Breakfast of Champions (1973) provides frantic, scattershot satire and a collage of Vonnegut's obsessions. His recurring cast of characters and American landscape was perhaps the most controversial of his canon; it was felt by many at the time to be a disappointing successor to Slaughterhouse-Five, which had made Vonnegut's literary reputation.

According to Kurt Vonnegut's alter ego, the old science fiction writer Kilgore Trout, a global timequake will occur on February 13, 2001, at 2:27 p.m. It will be the moment when the universe suffers a crisis of conscience: Should it go on expanding indefinitely or collapse and make another great big BANG? For its own cosmic reasons, it decides to back up a decade to 1991, giving the world a 10-year case of deja vu, making everybody and everything do exactly what they'd done during the past decade.

Eliot Rosewater, a drunk volunteer fireman and president of the fabulously rich Rosewater Foundation, is about to attempt a noble experiment with human nature, with a little help from writer Kilgore Trout. The result is Kurt Vonnegut's funniest satire, an etched-in-acid portrayal of the greed, hypocrisy, and follies of the flesh we are all heir to.

Walter Starbuck, a career humanist and eventual low-level aide in the Nixon White House, is implicated in Watergate and jailed, after which he (like Howard Campbell in Mother Night) works on his memoirs. Starbuck is innocent (his office was used as a base for the Watergate shenanigans of which he had no knowledge), and yet he is not innocent (he has collaborated with power unquestioningly and served societal order all his life). He represents another Vonnegut Everyman caught amongst forces he neither understands nor can defend.

Deadeye Dick is Kurt Vonnegut's funny, chillingly satirical look at the death of innocence. Amid a true Vonnegutian host of horrors - a double murder, a fatal dose of radioactivity, a decapitation, an annihilation of a city by a neutron bomb - Rudy Waltz, aka Deadeye Dick, takes us along on a zany search for absolution and happiness. Here is a tale of crime and punishment that makes us rethink what we believe...and who we say we are.

The Playground was part of the first hardcover edition of Ray Bradbury's legendary work Fahrenheit 451, published in 1953. In the story, Charles Underhill is a widower who will do anything to protect his young son Jim from the horrors of the playground - a playground which he and the boy pass by daily and the tumult of which, the activity, brings back to Charles the anguish of his own childhood.

Franz Kafka's 1915 novella of unexplained horror and nightmarish transformation became a worldwide classic and remains a century later one of the most widely read works of fiction in the world. It is the story of traveling salesman Gregor Samsa, who wakes one morning to find himself transformed into a monstrous insect. This hugely influential work inspired George Orwell, Albert Camus, Jorge Louis Borges, and Ray Bradbury, while continuing to unsettle millions of readers.

With cutting wit, fierce conviction, and surprising empathy, Vonnegut explores a diverse range of topics including society, politics, sex, literature, and mortality. Fans who believe they've read all of Vonnegut's work will be delighted to find the author speaking frankly about timely and relevant new topics - with an amusing yet insightful style that's instantly recognizable.

In this self-portrait by an American genius, Kurt Vonnegut writes with beguiling wit and poignant wisdom about his favorite comedians, country music, a dead friend, a dead marriage, and various cockamamie aspects of his all-too-human journey through life. This is a work that resonates with Vonnegut's singular voice: the magic sound of a born storyteller mesmerizing us with truth.

Eugene Debs Hartke describes an odyssey from college professor to prison inmate to prison warden back again to prisoner in another of Vonnegut's bitter satirical explorations of how and where (and why) the American dream begins to die. Employing his characteristic narrative device - a retrospective diary in which the protagonist retraces his life at its end, a desperate and disconnected series of events here in Hocus Pocus show Vonnegut with his mask off and his rhetorical devices unshielded.

Meet Rabo Karabekian, a moderately successful surrealist painter who we meet late in life and see struggling (like all of Vonnegut's key characters) with the dregs of unresolved pain and the consequences of brutality. Loosely based on the legend of Bluebeard (best realized in Bela Bartok's one-act opera), the novel follows Karabekian through the last events in his life that is heavy with women, painting, artistic ambition, artistic fraudulence, and as of yet unknown consequence.

Here is an entirely new side of Kurt Vonnegut, Vonnegut as a teacher of writing. Of course he's given us glimpses before, with aphorisms and short essays and articles and in his speeches. But never before has an entire book been devoted to Kurt Vonnegut the teacher. Here is pretty much everything Vonnegut ever said or wrote having to do with the writing art and craft, altogether a healing, a nourishing expedition.

Academy Award winner Dustin Hoffman gives an understated and exemplary performance of this satiric look at the unreality of American media culture. Chance, the enigmatic gardener, becomes Chauncey Gardiner after getting hit by a limo belonging to a Wall Street tycoon. The whirlwind that follows brings Chance to his new status of political policy advisor and possible vice presidential candidate. His garden-variety political responses, inspired by television, become heralded as visionary, and he is soon a media icon.

Thomas Paine published Common Sense in 1776, a time when America was a hotbed of revolution. The pamphlet, which called for America's political freedom, sold more than 150,000 copies in three months. Paine not only spurred his fellow Americans to action but soon came to symbolize the spirit of the Revolution itself. His persuasive pieces, written so elegantly, spoke to the hearts and minds of all those fighting for freedom from England.

In his first novel, A Happy Death, written when he was in his early 20s and retrieved from his private papers following his death in 1960, Albert Camus laid the foundation for The Stranger, focusing in both works on an Algerian clerk who kills a man in cold blood. But he also revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Separated by 10 years, 3,000 miles, and the unrelenting stresses of adulthood, best friends Janet and Serena plan a 40th birthday girls’ trip to reconnect. But after a massive crash, they’re the only survivors to wash ashore on an uncharted Caribbean Island. Armed with only the clothes on their backs and zero survival skills, they fight to overcome hunger, thirst, deadly wildlife—and most terrifyingly—decades of accrued resentment. Can they find their way home, or will they kill each other first?

We all have things in our life that we should know by now, but don’t. Absences in our knowledge and skillset that are frankly shameful in an adult. Things that would be too embarrassing to ask anyone to explain – except our very best friend. Listen in as Mel and Sue tackle their ignorance head on, asking each other to explain something that they still don’t know - but absolutely, as adults, should - from how to parallel park to fully understanding bread (why has it got all those holes in it? What, honestly, is yeast?).