At seven minutes past midnight, thirteen-year-old Conor wakes to find a monster outside his bedroom window. But it isn’t the monster Conor’s been expecting - he’s been expecting the one from his nightmare, the nightmare he’s had nearly every night since his mother started her treatments. The monster in his backyard is different. It’s ancient. And wild. And it wants something from Conor. Something terrible and dangerous. It wants the truth.

One evening in 1951, an itinerant storyteller arrives unannounced at a house in the Irish countryside. In exchange for a bed and a warm meal, he invites his hosts and their neighbors to join him by the wintry fireside and begins to tell formative stories of Ireland's history. Ronan, a nine-year-old boy, grows so entranced by the storytelling that, when the old man leaves abruptly under mysterious circumstances, the boy devotes himself to finding him again.

Mary Oliver has published fifteen volumes of poetry and five books of prose in the span of four decades, but she rarely performs her poetry in live readings. Now, with the arrival of At Blackwater Pond, Mary Oliver has given her audience what they've longed to hear: the poet's voice reading her own work.

Why we think it’s a great listen: Never before has an author’s narration of his fiction been so important to fully grasping the book’s impact and global implications. Taking us from Afghanistan in the final days of its monarchy to the present, The Kite Runner is the unforgettable story of the friendship between two boys growing up in Kabul. Their intertwined lives, and their fates, reflect the eventual tragedy of the world around them.

Born a generation apart and with very different ideas about love and family, Mariam and Laila are two women brought jarringly together by war, by loss, and by fate. As they endure the ever escalating dangers around them, in their home as well as in the streets of Kabul, they come to form a bond that makes them both sisters and mother-daughter to each other, and that will ultimately alter the course not just of their own lives but of the next generation.

The year 1904. On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there is a colonial settlement called The Old Drift. In a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond.

John Griffin and Michael South - agents in the renegade counterterrorism agency Last Line, and closer than brothers. It's a fast-lane life of danger and excitement. John loves every minute of it, but he's facing one big problem now: his feelings for Mike have flared up from friendship into a passion he can no longer hide. And Mike, although the bravest and best of partners, doesn't feel the same.

Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds.

Having been abandoned on the steps of an orphanage as an infant, lovable car thief and Dublin charmer Mahony assumed all his life that his mother had simply given him up. But when he receives an anonymous note suggesting that foul play may have led to his mother's disappearance, he sees only one option: to return to the rural Irish village where he was born and find out what really happened 26 years ago.

Patrick Taylor’s first novel of the Irish Troubles, Pray for Us Sinners, introduced us to Provisional IRA bombmaker Davy MacCutcheon and the love of his life, Fiona Kavanagh. Davy planned to leave the Provos after one final mission. But the deadly mission backfired, and Davy ended up in prison. Six years later, in Now and in the Hour of Our Death, Fiona Kavanagh has found sanctuary in Vancouver, Canada. But news of a breakout at the Maze prison brings back memories she thought she’d left behind.

On the beaches and cliffs of North Devon, lone women have become victims in a terrifying game where only one player knows the rules - and, when those rules change, the new game is murder. But that madman on the loose feels very far from the crumbling, seaside home of 10-year-old Ruby Trick. Instead of living in fear of him, she lives in fear of school bullies, the dark forest crowding her house into the sea, and the threat of her parents' divorce. So when she decides to help her father catch the killer, it seems like a good way to keep her father close.

Debut author Belinda Bauer crafts an incredibly moving first novel in Blacklands. Twelve-year-old Steven is determined to put an end to his family’s misery and find the remains of his uncle, who was believed to be murdered as a child by a local pedophile. Steven spends his days digging for clues around his grandmother’s home, but when his search fails to unearth anything new, he reaches out to the only person with answers—the accused murderer now serving life in prison.

For fans of sea battles, adventures, and war stories like Unbroken, this is the incredible true story of a boy who helps to bring closure to the survivors of the tragic sinking of the USS Indianapolis, and helps exonerate the ship's captain 50 years later. Hunter Scott first learned about the sinking of the USS Indianapolis by watching the movie Jaws when he was just 11 years old. This was 50 years after the ship had sunk, throwing more than 1,000 men into shark-infested waters - a long 50 years in which justice still had not been served.

With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect - and enjoy.

Edgar Hill is 35 and caught in his own headlock. Overweight slob, underperforming husband, and reluctant father - for Ed, the world may as well have already ended. So when it does end in a catastrophic asteroid strike and Edgar and his family find refuge in an Edinburgh army barracks, it comes as something of a relief. But nothing's ever that simple. Returning from a salvage run in the city, Edgar finds his family gone, taken to the south coast for evacuation by an international task force.