul watches. Its task, programmed so many millennia ago, is to guard the human settlement on this planet, to protect this fragile remnant of Earth from all threats...to protect them, most of all, from themselves.

Niblock House is a rising executive at General Technics, one of a few all-powerful corporations. His work is leading General Technics to the forefront of global domination, both in the marketplace and politically - it's about to take over a country in Africa. Donald Hogan is his roommate, a seemingly sheepish bookworm. But Hogan is a spy, and he's about to discover a breakthrough in genetic engineering that will change the world...and kill him. Society is squeezed into hive-living madness by god-like mega computers and mass-marketed psychedelic drugs.

July 12, 1939: Perry Nelson is driving along the palisades when another vehicle swerves into his lane, a tire blows out, and his car careens off the road and over a bluff. The last thing he sees before his head connects with the boulders below is a girl in a green bathing suit, prancing along the shore.

Earth is trapped in the crossfire of an unwinnable war between two alien civilizations. Its leader is perpetually on the verge of death. And on top of that, a new drug has just entered circulation - a drug that haphazardly sends its users traveling through time. In an attempt to escape his doomed marriage, Dr. Eric Sweetscent becomes caught up in all of it. But he has questions: Is Earth on the right side of the war? Is he supposed to heal Earth’s leader or keep him sick? And can he change the harrowing future that the drug has shown him?

Set against the colorful tumult of events that gave rise to our fledgling nation, this novel of romance and adventure introduces Phillipe Charboneau. The illegitimate son of an English nobleman, Phillipe flees Europe and, as Philip Kent, joins the men who set our course for freedom. The Bastard is the first volume in the Kent Family Chronicles, a series of novels that details one family's journey in the early years of the American nation.

After America’s Second Civil War, the Pro-Choice and Pro-Life armies came to an agreement. According to their Bill of Life, human life may not be terminated from the moment of conception until the age of thirteen. But between the ages of thirteen and eighteen, the child may be gotten rid of by their parent through a process called “unwinding.”

Sister Carrie is an epic of urban life, the story of an innocent heroine adrift in an indifferent city. When small-town girl Carrie Meeber sets out for Chicago, she is equipped with nothing but a few dollars, a certain unspoiled beauty and charm, and a pitiful lack of preparation for the complex moral choices she will face. Her story is one of struggle, from sweatshop to stage success, and of the love she inspires in a married man twice her age, whose obsession with her threatens to destroy him.

In a scrap heap within an abandoned factory, the greatest invention in history lies dormant and unused. By what fatal error of judgment has its value gone unrecognized, its brilliant inventor punished rather than rewarded for his efforts? In defense of those greatest of human qualities that have made civilization possible, one man sets out to show what would happen to the world if all the heroes of innovation and industry went on strike.

The Fountainhead studies the conflict between artistic genius and social convention, a theme Ayn Rand later developed into the idealistic philosophy knows as Objectivism. Rand's hero is Howard Roark, a brilliant young architect who won't compromise his integrity, especially in the unconventional buildings he designs.

This is the story of a man who said that he would stop the motor of the world - and did. Is he a destroyer or a liberator? Why does he fight his hardest battle not against his enemies, but against the woman he loves? Tremendous in scope, breathtaking in its suspense, Atlas Shrugged is Ayn Rand's magnum opus and launched an ideology and a movement. With the publication of this work in 1957, Rand gained an instant following and became a phenomenon.

One of the 20th century's most challenging novels of ideas, The Fountainhead champions the cause of individualism through the story of a gifted young architect who defies the tyranny of conventional public opinion. The struggle for personal integrity in a world that values conformity above creativity is powerfully illustrated through three characters: Howard Roarke, a genius; Gail Wynand, a newspaper mogul and self-made millionaire; and Dominique Francon, a devastating beauty.

“It is a sin to write this. It is a sin to think words no others think and to put them down upon a paper no others are to see. It is base and evil.” Deep issues of conscience are explored in Ayn Rand’s dystopian tale of a man who dares to fight against a system that invades his very mind and identity.

They existed only to serve the state. They were conceived in controlled Palaces of Mating. They died in the Home of the Useless. From cradle to grave, the crowd was one - the great WE. In all that was left of humanity, there was only one man who dared to think, seek, and love. He lived in the dark ages of the future. In a loveless world, he dared to love the woman of his choice. In an age that had lost all trace of science and civilization, he had the courage to seek and find knowledge.

In the years between her first public lecture in 1961 and her last in 1981, Ayn Rand spoke and wrote about topics as different as education, medicine, Vietnam, and the death of Marilyn Monroe. In The Voice of Reason, these pieces are gathered together in book form for the first time. Written in the last decades of Rand's life, they reflect a life lived on principle, a probing mind, and a passionate intensity. With them are five essays by Leonard Peikoff, Rand's longtime associate and literary executor.

We the Living portrays the impact of the Russian Revolution on three people who demand the right to live their own lives. At its center is a girl whose passionate love is her fortress against the cruelty and oppression of a totalitarian state. Rand said of this book: "It is as near to an autobiography as I will ever write."

Who needs philosophy? Ayn Rand's answer: Everyone. This collection of essays was the last work planned by Ayn Rand before her death in 1982. In it, she summarizes her view of philosophy and deals with a broad spectrum of topics. According to Ayn Rand, the choice we make is not whether to have a philosophy, but which one to have: a rational, conscious, and therefore practical one, or a contradictory, unidentified, and ultimately lethal one.

In the 1960s and early '70s, the most prominent, vocal cultural movement was the New Left: a movement that condemned America and everything it stood for: individualism, material wealth, science, technology, capitalism.