The dead can't speak to us, Professor Madoc had said. But that was a lie. The body Patrick Fort is examining in anatomy class is trying to tell him all kinds of things. But no one hears what he does, and no one understands when he tries to tell them. Life is already strange enough for Patrick - being a medical student with Asperger's Syndrome doesn't come without its challenges. And that's before he is faced with solving a possible murder, especially when no one believes a crime has even taken place.

A woman gets involved with a psychic who may be able to find her missing son. Five footprints are the only sign that four-year-old Daniel Buck was ever here. Every day, Anna Buck guards the little prints in the cement. Polishing them to a shine. Keeping them safe. Spiraling toward insanity. Anna is desperate for hope, which she's not getting from the police or her husband, James. So when a woman tells her she's found a true psychic, a "shut eye", she grasps at it. Maybe he can tell her what happened to her son.

Felix Pink is retired. Widowed for more than a decade and a painfully literal thinker, he has led a life of routine. He occupies himself volunteering as an Exiteer - someone who sits with terminally ill people as they die by suicide, assisting with logistics and lending moral support. When Felix lets himself into Number 3 Black Lane, he’s there to keep a dying man company as he takes his final breath. But just 15 minutes later, Felix is on the run from the police. Now he must discover whether what went wrong was a simple mistake - or deliberate, a murder.

"Jack's in charge," said his mother, as she disappeared up the road to get help. "I won't be long." So 11-year-old Jack and his two sisters wait on the hard shoulder in their stifling, broken-down car, bickering and whining and playing I-Spy until she comes back. But their mother doesn't come back. She never comes back. And after that long hot summer day, nothing will ever be the same again. Three years later, Jack's 15 and still in charge.

Crime reporter Eve Singer's career is on the downward slope when a spate of bizarre murders - each carefully orchestrated and advertised like performance art - begin in her territory. Covering these very public crimes revives her byline, and when the killer contacts Eve to discuss her coverage of his crimes, she is suddenly on the inside of the biggest murder investigation of the decade. But as the killer becomes increasingly obsessed with her, Eve realizes there's a thin line between inside information and becoming an accomplice to murder.

When she was 9 years old, Melody Browne's house burned down, and it took all of her childhood memories with it. Now she's a single mother of a teenage boy living in Central London. She hasn't seen her parents since she left home at 15, but she doesn't mind. She's better off on her own. She works as a dinner lady at her son's school and has no idea where her humdrum life is heading. But one summer's night, a hypnotist inadvertently unlocks memories of her childhood, and her whole life is turned upside down.

Gaby Mortimer is the woman who has it all. But everything changes when she finds a body near her home. She's shaken and haunted by the image of the lifeless young woman and frightened that the killer, still at large, could strike again. Before long the police have a lead. The evidence points to a very clear suspect, one Gaby never saw coming.

Five years ago, DCI John Lomond led the search for notorious Glasgow child-killer ‘The Sandman', until personal tragedy forced him off the case. In Lomond's absence, the killer was never found. Now, with nothing but work left in his life, Lomond remains obsessed with the case–despite the nightmares it brings. When a child is abducted in similar Sandman fashion from an affluent Glasgow suburb, Lomond is brought in to find them before it's too late.

The story opens with the apparently accidental drowning of a sixth form student in the Norfolk countryside. As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex-DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so.

Northern Ireland, spring 1981. Hunger strikes, riots, power cuts, a homophobic serial killer with a penchant for opera, and a young woman’s suicide that may yet turn out to be murder: on the surface, the events are unconnected, but then things—and people—aren’t always what they seem. Detective Sergeant Duffy is the man tasked with trying to get to the bottom of it all. It’s no easy job—especially when it turns out that one of the victims was involved in the IRA but was last seen discussing business with someone from the loyalist Ulster Volunteer Force.

A family is gunned down in the snow, but one of the children survives. Three years on, that child takes revenge, and the Snow Killer is born. But then, nothing - no further crimes are committed, and the case goes cold. 50 years later, has the urge to kill been reawakened? As murder follows murder, the detective team tasked with solving the crimes struggle with the lack of leads. It’s a race against time and the weather - each time it snows, another person dies.

As I sit in her dimly lit bedroom, surrounded by flickering candles, I feel the crushing weight of my daughter’s absence. It's been two years since Layla was murdered. The police have searched tirelessly for her killer, but they've found nothing – it's like whoever did it vanished into thin air. My once-perfect marriage is falling apart, we can hardly look at each other anymore. Our ten-year-old son Gale is struggling. He’s changed since she died. He’s more secretive and also…

For fans of the compulsive psychological suspense of Ruth Ware and Tana French, a mother daughter story—one running from a horrible truth, and the other fighting to reveal it—that twists and turns in shocking ways, from the internationally bestselling author of The Scholar and The Ruin.

The New York Times best-selling author of Magpie Murders and Moriarty brilliantly reinvents the classic crime novel once again with this clever and inventive mystery starring a fictional version of the author himself as the Watson to a modern-day Holmes, investigating a case involving buried secrets, murder, and a trail of bloody clues.

In 1986, Eddie and his friends are on the verge of adolescence, spending their days biking in search of adventure. The chalk men are their secret code, stick figures they draw for one another as hidden messages. But one morning, the friends find a chalk man leading them to the woods. They follow the message, only to find the dead body of a teenage girl. In 2016, Eddie is nursing a drinking problem and trying to forget his past, until one day he gets a letter containing a chalk man — the same one he and his friends saw when they found the body.

Crime reporter Eve Singer's career is on the downward slope when a spate of bizarre murders - each carefully orchestrated and advertised like performance art - begin in her territory. Covering these very public crimes revives her byline, and when the killer contacts Eve to discuss her coverage of his crimes, she is suddenly on the inside of the biggest murder investigation of the decade. But as the killer becomes increasingly obsessed with her, Eve realizes there's a thin line between inside information and becoming an accomplice to murder.

On a fateful summer morning in 1986, two 11-year-old girls meet for the first time. By the end of the day, they will both be charged with murder. Twenty-five years later, journalist Kirsty Lindsay is reporting on a series of sickening attacks on young female tourists in a seaside vacation town when her investigation leads her to interview carnival cleaner Amber Gordon. For Kirsty and Amber, it's the first time they've seen each other since that dark day so many years ago.

Even a life on the untamed plains of Africa can't prepare Wilhelmina for the wilds of an English boarding school in this lovely and lyrical novel from the author of Rooftoppers, which Booklist called "a glorious adventure". Wilhelmina Silver's world is golden. Living half-wild on an African farm with her horse, her monkey, and her best friend, every day is beautiful. But when her home is sold and Will is sent away to boarding school in England, the world becomes impossibly difficult.

Calamity is confronting two big transitions: the death of her beloved father and the beginning of menopause, a physical shift that has rekindled her gift for finding lost things. Suddenly, she is getting hot flashes that seem to forge objects out of thin air, most notably a four-year old boy. As Calamity takes the child into her care, she discovers that all is not as it seems. Then, Calamity must reawaken to the mysteries surrounding her own childhood and the early disappearance of her mother.

Single mother Callie has come to rely heavily on her best friend Suzy. But Callie suspects Suzy's life isn't as simple as it seems. It's time she pulled away - going back to work is just the first step towards rediscovering her old confidence. So why does she keep putting off telling Suzy about her new job? And who will care for her rather frail daughter, Rae, while she is gone?

In 1964, Maggie wakes to find herself in a mental asylum, with no idea who she is or how she got there. Remnants of memories swirl in her mind - a familiar song, a storm, a moment of violence. Slowly, she begins to piece together the past and the events which brought her to this point.

In his debut collection of short stories, Robert Sheehan disappears into characters, challenging the complacencies of everyday experience, often from entirely unexpected angles. Informed by the author’s peripatetic life, Disappearing Act reflects on the absurdity of human behaviour. Sheehan delves deep into his characters’ streams of self-talk and self-imposed delusions, exploring the dark impulses that lurk below the shiny surfaces of many outwardly normal lives.

Meet Detective Chief Inspector John Luther. He’s a murder detective with an extraordinary case clearance rate. He’s obsessive, instinctive, and intense. Nobody who ever stood at his side has a bad word to say about him. And yet there are rumors that Luther is bad - not corrupt, not on the take, but tormented. He seethes with a hidden fury that at times he can barely control. Sometimes it sends him to the brink of madness, making him do things he shouldn’t - things well beyond the limits of the law.

When two sisters and their aunt are found dead in their suburban Dublin home, it seems that the secret behind their untimely demise will never be known. But then Niall, a young mailman, finds a mysterious diary in the post office's dead-letter bin. From beyond the grave, Fiona Walsh shares the most tragic love story he's ever heard---and her tale has only just begun.

Welcome to the Misfit Mob... It's where Police Scotland dumps the officers it can't get rid of but wants to: the outcasts, the troublemakers, the compromised. Officers like DC Callum MacGregor, lumbered with all the boring go-nowhere cases. So when an ancient mummy turns up at the Oldcastle tip, it's his job to find out which museum it's been stolen from. But then Callum uncovers links between his ancient corpse and three missing young men, and life starts to get a lot more interesting.

Little Brian Wilcox's murder is the hottest story in Scotland. Every major newspaper crowds its pages with stories examining the crime from every angle. If only Paddy Meehan could get a scoop on the case. A nationally syndicated story would surely launch her fledgling journalism career out of the free local rag she's been working at.

They're calling it the worst pileup in London history. Margaret Holloway is driving home, but her mind is elsewhere - on a troubled student, her daughter's acting class, the next day's meeting - when she's rear-ended and trapped in the wreckage. Just as she begins to panic, a disfigured stranger pulls her from the car seconds before it's engulfed in flames. Then he simply disappears.

Mary Coles and her husband, Graham, have just moved to a cottage on the edge of a small village. The house hasn't been lived in for years, but they are drawn to its original features and surprisingly large garden, which stretches down into a beautiful apple orchard. It's idyllic, remote, picturesque: exactly what they need to put the horror of the past behind them.

With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect - and enjoy.

When Cora and her little sister, Mimi, are sent to stay with their great-aunt in the isolated village of Bryers Guerdon, they receive a less than warm welcome and are desperate to go back to London. But Auntie Ida’s life was devastated the last time two young girls were at Guerdon Hall, and now her nieces’ arrival has reawakened an evil that has lain in wait for years. A haunting voice in an empty room; a strange, scarred man lurking in the graveyard; mysterious words scrawled on the walls of the abandoned church ... all point to a horrifying truth that has held Bryers Guerdon in its grip for centuries.