
Black Maps
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Narrated by:
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Scott Brick
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By:
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Peter Spiegelman
The stronghold of white-collar crime in the rarefied world of high finance - this is the setting for Peter Spiegelman's edgy, suspenseful, sharply-honed debut novel. At the center: John March, who walked away from his family's venerable merchant bank for the life of a rural deputy sheriff - a life that would explode in personal tragedy and professional disaster. Three years later, he's back in Manhattan, working as a PI and running from his grief and the expectations of his wealthy family.
March takes the case of Rick Pierro, a self-made man who has everything - and who's in danger of losing it all. An anonymous, poisonous threat has implicated him in a vast money-laundering scheme already under investigation by the feds. March's own investigation uncovers a blood-stained paper trail that leads him deep into the lives of both insiders and outcasts on the street. He discovers that his client may be the latest victim of a serial extortionist diabolically adept at psychological and physical intimidation, but the more March learns the more questions he has about Pierro, his wife, and the secrets hidden beneath the glossy surfaces of their lives. And the more he begins to fear that his own blood will be added to the trail before the case is closed.
With its headlong narrative, quick, incisive language, and brilliantly clarified details of finance - the legal and the illegal - Black Maps is a stunning first novel.
©2003 Peter Spiegelman (P)2003 Books on Tape, Inc.Listeners also enjoyed...




















Critic reviews
"Nothing about this stylish, literate mystery reads like a debut, as Spiegelman handles the complex plot with verve....John March is one of the most intriguing new PIs to come along in quite some time, and if this strong first outing is any indication, he should be in for a long and enjoyable run." (Publishers Weekly)
“Spiegelman knows where the bodies are buried and he knows how to write. Impressive.” (Jonathan Kellerman)
"A stunner... [It] keeps readers in the dark until the very last page. Suspenseful narrative, superb characters, and a prevailing atmosphere of Chandler-esque melancholy...to ask for more in a mystery would be criminal.” (Newsday)
“A first-rate thriller from a first-rate novelist.” (Rocky Mountain News)
Excellent novel
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I would listen again to this author to follow John March and see if he is a character that I would continue to care about.
Only 3 stars because I have nothing to compare it to.
Good Listen
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Peter at his best
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A Favorite Author Who Doesn't Disappoint here.
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Good story – terrible narrator
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Great first effort
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Good mystery book
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I will give him another try and hope he decides to focus a little less on aimless description. The character is good and can be further developed and the author knows how to tell a story.
Good first effort
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Mixed Reaction
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The second problem is huge: The descriptions. Oh my, let me see if I can find the words to accurately describe this problem. This author describes EVERYTHING worn by EVERY character in EVERY situation, and he does it EVERY time they appear. By page 100, I was ready to scream, and this problem is pronounced enough that I won't make it through his future books if they're the same way. I have no idea what he was thinking, and it's unfathomable that the publisher didn't insist on paring this practice back during the editing process.
NOTHING, and I mean NOTHING, is left to the reader's imagination. Each time a character appears, he describes every stitch of clothing, from the shape of boot heels to the style of earrings to the color of hair ribbon, the hairstyle, the pants, the shirts, the blouse, the scarf. Matters not if they're walking down the street or staring into the muzzle of a gun, he's gonna tell us EXACTLY what they're wearing. If there are a group of people present, he ticks through each one like this. It's not limited to characters, of course. We get the same level of minutiae for every building, every room we enter, and basically every piece of furniture in every room. It's utterly maddening, and it's made worse in the audiobook format since you can't skim through this nonsense.
I want to like this author because of the good story and interesting premise. I can only hope that someone somewhere helps him understand the seriousness of this problem. Reading is about visualizing, about imagination. It's not television and it's not necessary to try to turn it into that kind of experience.
Incredibly mixed bag, this one...
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