Spanning over a hundred and fifty years, Morgan Jerkins’s extraordinary novel intertwines the stories of these star-crossed lovers and their descendants. As Tirzah's family moves across the country during the Great Migration, they challenge authority with devastating consequences, while of the legacy of heartbreak and loss continues on in the lives of Harrison's progeny.

When 24-year-old Kareela discovers she's pregnant with a child she isn't sure she wants, her struggle to understand her place in the world as a person who is half-Black, half-white—yet feels neither—is amplified. Her mother, Evelyn, fled to Canada with her husband and their first-born child during the politically charged Jamaican exodus in the 1980s, only to realize they'd come to a place where Black men are viewed with suspicion—a constant and pernicious reality Evelyn watches her husband and son navigate daily. Years later, Evelyn's mother-in-law, Violet, moves in.

Genevieve Francis, a 25-year-old Black reporter, assumed she’d go into her fourth year at her newspaper job with a bigger story than the latest seasonal ice cream flavor. Instead, she’s relegated to doing copy edits and sensitivity reads on the articles her white colleagues write. So when Gen finally gets the opportunity to cover a prominent CEO’s gala, she leaps at the chance—this will be her biggest assignment to date. The only problem: The CEO is her ex, Jude, whose marriage proposal she publicly rejected four years prior.

It's 1942 and Willowjean "Will" Parker is a scrappy circus runaway whose knife-throwing skills have just saved the life of New York's best, and most unorthodox, private investigator, Lillian Pentecost. When the dapper detective summons Will a few days later, she doesn't expect to be offered a life-changing proposition: Lillian's multiple sclerosis means she can't keep up with her old case load alone, so she wants to hire Will to be her right-hand woman. In return, Will is to receive a salary, room and board, and training in Lillian's very particular art of investigation.

Nan's day is not off to a good start. Her on-again, off-again relationship with Walter is off...again, and when she offers a fellow busker a place to stay for the night he ends up murdered on her kitchen floor. To make matters worse, the busker turns out to have been an undercover cop. And his former partner has taken an immediate and extreme dislike to Nan. When she finds that the dead man stashed a wad of cash in her apartment, cash that could go to help his blind girlfriend, Nan's desire to do the right thing lands her in trouble.

There’s something wrong in Renfield County. It’s in the water, the soil, the wood. But worst of all, it’s in the minds of the residents, slowly driving them mad. When Lawrence Renfield massacred his family and drew The Giant in his farmhouse with their blood, no one imagined the repercussions. At the very least, the bloodstained wood should have been set aflame, not chopped down and repurposed as furniture, décor, and heirlooms across the county. But that’s exactly what happened.

After her best friend's mysterious death, Elizabeth Smith’s picture-perfect life in the Memphis suburbs has spiraled out of control—so much so that she hires a personal assistant to keep her on track. Composed and elegant, Brianna is exactly who she needs and slides so neatly into Elizabeth’s life, almost like she belonged there from the start. Soon, the assistant Elizabeth hired to distract her from her obsession with her friend's death is the same person working with her to uncover the truth behind it. Because Brianna has questions, too.

All over the city, they are watching: Black men paid to stand guard, invisible among the wealthy flâneurs and yet the only ones who truly see. From Les Grands Moulins to a Sephora on the Champs-Élysees, Ferdinand, Ossiri, and Kassoum find their way as undocumented workers amidst political infighting and the ever-changing landscape of immigration policy. Fast-paced and funny, poignant and sharply satirical, Standing Heavy is a searing deconstruction of colonial legacies and capitalist consumption and an unforgettable account of everything that passes under the security guards' all-seeing eyes.

Blues Highway is one migration story of Blacks from the American South, aided initially by the Pullman porters broad reach into the world beyond. Moving on to the next generation, the porter Sidney sets up his daughter Janet to take hold of his barber shop. As she navigates her life, opportunities and social conditions shift. The power of Janet and Frank's relationship moves the saga forward, touching honestly and deeply on the forces of change.

In the shared and private spaces of Iowa City, a loose circle of lovers and friends encounter, confront, and provoke one another in a volatile year of self-discovery. Among them are Seamus, a frustrated young poet; Ivan, a dancer turned aspiring banker who dabbles in amateur pornography; Fatima, whose independence and work ethic complicate her relationships with friends and a trusted mentor; and Noah, who “didn’t seek sex out so much as it came up to him like an anxious dog in need of affection.”

Bexley Simon and Sam Farmer aren't detectives, but they play them on TV. Well, played, past tense. The iconic cult hit that was Craven's Daughter ended five years ago, and their friendship died along with it. Fans were disappointed that the pair's legendary chemistry went unfulfilled—and other fans were crushed that the actual spark between actresses Bex and Sam didn't pay off, either. The network never intended for two women to get romantic, in life or onscreen, despite the fans. But the bigger tragedy was the loss of their dear friend, makeup artist Jen Arnot.

Keeonna and Jason met as young teens. Only fourteen, Keeonna had never had a boyfriend before, dreamed of attending Spelman to become an obstetrician, and thought she was “grown.” Within a year she was pregnant and Jason was in prison, convicted of a carjacking and sentenced to twenty-two years. Overnight Keeonna had become a “mainline mama,” a parent facing the task of raising a child—while still growing up herself—with an incarcerated partner.

Smoke Kings is a powerful and propulsive novel with a diverse and unforgettable cast of characters. Like Steph Cha's Your House Will Pay it explores decades of racial tensions through a fictional landscape where the line between justice and revenge is blurred.

Set over the course of three summers, this novel follows Stephen, a first-generation Londoner born to Ghanaian immigrant parents, brother to Ray, and best friend to Adeline. On the cusp of big life changes, Stephen feels pressured to follow a certain path—a university degree, a move out of home—but when he decides instead to follow his first love, music, his world and family fracture in ways he didn’t foresee. Now Stephen must find a path and peace for himself: a space he can feel beautiful, a space he can feel free.

Mickey Hayward dreams of writing stories that matter, but, for now, her days are filled with listicles about lip gloss and click-bait articles about celebrity haircare. Still, the job is flashy and her girlfriend is steady and supportive. The path may be long, but Mickey’s well on her way, and it’s far from the messy life she left behind in Maryland. Everything finally seems to be falling into place—until she finds out she’s being replaced.