Fast-paced, thrilling, and emotional, Atmosphere is Taylor Jenkins Reid at her best: transporting listeners to iconic times and places, creating complex protagonists, and telling a passionate and soaring story about the transformative power of love—this time among the stars.

From a dazzling new talent, the story of a newly divorced young mother forced to reckon with the secrets of her own childhood when she brings her daughters back to the big house where she was raised.

It's 2004 and former reality TV star and party girl Maya Miller has just married the most eligible bachelor on the planet: Colin Sterling, of the globally famous Sterling family whose history of aristocratic titles and land holdings rival a British royal and whose media empire is comparable to the Murdochs. To some, Maya represents the American dream. To others, a gold digger. But when Colin's cousin Arianna, the heiress to the family's immense fortune, is found murdered, Maya is thrust into the spotlight.

Cecily Foster loves to make podcasts. She fiercely protects her colleagues, dearly adores her friends, and never misses dinner with her sister. But after a disastrous relationship with a colleague who stole her heart and her ideas, she’s put romantic love on hold. When the boss who’s disappointed her again and again finally offers her the chance to host her own show, she wants to be thrilled. But there’s a catch—actually, two catches. First, the show will be about Cecily’s dating life.

Ever since her dad left them twenty years ago, it’s just been Madeline Hill and her mom on their farm in Coalfield, Tennessee. While she sometimes admits it’s a bit lonely and a less exciting life than she imagined for herself, it’s mostly OK. Mostly. Then one day Reuben Hill pulls up in a PT Cruiser and informs Madeline that he believes she’s his half sister.

1982. Dawn is a young mother, still adjusting to life with her husband, when Hazel lights up her world like a torch in the dark. Theirs is the kind of connection that’s impossible to resist, and suddenly life is more complicated, and more joyful, than Dawn ever expected. But she has responsibilities and commitments. She has a daughter. 2022. Heron has just received news from his doctor that turns everything upside down. He’s an older man, stuck in the habits of a quiet existence. Telling Maggie, his only child—the person around whom his life has revolved—seems impossible.

Konstantin Duhovny is a haunted man. His father died when he was ten, and ghosts have been hovering around him ever since. Kostya can’t exactly see the ghosts, but he can taste their favorite foods. Flavors of meals he’s never eaten will flood his mouth, a sign that a spirit is present. Kostya has kept these aftertastes a secret for most of his life, but one night, he decides to act on what he’s tasting. And everything changes.

Freshly disengaged from her fiancé and feeling that life has not turned out quite the way she planned, 30-year-old Ruth quits her job, leaves town, and arrives at her parents' home to find that situation more complicated than she'd realized. Her father, a prominent history professor, is losing his memory and is only erratically lucid. Ruth's mother, meanwhile, is lucidly erratic.

Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living.

After the unexpected death of her father, college student Jane Sharp longs for a distraction from her grief. She becomes obsessed with true crime, befriending armchair detectives who teach her how to hunt killers from afar. In this morbid internet underground, Jane finds friendship, purpose, and even glory . . .So when news of the shocking deaths of three college girls in Delphine, Idaho, takes the world by storm, and sleuths everywhere race to solve the crimes, Jane and her friends are determined to beat them.

Anne is barely keeping it together. A frazzled ghostwriter and aspiring novelist, she juggles nine-year-old twins and a listless marriage from an overcrowded Manhattan apartment, spreading herself thinner each day. Just as Anne is about to give up on her dreams, she lands her biggest client yet: Melody Wells. Melody paints a picture of serenity and empowerment in the lavender haze of her visualization workshops—however, the one thing she can’t manifest are the pages her publisher is demanding for her new motivational book. Enter Anne.

In this touching and moving pair of coming-of-age stories, best-selling author Jessica Anya Blau makes it clear that once you step over certain lines, there's no going back.

Growing up in an isolated cabin in Montana in the mid-1990s, Jane knows only the world that she and her father live in: the woodstove that heats their home, the vegetable garden where they try to eke out a subsistence, the books of nineteenth-century philosophy that her father gives her to read in lieu of going to school. Her father is elusive about their pasts, giving Jane little beyond the facts that they once lived in the Bay Area and that her mother died in a car accident, the crash propelling him to move Jane off the grid to raise her in a Waldenesque utopia.

It’s a doozy of a bad day for Beverly Diamond when she catches her husband, Larry, in a compromising position with his secretary. What’s a DC suburban wife to do with a soon-to-be ex, two young kids, and no degree or financial support in 1962? Beat the louse at his own game, that’s what.

Since her husband’s death six months ago, Yesica Diaz-Taylor seems to be taking her grief in stride. Then an angry outburst at work shatters the illusion. Her mandated support group counseling doesn’t help much. Yesica has always kept her feelings close, so even when an unlikely friendship blossoms with the group’s facilitator, she still has reasons for holding back. She’s just not ready to share.

Ivona divorced the love of her life, Vlaho, a decade ago. They met as students at the turn of the millennium, when newly democratic Croatia was alive with hope and promise. But the challenges of living in a burgeoning country extinguished Ivona’s dreams one after another—and a devastating secret forced her to set him free. Now Vlaho is remarried and a proud father of two, while Ivona’s life has taken a downward turn. In her thirties, she has returned to her childhood home to care for her ailing father.

1957. Isabella Giori is ten months into a standard seven-year studio contract when she auditions with Hitchcock. Just weeks later, she is sequestered by the studio’s “fixer” in a tiny Carmel cottage, waiting and dreading. Meanwhile, next door, Léon Chazan is annoyed as hell when Iz interrupts his work on yet another screenplay he won’t be able to sell, because he’s been blacklisted. Soon, they’re together in his roadster, speeding down the fog-shrouded Big Sur coast.

In 1970s Baltimore, 14-year-old Mary Jane loves cooking with her mother, singing in her church choir, and enjoying her family’s subscription to the Broadway Showtunes of the Month record club. Shy, quiet, and bookish, she’s glad when she lands a summer job as a nanny for the daughter of a local doctor. A respectable job, Mary Jane’s mother says. In a respectable house.

Identical triplets Baby A, Baby B, and Baby C Binderup were welcomed into the world as their mother was ushered out of it, leaving them nameless and in the care of their Gram, Isadora. Nineteen years later, the triplets work at their Gram’s crumbling golf course in Longshadow, Texas, where the ever-watchful eyes of the town observe them serving up glasses of ice-cold lemonade to golfers, swimming in the murky waters of the neighboring bayou, or slipping t-shirts off their sunburnt shoulders in hopes of attracting the kind of attention they are only beginning to understand.

On her wedding day in San Juan, Puerto Rico, in 1968, Rafaela Acuña y Daubón has mild misgivings, but she marries Peter Brennan Jr. anyway in a blaze of romantic optimism. She has no way of knowing how dramatically her life will change when she uproots her young family to start over in the American Midwest, unleashing a fleet of disappointments. In the 1980s, against the backdrop of her mother’s isolation in St. Louis, Missouri, Rafaela’s daughter, Ruth, wants only to belong. Eager to fit in, Ruth lets go of her language, habits, and childhood memories of Puerto Rico. I

When Sally Samuelson was eight years old, her golden boy brother Ellis went missing the summer he graduated high school. Ellis finally turned up at the bucolic Bug Hollow, a last gasp of the beautiful Northern California counterculture in the seventies. He had found joy in the communal life there, but died in a freak accident weeks later. From that point, the world of the Samuelsons never spins on the same axis, especially after Julia, Ellis’s girlfriend from Bug Hollow, shows up pregnant on their doorstep.

In school, Milly Beckett and Nicole Raven were as close as sisters. Now, years later, a gulf separates them, and not just because of the different spheres they inhabit. Nicole is a global superstar with the world at her fingertips, but when scandal breaks, she turns to the only person she trusts. Fresh from a painful divorce and struggling to balance her work and raising her daughter alone, Milly is tempted to refuse her friend’s plea for help.

In People Like Us, two Black writers are trying to find peace and belonging in a world that is riven with gun violence. One is on a global book tour after a big prize win; the other is set to give a speech at a school that has suffered a shooting. And as their two storylines merge, truths and antics abound in equal measure: characters drink booze out of an award trophy; menaces lurk in the shadows; tiny French cars putter around the countryside; handguns seem to hover in the air; and dreams endure against all odds.

Where do you get an abortion in 1960 Georgia, especially if your small town’s midwife goes to the same church as your parents? For seventeen-year-old Doris Steele, the answer is Atlanta, where her favorite teacher, Mrs. Lucas, calls upon her brash, wealthy childhood best friend, Sylvia, for help. While waiting to hear from the doctor who has agreed to do the procedure, Doris spends the weekend scandalized by, but drawn to, the people who move in and out of Sylvia’s orbit.

During a scorching summer in 1920s Provence, a young journalist, Joseph Adelaide, turns up at the farmhouse of reclusive artist Edouard Tartuffe, hoping to write an article about him. There, he meets Ettie, Tartuffe’s niece, who appears to do everything for her uncle—from cooking and cleaning to catering to his maniacal moods. Joseph is beguiled by where he finds himself, not just by this foreign place or Tartuffe himself, but by Ettie, who watches everything so quietly from the periphery.

For as long as she can remember, Peppa Ryan has been guided by a benevolent voice in her head who she believes is Virginia Woolf. Though she’s an exceptionally bright twenty-year-old, she suffers from crippling low self-esteem and has barely left her parents’ ramshackle home in Queens, New York. Set at the turn of the millennium, Peppa defies her parent’s wishes and ventures out on her own to start a job at a Wall Street investment firm.

Abe Jacobs is Kanien’kehá:ka from Ahkwesáhsne—or, as white people say, a Mohawk Indian from the Saint Regis Tribe. At eighteen, Abe left the reservation where he was raised and never looked back. Now forty-three, Abe is suffering from a rare disease—one his doctors in Miami believe will kill him.

2016: Thirty-four-year-old Mari Starwood is still grieving after her mother’s death as she travels to the storied island of Martha’s Vineyard, off the coast of Massachusetts. She’s come all the way from California with nothing but a name on a piece of paper: Elizabeth Devereaux, the famous but reclusive Vineyard painter. When Mari makes it to Mrs. Devereaux’s stunning waterfront farm under the guise of taking a painting class with her, Mrs. Devereaux begins to tell her the story of the Smith sisters, who once lived there.

In this touching and moving pair of coming-of-age stories, best-selling author Jessica Anya Blau makes it clear that once you step over certain lines, there's no going back.

If you loved Rocky and her family on vacation on Cape Cod, wait until you join them at home two years later. (And if this is your first meeting with this crew, get ready to laugh and cry—and relate.) Rocky, still anxious, nostalgic, and funny, is living in Western Massachusetts with her husband Nick and their daughter Willa, who's back home after college. Their son, Jamie, has taken a new job in New York, and Mort, Rocky’s widowed father, has moved in.