George Orwell's classic satire of the Russian Revolution is an intimate part of our contemporary culture, quoted so often that we tend to forget who wrote the original words! This must-read is also a must-listen!

In this intense detective thriller instilled with philosophical, religious, and social commentary, Dostoevsky studies the psychological impact upon a desperate and impoverished student when he murders a despicable pawnbroker, transgressing moral law to ultimately "benefit humanity".

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

In a scrap heap within an abandoned factory, the greatest invention in history lies dormant and unused. By what fatal error of judgment has its value gone unrecognized, its brilliant inventor punished rather than rewarded for his efforts? In defense of those greatest of human qualities that have made civilization possible, one man sets out to show what would happen to the world if all the heroes of innovation and industry went on strike.

The CBS Radio Workshop was an experimental series of productions, subtitled "radio's distinguished series to man's imagination" that ran between 27 January 1956 and 22 September 1957. The premiere production was Brave New World, narrated by Huxley himself, with a complicated sound-effects score that evidently took a long time to construct, and comprised a ticking metronome, tom-tom beats, bubbling water, an air hose, a cow's moo, an oscillator, and three kinds of wine glasses clicking together.

In this eloquent and persuasive book, Neil Postman examines the deep and broad effects of television culture on the manner in which we conduct our public affairs, and how "entertainment values" have corrupted the very way we think. As politics, news, religion, education, and commerce are given less and less expression in the form of the printed word, they are rapidly being reshaped to suit the requirements of television.

Austen wrote, 'I am going to take a heroine whom no-one but myself will much like' and thus introduces the handsome, clever, rich - and flawed, Emma Woodhouse. Emma is perfectly content with her life and sees no need for either love or marriage; nothing however delights her more than matchmaking her fellow residents of Highbury. But when she ignores the warnings of her good friend Mr. Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected.

A Tale of Two Cities is one of Charles Dickens's most exciting novels. Set against the backdrop of the French Revolution, it tells the story of a family threatened by the terrible events of the past. Doctor Manette was wrongly imprisoned in the Bastille for 18 years without trial by the aristocratic authorities.

F. Scott Fitzgerald’s classic American novel of the Roaring Twenties is beloved by generations of readers and stands as his crowning work. This new audio edition, authorized by the Fitzgerald estate, is narrated by Oscar-nominated actor Jake Gyllenhaal (Brokeback Mountain). Gyllenhaal's performance is a faithful delivery in the voice of Nick Carraway, the Midwesterner turned New York bond salesman, who rents a small house next door to the mysterious millionaire Jay Gatsby....

A vicious 15-year-old droog is the central character of this 1963 classic, a frightening fable about good and evil, and the meaning of human freedom. In Anthony Burgess' nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology.

When Orwell went to England in the 30's to find out how industrial workers lived, he not only observed but shared in their experiences. He stayed in cramped, dreary lodgings and subsisted on the scant, cheerless diet of the poor. He went down into the coal mines and walked crouching, as the miners did, through a one- to three-mile passage too low to stand up in. He watched the back-breaking, dangerous labor of men whose net pay then averaged $575 a year.

It is the morning of the reaping that will kick off the 10th annual Hunger Games. In the Capitol, 18-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to out charm, outwit, and outmaneuver his fellow students to mentor the winning tribute. The odds are against him. He’s been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low.

It was January 2021, and Rick Deckard had a license to kill. Somewhere among the hordes of humans out there lurked several rogue androids. Deckard's assignment: find them and then..."retire" them. Trouble was, the androids all looked exactly like humans, and they didn't want to be found!

The Overlords appeared suddenly over every city - intellectually, technologically, and militarily superior to humankind. Benevolent, they made few demands: unify earth, eliminate poverty, and end war. With little rebellion, humankind agreed, and a golden age began.

In his final novel - which he considered his most important - Aldous Huxley transports us to the remote Pacific island of Pala, where an ideal society has flourished for 120 years. Inevitably, this island of bliss attracts the envy and enmity of the surrounding world. A conspiracy is underway to take over Pala, and events are set in motion when an agent of the conspirators, a newspaperman named Faranby, is shipwrecked there. What Faranby doesn't expect is how his time with the people of Pala will revolutionize all his values and - to his amazement - give him hope.

The CBS Radio Workshop was an experimental series of productions, subtitled "radio's distinguished series to man's imagination" that ran between 27 January 1956 and 22 September 1957. The premiere production was Brave New World, narrated by Huxley himself, with a complicated sound-effects score that evidently took a long time to construct, and comprised a ticking metronome, tom-tom beats, bubbling water, an air hose, a cow's moo, an oscillator, and three kinds of wine glasses clicking together.

It's 2116, and Bernard Marx and Helmholtz Watson are token rebels in an irretrievably corrupted society where promiscuity is the norm, eugenics a respectable science, and morality turned upside down. There is no poverty, crime or sickness - but no creativity, art or culture either. Human beings are merely docile citizens: divided into castes, brainwashed and controlled by the state and dependent on the drug soma for superficial gratification.

In 1958, 27 years after Aldous Huxley wrote "Brave New World", he took another look at his remarkable fable and résumé the development since. His understandings are most alarming in his time already. They are even more alarming almost another half century later and shockingly up-to-date, considering recent developments. His prophetic view proofs once more, how terribly precise and visionary it was.

Winston Smith works in the Ministry of Truth—or Minitrue as it is called in Newspeak—where he alters newspapers and reports to follow the arbitrary dictates of Big Brother’s propaganda. Beneath his outward conformity, however, Winston dreams of sharing his treasonable thoughts and breaking through the loneliness in which he lives. Thus he takes his first dangerous steps, writing a diary of his doubts and then falling in love with a woman of the Party, the beautiful and brave Julia.

George Orwell's classic satire of the Russian Revolution is an intimate part of our contemporary culture, quoted so often that we tend to forget who wrote the original words! This must-read is also a must-listen!

"Fino a che non diventeranno coscienti del loro potere, non saranno mai capaci di ribellarsi e, fino a che non saranno liberati, non diventeranno mai coscienti del loro potere." L'azione si svolge in un futuro prossimo del mondo (l'anno 1984) in cui il potere si concentra in tre immensi superstati: Oceania, Eurasia ed Estasia. Al vertice del potere politico in Oceania c'è il Grande Fratello, onnisciente e infallibile, che nessuno ha visto di persona ma di cui ovunque sono visibili grandi manifesti.

In his final novel - which he considered his most important - Aldous Huxley transports us to the remote Pacific island of Pala, where an ideal society has flourished for 120 years. Inevitably, this island of bliss attracts the envy and enmity of the surrounding world. A conspiracy is underway to take over Pala, and events are set in motion when an agent of the conspirators, a newspaperman named Faranby, is shipwrecked there. What Faranby doesn't expect is how his time with the people of Pala will revolutionize all his values and - to his amazement - give him hope.

Guy Montag is a fireman. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television “family.”

Marooned on a tropical island, alone in a world of uncharted possibilities, and devoid of adult supervision or rules, a group of British boys begins to forge a society with its own unique rules and rituals.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Set in Italy during World War II, this is the story of the incomparable, malingering bombardier Yossarian, a hero who is furious because thousands of people he has never met are trying to kill him. But his real problem is not the enemy - it is his own army, which keeps increasing the number of missions the men must fly to complete their service. Yet if Yossarian makes any attempt to excuse himself from the perilous missions he's assigned, he'll be in violation of Catch-22.

The plot centers on Anthony Beavis, a dilettante social theorist, a man inclined to recoil from life. The pleasures of the physical world disgust him and the universe of ideas is but a poor refuge. Having long lost the art of intimacy, he betrays friendships and toys with the affections of women. But as Beavis approaches middle age, his world of perfect detachment begins to lose its appeal. Finally realizing that his withdrawal from life has been motivated not by intellectual honesty but by moral cowardice, Beavis, devastated and at crisis point, meets the remarkable and redoubtable Dr Miller.

In this intense detective thriller instilled with philosophical, religious, and social commentary, Dostoevsky studies the psychological impact upon a desperate and impoverished student when he murders a despicable pawnbroker, transgressing moral law to ultimately "benefit humanity".

The time traveler is on his way to a different world -- 800,000 years in the future. He finds humans called the Eloi living in simple luxury. They have become beautiful but meek, living on their safe, comfortable planet. The generations that have passed without challenge or adversity have dulled their minds. Underground machinery, built millennia ago, feeds and clothes these innocent creatures, and still functions perfectly. But who runs the machinery, and why are the Eloi afraid of the night?

Celebrating its 75th anniversary, John Steinbeck’s Of Mice and Men remains one of America's most widely read and beloved novels. Here is Steinbeck’s dramatic adaptation of his novel-as-play, which received the New York Drama Critics’ Circle Award for Best Play in 1937-1938 and has featured a number of actors who have played the iconic roles of George and Lennie on stage and film, including James Earl Jones, John Malkovich and Gary Sinise.