Climbing in Heels, Elaine Goldsmith-Thomas's debut novel, is a fictional tale of the rise of three secretaries at the hottest agency in 1980's Hollywood, giving you a glimpse into the boys-will-be-boys club and the women who wanted a seat at a table where they were expected to serve. It's the story of friendship, betrayal, survival, standing up when they pass you by, and saying I won't go when they want you gone. And it's also a story about how some of those women became very much like the monsters who trained them.

Set in the tumultuous period of the Tudors' ascent, The Pretender brings to life the little-known story of Lambert Simnel. From humble beginnings as a peasant boy, Lambert's life takes an astonishing turn when, at just ten years old, he becomes a claimant to the English throne as one of the last of the Plantagenet line. As Lambert navigates the treacherous waters of royal intrigue and court life, complex themes of identity, power, and destiny unfold, weaving a tapestry of ambition and survival in a world where the stakes couldn't be higher.

At the start of a new century, a shocking murder transfixes Manhattan, forcing bitter rivals Alexander Hamilton and Aaron Burr to work together to save a man from the gallows. Just before Christmas 1799, Elma Sands slips out of her Quaker cousin’s boarding house—and doesn’t come home. Has she eloped? Run away? No one knows—until her body appears in the Manhattan Well. Her family insists they know who killed her. Handbills circulate around the city accusing a carpenter named Levi Weeks of seducing and murdering Elma. But privately, quietly, Levi’s wealthy brother calls in a special favor.

1946: World War II is over, and Emma Clarkson is poised to take flight. With dreams of attending university, she’s ready to leave behind the wild beauty of Sable Island, the only home she’s ever known. But when a handsome British sea captain is rescued from a nearby shipwreck, her destiny is forever changed. Emma falls deeply in love with Oliver Harris, but their romance is not meant to be. Oliver returns to the sea, while Emma vows to forget him and pursue her own ambitions.

As Allied bombs rain down on Torino in the autumn of 1942, Stella Costa’s mother sends her to safety with distant relatives in a Tuscan villa. There, Stella finds her family tasked with a great responsibility: hiding nearly 300 priceless masterpieces from Florence, including Botticelli’s famous Primavera. With the arrival of German troops imminent, Stella finds herself a stranger in her family’s villa and she struggles to understand why her aunt doesn’t like her. She knows it has something to do with her parents.

There's a tradition in the Sharp family that some possess the Second Sight. But is it superstition, or true psychic power? Kit Sharp is in Paris, where she is involved in a love affair with the stunning Evelyn Larsen, and working as an archivist, having inherited her historian father's fascination with the Bayeux Tapestry. He believes that parts of the tapestry were made before 1066, and that it was a tool for prediction, not a simple record of events.

Oxford, 1920. For the first time in its one-thousand-year history, Oxford University officially admits female students. Burning with dreams of equality, four young women move into neighboring rooms in Corridor 8. Beatrice, Dora, Marianne, and Otto—collectively known as The Eights—come from all walks of life, each driven by their own motives, each holding tight to their secrets, and are thrown into an unlikely, unshakable friendship.

When Works Progress Administration editor Millie Lang finds herself on the wrong end of a potential political scandal, she’s shipped off to Montana to work on the state’s American Guide Series—travel books intended to put the nation’s destitute writers to work. Millie arrives to an eclectic staff claiming their missed deadlines are due to sabotage, possibly from the state’s powerful Copper Kings who don’t want their long and bloody history with union organizers aired. But Millie begins to suspect that the answer might instead lie with the town’s mysterious librarian, Alice Monroe.

Long before she was a rare book dealer, Rebecca Romney was a devoted reader of Jane Austen. She loved that Austen’s books took the lives of women seriously, explored relationships with wit and confidence, and always, allowed for the possibility of a happy ending. She read and reread them, often wishing Austen wrote just one more. But Austen wasn’t a lone genius. She wrote at a time of great experimentation for women writers—and clues about those women, and the exceptional books they wrote, are sprinkled like breadcrumbs throughout Austen’s work.

May 20, 2019: Homicide detective Mallory is in Edinburgh to be with her dying grandmother. While out on a jog one evening, Mallory hears a woman in distress. She’s drawn to an alley, where she is attacked and loses consciousness. May 20, 1869: Housemaid Catriona Thomson had been enjoying a half-day off, only to be discovered that night in a lane, where she’d been strangled and left for dead. When Mallory wakes up in Catriona's body in 1869, she must put aside her shock and adjust quickly to the reality.

It is the year 1613, and King James is sending his messenger Andrew Logan into Scotland with secret orders to arrest Sir David Moray, close friend and advisor of the late Prince Henry. Secrets are second nature to Andrew, who must hide his Second Sight to stay alive. Joined by a court scrivener and the scrivener's spirited daughter Phoebe, Andrew slowly untangles the true purpose of his mission—to frame Sir David for Prince Henry's murder. But Andrew is unwilling to betray an innocent man.

1918: As the Great War rages, Jessie Carson takes a leave of absence from the New York Public Library to work for the American Committee for Devastated France. Founded by millionaire Anne Morgan, this group of international women help rebuild destroyed French communities just miles from the front. Upon arrival, Jessie strives to establish something that the French have never seen—children’s libraries. She turns ambulances into bookmobiles and trains the first French female librarians. Then she disappears.

In San Francisco in 1866, an Irish nun, abandoned following a torrid relationship with a Chilean aristocrat, gives birth to a daughter named Emilia del Valle. Raised by a loving stepfather, Emilia grows into an independent thinker and a self-sufficient young woman. To pursue her passion for writing, she is willing to defy societal norms. At the age of seventeen, she begins to publish pulp fiction using a man’s pen name. When these fictional worlds can no longer satisfy her sense of adventure, she turns to journalism, convincing an editor at The Daily Examiner to hire her.

With her name on the Hollywood blacklist and her life on hold, starlet Melanie Cole has little choice in company. There is her next-door neighbor, Elwood, but the screenwriter’s agoraphobia allows for just short chats through open windows. He’s her sole confidante, though, as she and her housekeeper, Eva, an immigrant from war-torn Europe, rarely make conversation. Then one early morning Melanie and Eva spot Elwood’s sister-in-law and caretaker, June, digging in his beloved rose garden. After that they don’t see Elwood at all anymore.

By early 1960s standards, Margaret Ryan, Viv Buschetti, and Bitsy Cobb, suburban housewives in a brand-new "planned community" in Northern Virginia, appear to have it all. The fact that "all" doesn't feel like enough leaves them feeling confused and guilty, certain the fault must lie with them. Things begin to change when they form a book club with Charlotte Gustafson—the eccentric and artsy "new neighbor" from Manhattan—and read Betty Friedan's just-released book, The Feminine Mystique.