
Blood and Money
McBride & Tanner, Book 1
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Narrated by:
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Lesley Mackie
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By:
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Rachel McLean
About this listen
DI Jade Tanner has been plunged into managing the Complex Crimes Unit, Police Scotland's newest investigating team. She's recruited Dr Petra McBride, fresh from losing her job at Dundee University, and DS Mo Uddin, who's reluctantly transferred from Birmingham.
When America's newest internet billionaire is shot on the shores of Loch Lomond, the team is brought in. Jade suspects a connection with the shooting of a local millionaire, an unsolved case which has been haunting her.
But the team has its problems. Jade is only just back at work after a personal trauma, and can barely leave her own front drive. Petra is receiving anonymous phone calls and trying to establish a relationship with the latest in a string of girlfriends. And Mo is missing the city and his old boss DI Zoe Finch.
Can the team work together despite their differences and find the killer before the next shooting? Or will the next victim be a member of the Complex Crimes Unit?
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Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
- By will on 11-18-17
By: Andy Weir
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Do You Remember?
- By: Freida McFadden
- Narrated by: Teri Schnaubelt
- Length: 7 hrs and 12 mins
- Unabridged
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Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.
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One of the better ones
- By cotswoldrose on 10-13-24
By: Freida McFadden
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Sherlock Holmes: The Definitive Collection
- By: Arthur Conan Doyle, Stephen Fry - introductions
- Narrated by: Stephen Fry
- Length: 71 hrs and 57 mins
- Unabridged
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Ever since he made his first appearance in A Study In Scarlet, Sherlock Holmes has enthralled and delighted millions of fans throughout the world. Now Audible is proud to present Arthur Conan Doyle's Sherlock Holmes, read by Stephen Fry. A lifelong fan of Doyle's detective fiction, Fry has narrated the definitive collection of Sherlock Holmes - four novels and four collections of short stories. And, exclusively for Audible, Stephen has written and narrated eight insightful introductions, one for each title.
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Chapter Guide!
- By Katya Rice on 05-25-18
By: Arthur Conan Doyle, and others
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10 Rules for the Perfect Murder
- By: James Patterson, Chris Tebbetts
- Narrated by: Reid Scott, Cobie Smulders, full cast
- Length: 3 hrs and 2 mins
- Original Recording
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After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”
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Tricky
- By Robert Scott Read on 10-30-24
By: James Patterson, and others
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Say No More
- By: Caroline Overington
- Narrated by: Anna Skellern
- Length: 5 hrs and 47 mins
- Original Recording
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Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.
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Seriously, that was the ending?
- By alicia in athens on 02-13-25
What listeners say about Blood and Money
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Cassandra Owens
- 11-11-24
Had Difficulty Focusing on The Story
I know that readers do their best to relay the tone and feel of the story. That being said, the narrator's tone didn't vary much at all between characters. I was really looking forward to this series, after becoming familiar with Petra and Mo in the original Zoe Finch series. The mood felt stagnant. I had to listen to some chapters more than once. My mind drifted and unlike other McLean novels, I wasn't captivated and honestly didn't care about most of the characters. Maybe it's just how much I LOVE Jan Cramer's narrations. I get that the location of events is Scotland, and my American ear has to lock in to follow the dialect at times. I plan to continue with the series and hope that my experience get much better.
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- Naomi
- 02-07-25
Missing Jan Cramer
It’s hard to rate the story because I was so distracted by the bad cadence and breathy voice of the narrator of this book. I don’t know how or why she would do this, but she would take audible breaths every few words like she was running out of air. These pauses did nothing for the continuity of the story (think a bad Captain Kirk). I did love her Scottish accent and found her bad American accents amusing.
Story was ok but the American tech billionaire aspect was not believable… so I enjoyed it as if he was just a non-tech wealthy American.
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- Anonymous User
- 10-23-24
Very hard to listen to
The story was good but the narrator is one of those who reads to the end of the line of text, not to the end of the sentence. It’s very distracting and hard to follow
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