How It Feels To Be Colored Me was first published in The World Tomorrow in May 1928. In this autobiographical piece that focuses on race and 1920s America, Hurston reflects on her early childhood in an all-black Florida town and her first experiences in life where she felt "different." Hurston focuses on the similarities we all share and on her own self-identity in the face of difference. "Through it all," she says, "I remain myself."

In Mules and Men, some of the rich cultural heritage of black America is revealed and preserved. In the 1930s, Zora Neale Hurston returned to her home town of Eatonville, Florida, to collect and record the oral histories, songs, and sermons, many dating back to slavery times, that she remembered hearing as a child. These highly metaphorical folktales, "big old lies", and powerful songs helped her to recover her history, and preserve an important part of American culture.

Originally published in The Journal of Negro History, this fascinating and important work records the recollections of Cudjo Lewis, one of the last surviving captives of the Clotilde, the final ship to dock in the United States with a cargo of African slaves. Lewis and Zora Neale Hurston provide an ethnography of Lewis's own Togo people, detail his capture by warriors of the Kingdom of Dahomey, hardship and strife aboard the Clotilde en route to port in Alabama, and his eventual liberation.

Born to parents who fled slavery and the Trail of Tears, Magnolia Flower is a girl with a vibrant spirit. Not to be deterred by rigid ways of the world, she longs to connect with others, who too long for freedom. She finds this in a young man of letters who her father disapproves of. In her quest to be free, Magnolia must make a choice and set off on a journey that will prove just how brave one can be when leading with one’s heart.

After her life was turned upside down by solving the murder of her best friend, Sister Amity Gay, all Glory Brousard wanted was a little peace and quiet. That included getting back to her Sunday morning routine as a bookie in a coffee shop, and planning the annual Mardi Gras gala for her church. But there’s no rest for Glory once the woman who broke up her marriage walks in to CC's Coffee House and asks for help finding her missing husband. It doesn’t take long before Glory finds him . . . with a knife impaled in his chest.

Published in the US for the first time, Fearless and Free is the memoir of the fabulous, rule-breaking, one-of-a-kind Josephine Baker, the iconic dancer, singer, spy, and Civil Rights activist. After stealing the spotlight as a teenaged Broadway performer during the height of the Harlem Renaissance, Josephine then took Paris by storm, dazzling audiences across the Roaring Twenties. In her famous banana skirt, she enraptured royalty and countless fans—Ernest Hemingway and Pablo Picasso among them.

You Don’t Know Us Negroes is the quintessential gathering of provocative essays from one of the world’s most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military, and school integration, Hurston’s writing articulates the beauty and authenticity of Black life as only she could. Collectively, these essays showcase the roles enslavement and Jim Crow have played in intensifying Black people’s inner lives and culture rather than destroying it.

Kendrick Lamar is one of the most influential rappers, songwriters and record producers of his generation. Widely known for his incredible lyrics and powerful music, he is regarded as one of the greatest rappers of all time. In Promise That You Will Sing About Me, pop culture critic and music journalist Miles Marshall Lewis explores Kendrick Lamar’s life, his roots, his music, his lyrics, and how he has shaped the musical landscape.

Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate’s dreary confines come with an intimate knowledge of the perversions and pathetic preoccupations of the Pounds family—Mr. Pounds can’t keep his eyes off Winifred’s chest, and Mrs. Pounds takes a sickly pleasure in punishing Winifred for her husband’s wandering gaze.

Zora Neale Hurston is best remembered today for her work as a novelist, but she was also an accomplished dramatist, short story writer, and folklorist. That range of interests and styles is on full display in this collection.

In this, the first book to take a big-picture view of the entire post punk period, acclaimed author and music journalist Simon Reynolds recreates a time of tremendous urgency and idealism in pop music. Full of anecdote and insight, and featuring the likes of Joy Division, The Fall, Pere Ubu, PiL and Talking Heads, Rip It Up And Start Again stands as one of the most inspired and inspiring books on popular music ever written.

One day, a cataclysmic event occurs: all of the white people in America walk into the nearest body of water. A year later, Charlie Brunton is a Black man living in an entirely new world. Having served time in prison for a wrongful conviction, he’s now a professor of electric and solar power systems at Howard University when he receives a call from someone he wasn’t even sure existed: his daughter Sidney, a nineteen-year-old left behind by her white mother and step-family.

In 1919, a high school teacher from Washington, D.C arrives in Harlem excited to realize her lifelong dream. Jessie Redmon Fauset has been named the literary editor of The Crisis. The first Black woman to hold this position at a preeminent Negro magazine, Jessie is poised to achieve literary greatness. But she holds a secret that jeopardizes it all. W. E. B. Du Bois, the founder of The Crisis, is not only Jessie’s boss, he’s her lover. And neither his wife, nor their fourteen-year-age difference can keep the two apart.

Isaac is at a crossroads in his young life. Growing up in Missouri, the son of a caustic, hard-driving father, he was conditioned to suppress his artistic pursuits and physical desires, notions that didn’t align with a traditional view of masculinity. But now, in late ’80s Chicago, Isaac has finally carved out a life of his own. He is sensitive and tenderhearted and has built up the courage to seek out a community. Yet just as he begins to embrace who he is, two social catalysts—the AIDS crisis and Rodney King’s attack—collectively extinguish his hard-earned joy.

Imagination: A Manifesto offers visionary examples and tactics to push beyond the constraints of what we think, and are told, is possible. This book is for anyone who is ready to take to heart Toni Morrison's instruction: "Dream a little before you think."

You Don’t Know Us Negroes is the quintessential gathering of provocative essays from one of the world’s most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military, and school integration, Hurston’s writing articulates the beauty and authenticity of Black life as only she could. Collectively, these essays showcase the roles enslavement and Jim Crow have played in intensifying Black people’s inner lives and culture rather than destroying it.

Every Tongue Got to Confess is an extensive volume of African American folklore that Zora Neale Hurston collected on her travels through the Gulf States in the late 1920s. The bittersweet and often hilarious tale, which range from longer narratives about God, the Devil, white folk, and mistaken identity to witty one-liners, reveal attitudes about faith, love, family, slavery, race, and community.

In this novel based on the familiar story of the Exodus, Zora Neale Hurston blends the Moses of the Old Testament with the Moses of black folklore and song to create a compelling allegory of power, redemption, and faith.

Spanning over a hundred and fifty years, Morgan Jerkins’s extraordinary novel intertwines the stories of these star-crossed lovers and their descendants. As Tirzah's family moves across the country during the Great Migration, they challenge authority with devastating consequences, while of the legacy of heartbreak and loss continues on in the lives of Harrison's progeny.

Originally published in The Journal of Negro History, this fascinating and important work records the recollections of Cudjo Lewis, one of the last surviving captives of the Clotilde, the final ship to dock in the United States with a cargo of African slaves. Lewis and Zora Neale Hurston provide an ethnography of Lewis's own Togo people, detail his capture by warriors of the Kingdom of Dahomey, hardship and strife aboard the Clotilde en route to port in Alabama, and his eventual liberation.

Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African-American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s "lost" Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales.

Dust Tracks on a Road is the bold, poignant, and funny autobiography of novelist, folklorist, and anthropologist Zora Neale Hurston, one of American literature's most compelling and influential authors. Hurston's powerful novels of the South - including Jonah's Gourd Vine and, most famously, Their Eyes Were Watching God - continue to enthrall readers with their lyrical grace, sharp detail, and captivating emotionality.

In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview 86-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage 50 years after the Atlantic slave trade was outlawed in the United States. In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile.

When 24-year-old Kareela discovers she's pregnant with a child she isn't sure she wants, her struggle to understand her place in the world as a person who is half-Black, half-white—yet feels neither—is amplified. Her mother, Evelyn, fled to Canada with her husband and their first-born child during the politically charged Jamaican exodus in the 1980s, only to realize they'd come to a place where Black men are viewed with suspicion—a constant and pernicious reality Evelyn watches her husband and son navigate daily. Years later, Evelyn's mother-in-law, Violet, moves in.

Born to parents who fled slavery and the Trail of Tears, Magnolia Flower is a girl with a vibrant spirit. Not to be deterred by rigid ways of the world, she longs to connect with others, who too long for freedom. She finds this in a young man of letters who her father disapproves of. In her quest to be free, Magnolia must make a choice and set off on a journey that will prove just how brave one can be when leading with one’s heart.

Their Eyes Were Watching God, an American classic, is the luminous and haunting novel about Janie Crawford, a Southern Black woman in the 1930s, whose journey from a free-spirited girl to a woman of independence and substance has inspired writers and readers for close to 70 years.

Keeonna and Jason met as young teens. Only fourteen, Keeonna had never had a boyfriend before, dreamed of attending Spelman to become an obstetrician, and thought she was “grown.” Within a year she was pregnant and Jason was in prison, convicted of a carjacking and sentenced to twenty-two years. Overnight Keeonna had become a “mainline mama,” a parent facing the task of raising a child—while still growing up herself—with an incarcerated partner.

In 1943, when a frail old white woman shows up in Red Clay, Alabama, at the home of a Black former slave—on the morning following his funeral—his family hardly knows what to expect after she utters the words “… a lifetime ago, my family owned yours.” Adelaide Parker has a story to tell—one of ambition, betrayal, violence, and redemption—that shaped both the fate of her family and that of the late Felix H. Parker. But there are gaps in her knowledge, and she’s come to Red Clay seeking answers from a family with whom she shares a name and a history that neither knows in full.

Eddie Asher arrives at Hudson Valley Psychiatric Hospital panicked that he may have murdered his brother’s fiancée, Lucy, with whom he shared a profound kinship. He can’t imagine doing such a terrible thing, but Eddie hasn’t been himself lately. Eddie’s anxiety is nothing new to Pär, the one Eddie calls his Other, who protects Eddie from truths he’s too sensitive to face. Or so Pär says. Troubled by Pär’s increasing sway over his life, Eddie seeks out Dr. Richard Montgomery, a specialist in dissociative identities.

Zora Neale Hurston is best remembered today for her work as a novelist, but she was also an accomplished dramatist, short story writer, and folklorist. That range of interests and styles is on full display in this collection.