Leading New Testament scholar Robert M. Price has taken umbrage at the cavalier manner in which Rev. Lee Strobel has misrepresented the field of Bible scholarship in his book The Case for Christ. Price exposes and refutes Strobel's arguments chapter-by-chapter. In doing so, he has occasion to wipe out the entire field of Christian apologetics as summarized by Strobel. This book is a must-read for anyone bewildered by the various books published by Rev. Strobel.

While Christian faith cannot be reduced to mere superstition, few would deny that Christianity is too easily plagued by superstition. Indeed, many Christian theologians have tried to purify Christianity of magical thinking in favor of genuine piety.

The scholarship of theology and religion teaches us that the God of the Bible was without a body, only revealing himself in the Old Testament in words mysteriously uttered through his prophets, and in the New Testament in the body of Christ. The portrayal of God as corporeal and masculine is seen as merely metaphorical, figurative, or poetic. But, in this revelatory study, Francesca Stavrakopoulou presents a vividly corporeal image of God: a human-shaped deity who walks and talks and weeps and laughs, who eats, sleeps, feels, and breathes, and who is undeniably male.

The assumption that Jesus existed as a historical person has occasionally been questioned in the course of the last hundred years or so, but any doubts that have been raised have usually been put to rest in favor of imagining a blend of the historical, the mythical, and the theological in the surviving records of Jesus. Historian and philosopher Richard Carrier reexamines the whole question and finds compelling reasons to suspect the more daring assumption is correct.

The Old Testament is a fierce battleground for atheists and Christian apologists, with each side accusing the other of taking challenging and troubling passages out of context. In this handbook, Joshua Bowen not only provides the background to the Old Testament and the ancient Near East, but engages with hotly contested topics like slavery, failed prophecy, and the authorship of debated Old Testament books.

Nailed sheds light on ten beloved Christian myths, and, with evidence gathered from historians across the theological spectrum, shows how they point to a Jesus Christ created solely through allegorical alchemy of hope and imagination; a messiah transformed from a purely literary, theological construct into the familiar figure of Jesus - in short, a purely mythic Christ.

In Armageddon, acclaimed New Testament authority Bart D. Ehrman delves into the most misunderstood—and possibly the most dangerous—book of the Bible, exploring the horrifying social and political consequences of expecting an imminent apocalypse and offering a fascinating tour through three millennia of Judeo-Christian thinking about how our world will end. By turns hilarious, moving, troubling, and provocative, Armageddon presents inspiring insights into how to live our lives in the face of an uncertain future.

Who is Satan in the New Testament, and what is the evil that he represents? In this groundbreaking book, Elaine Pagels, Princeton's distinguished historian of religion, traces the evolution of Satan from its origins in the Hebrew Bible, where Satan is at first merely obstructive, to the New Testament, where Satan becomes the Prince of Darkness, the bitter enemy of God and man, evil incarnate. In The Origin of Satan, Pagels shows that the four Christian gospels tell two very different stories.

In the tradition of Bertrand Russell's Why I Am Not a Christian and Sam Harris' recent best-seller, The End of Faith, Christopher Hitchens makes the ultimate case against religion. With a close and erudite reading of the major religious texts, he documents the ways in which religion is a man-made wish, a cause of dangerous sexual repression, and a distortion of our origins in the cosmos.

In this honest appraisal of his journey from believer to atheist, the author carefully explains the experiences and the reasoning process that led him to reject religious belief. The original edition of this book was published in 2006 and reissued in 2008. Since that time, Loftus has received a good deal of critical feedback from Christians and skeptics alike. In this revised and expanded edition, the author addresses criticisms of the original, adds new argumentation and references, and refines his presentation.

Whether taken as a book of faith or a cultural artifact, the New Testament is among the most significant writings the world has ever known, its web of meaning relied upon by virtually every major writer in the last 2,000 years. Yet the New Testament is not only one of Western civilization’s most believed books, but also one of its most widely disputed, often maligned, and least clearly understood, with a vast number of people unaware of how it was written and transmitted.

In this “eloquent understanding of how death is viewed through many spiritual traditions” (Publishers Weekly, starred review), Bart Ehrman recounts the long history of the afterlife, ranging from The Epic of Gilgamesh up to the writings of Augustine, focusing especially on the teachings of Jesus and his early followers. He discusses ancient guided tours of heaven and hell, in which a living person observes the sublime blessings of heaven for those who are saved and the horrifying torments of hell for those who are damned.

Seth Andrews wasn't an idiot during his 30 years as an evangelical Christian. He wasn't unintelligent, nor did his IQ shift when he ultimately left religion entirely. He considered himself thoughtful, moral, reasonable, and at least as smart as the average person. In other words, he wasn't an idiot. Yet strangely, he often sounded like one.

It is often said, even by critical scholars who should know better, that “writing in the name of another” was widely accepted in antiquity. But New York Times bestselling author Bart D. Ehrman dares to call it what it was: literary forgery, a practice that was as scandalous then as itis today. In Forged, Ehrman’s fresh and original research takes readers back to the ancient world, where forgeries were used as weapons by unknown authors to fend off attacks to their faith and establish their church.

"Arguably the most distinctive feature of the early Christian literature," writes Bart Ehrman, "is the degree to which it was forged." The Homilies and Recognitions of Clement; Paul's letters to and from Seneca; Gospels by Peter, Thomas, and Philip; Jesus' correspondence with Abgar, letters by Peter and Paul in the New Testament - all forgeries. To cite just a few examples.