Willy and Marianne’s farmhouse in Maine has acres of meadow and fresh air, and a lonesome bridle path in the forest along which Willy daydreams and ambles. When he’s loaned a decrepit old baby stroller to cart his groceries home, the rickety squeak of the wheels comforts him. So do the sweet coos of a baby Willy knows can’t be real. Can it? In this twisted thicket, wishes come true—with a price.

Kari James, Urban Native, is a fan of heavy metal, ripped jeans, Stephen King novels, and dive bars. She spends most of her time at her favorite spot in Denver, the White Horse. When her cousin Debby finds an old family bracelet that once belonged to Kari’s mother, it inadvertently calls up both her mother’s ghost and a monstrous entity, and her willful ignorance about her past is no longer sustainable. Haunted by visions of her mother and hunted by this mysterious creature, Kari must search for what happened to her mother all those years ago.

In an isolated chateau, as far north as north goes, the baron’s doctor has died. The doctor’s replacement has a mystery to solve: discovering how the Institute lost track of one of its many bodies. For hundreds of years the Interprovincial Medical Institute has grown by taking root in young minds and shaping them into doctors, replacing every human practitioner of medicine. The Institute is here to help humanity, to cure and to cut, to cradle and protect the species from the apocalyptic horrors their ancestors unleashed.

This forest isn't charted on any map. Every car breaks down at its treeline. Mina's is no different. Left stranded, she is forced into the dark woodland only to find a woman shouting, urging Mina to run to a concrete bunker. As the door slams behind her, the building is besieged by screams. Mina finds herself in a room with a wall of glass, and an electric light that activates at nightfall, when the watchers come above ground. These creatures emerge to observe their captive humans and terrible things happen to anyone who doesn't reach the bunker in time.

On the wind-battered isle of Altnaharra, off the wildest coast of Scotland, a clan prepares to bring about the end of the world and its imminent rebirth. The Adder is coming and one of their number will inherit its powers. They all want the honor, but young Eve is willing to do anything for the distinction. A reckoning beyond Eve’s imagination begins when Chief Inspector Black arrives to investigate a brutal murder and their sacred ceremony goes terribly wrong. And soon all the secrets of Altnaharra will be uncovered.

When high school senior Charlotte agrees to babysit the Wilbanks twins, she plans to put the six-year-olds to bed early and spend a quiet night studying: the SATs are tomorrow, and checking the Native American/Alaskan Native box on all the forms doesn’t mean jack if you choke on test day. But tomorrow is also Halloween, and the twins are eager to show off their costumes—Ron is a nurse, in an old-fashioned white skirt-uniform, and Desi has an Authentic Squaw costume, complete with buckskin and feathered headdress. Excitement is in the air.

Rory Morris isn’t thrilled to be moving back to her hometown, even if it is temporary. There are bad memories there. But her twin sister, Scarlett, is pregnant, estranged from the baby’s father, and needs support, so Rory returns to the place she thought she’d put in her rearview. After a night out at a bar where she runs into Ian, an old almost-flame, she hits a large animal with her car. And when she gets out to investigate, she’s attacked.

Sadie Grace is wanted for witchcraft, dead (or alive). And every hired gun in Kansas is out to collect the bounty on her head, including bonafide witch hunter Old Tom and his mysterious, mute ward Rabbit. On the road to Burden County, they’re joined by two vagabond cowboys with a strong sense of adventure–but no sense of purpose–and a recently widowed schoolteacher with nothing left to lose. And as their posse grows, so too does the danger.

Nellie Gardner is looking for a way out of an abusive marriage when she learns that her long-lost grandfather, August Redfern, has willed her his turpentine estate. She throws everything she can think of in a bag and flees to Georgia with her eleven-year-old son, Max, in tow. It turns out that the "estate" is a decrepit farmhouse on a thousand acres of old (rotting) pine forest, but Nellie is thrilled about the chance for a fresh start for her and Max. So it takes her a while to notice the strange scratching in the walls, the faint whispering at night, how the forest is eerily quiet.

Of all the things aspiring artist Haven Marbury expected to find while clearing out her late father's remote seaside house, Bedtime Stories for Monsters was not on the list. This secret handwritten manuscript is disturbingly different from his Pulitzer-winning works: its interweaving short stories crawl with horrific monsters and enigmatic humans that exist somewhere between this world and the next. The stories unsettle but also entice Haven, practically compelling her to illustrate them while she stays in the house that her father warned her was haunted.

When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world. Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success.

After his estranged father’s mysterious death, Charlie Remick returns to Seattle to help with the funeral. There, he discovers his father left him two parting gifts: the keys to the family record store and a strange black case containing four ancient records that, according to legend, can open a gate to the land of the dead. When Charlie, his sister, and their two friends play the records, they unwittingly open a floodgate of unspeakable horror. As the darkness descends, they are stalked by a relentless, malevolent force and see the dead everywhere they turn.

Beth and Fran spend their days traveling the ravaged New England coast, hunting feral men and harvesting their organs in a gruesome effort to ensure they'll never face the same fate. Robbie lives by his gun and one hard-learned motto: other people aren't safe. After a brutal accident entwines the three of them, this found family of survivors must navigate murderous TERFs, a sociopathic billionaire bunker brat, and awkward relationship dynamics—all while outrunning packs of feral men, and their own demons.

On a cool June morning, Isa Wilde, a resident of the seemingly idyllic coastal village of Salten, is walking her dog along a tidal estuary. Before she can stop him, Isa's dog charges into the water to retrieve what first appears to be a wayward stick - and to her horror, Isa discovers it's not a stick at all...but a human bone. As her three best friends from childhood converge in Salten to comfort a seriously shaken-up Isa, terrifying discoveries are made, and their collective history slowly unravels.

"Mom seems off." Her brother's words echo in Sam Montgomery's ear as she turns onto the quiet North Carolina street where their mother lives alone. She brushes the thought away as she climbs the front steps. Sam's excited for this rare extended visit, and looking forward to nights with just the two of them, drinking boxed wine, watching murder mystery shows, and guessing who the killer is long before the characters figure it out. But stepping inside, she quickly realizes home isn’t what it used to be.

With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect - and enjoy.

A vicar with a passion for nature, the Reverend Albert Canning leads a happy existence with his naive wife, Hester, in their sleepy Berkshire village in the year 1911. But as the English summer dawns, the Cannings' lives are forever changed by two new arrivals: Cat, their new maid, a disaffected, free-spirited young woman sent down from London after entanglements with the law; and Robin Durrant, a leading expert in the occult, enticed by tales of elemental beings in the water meadows nearby.

Leigh Welles has not set foot in on the island in years, but when she finds herself called home from a disappointing life on the Scottish mainland by her father's unexpected death, she is determined to forget the sorrows of the past and start fresh. Fellow islander Iain MacTavish, a RAF veteran with his eyes on the sky and his head in the past, is also in desperate need of a new beginning. A young widower, Iain struggles to return to the normal life he knew before the war. But this October is anything but normal. This October, the sluagh are restless.

Alex Hyde is the leaders' leader. An executive coach par excellence, she's the person the great and the good turn to when the pressure gets too much; she can change the way they think, how they operate, she can turn around the very fortunes of their companies.

The charm of spending the Christmas holidays in South Wales, with its crumbling castles and ancient myths, seems the perfect distraction from the nightmares that have plagued literary agent Lyn Ravenshaw since the loss of her baby five years ago. Instead she meets an emotionally fragile young widow who's convinced that Lyn's recurring dreams have drawn her to Castle Farm for an important purpose - and she's running out of time.

That there is darkness at the heart of the Yuletide season should not surprise. Charles Dickens' A Christmas Carol is filled with scenes that are unsettling. The hideous children - Want and Ignorance - beneath the robe of the Ghost of Christmas Yet to Come. In the finest versions of this story, the best parts are the terrifying parts. Best-selling author and editor Christopher Golden shares his love for Christmas horror stories with this anthology of all-new short fiction from some of the most talented and original writers of horror today.

On the eve of their 40th wedding anniversary, the Seagraves are among the most envied couples in their community, and still deeply in love - until the night Lydia Seagrave picks up a gun and shoots her husband. Confronting a tangle of family lies in the wake of this shocking tragedy are the three Seagrave sisters.

Seraphine Mayes and her twin brother, Danny, were born in the middle of summer at their family's estate on the Norfolk coast. Within hours of their birth, their mother threw herself from the cliffs, the au pair fled, and the village thrilled with whispers of dark cloaks, changelings, and the aloof couple who drew a young nanny into their inner circle.

This breathtaking novel travels more than a century between two love stories set in the Australian seaside town of Lighthouse Bay. In 1901, a ship sinks off the coast of Lighthouse Bay in Australia. The only survivor is Isabella Winterbourne - escaping her loveless marriage and the devastating loss of her son - who clutches a priceless gift meant for the Australian Parliament. Suddenly, this gift could be her ticket to a new life, free from the bonds of her husband and his overbearing family.

Inspired by classic fairy tales, but with a dark and sinister twist, Grim contains short stories from some of the best voices in young adult literature today: Ellen Hopkins, Amanda Hocking, Julie Kagawa, Claudia Gray, Rachel Hawkins, Kimberly Derting, Myra McEntire, Malinda Lo, Sarah Rees-Brennan, Jackson Pearce, Christine Johnson, Jeri Smith Ready, Shaun David Hutchinson, Saundra Mitchell, Sonia Gensler, Tessa Gratton, Jon Skrovron.

Caretta Rutledge thought she’d left her Southern roots and troubled family far behind. But an unusual request from her mother – coming just as her own life is spinning out of control – has Cara heading back to the scenic Lowcountry of her childhood summers. Before long, the rhythms of the island open her heart in wonderful ways as she repairs the family beach house, becomes a bona fide “turtle lady” and renews old acquaintances long thought lost.

Life under Apartheid has created a secure future for Robin Conrad, a 10-year-old white girl living with her parents in 1970s Johannesburg. In the same nation but worlds apart, Beauty Mbali, a Xhosa woman in a rural village in the Bantu homeland of the Transkei, struggles to raise her children alone after her husband's death. Both lives have been built upon the division of race, and their meeting should never have occurred...until the Soweto Uprising.

Evie and her uncle Jim have just moved to an isolated cabin in a remote beach town - a far cry from their hometown of Melbourne. But Evie isn't her real name. And Jim isn't really her uncle. Jim tells Evie she did something terrible back home, that he's hiding her to protect her. But Evie can't remember anything about that night - for all she knows, he's lying. As fragments of her memory return, she starts to wonder if Jim is really her savior...or her captor.

Berlin in autumn: Christine Starlight lives in an artists' colony with her lover Jude, whose patience and beauty have eased her battle with chronic pain. But Christine begins to be haunted by childhood recollections of a little girl's disappearance and the flapping of a blackbird's wings. Then her world is rocked by the return of a childhood friend... Mayfridh rules over a land where a wolf is the queen's counsellor, fate turns on the fall of an autumn leaf and mortals feel no pain.

December 2018, and free-spirited Influencers Bo Loxley and her partner, Zac, are living a life of wanderlust, travelling the globe and sharing their adventures with their millions of fans. Booked to spend Christmas in the Norwegian fjords, they set up home in a remote farm owned by enigmatic mountain guide Anders and his fierce grandmother, Signy. Surrounded by snowy peaks and frozen falls, everything should be perfect. But the camera can lie, and with every new post, the ‘perfect’ life Zac and Bo are portraying is diverging from the truth.

1907: The dawn of Egyptology is a time of imperialism and plunder, opulence and unrest, and Dr. Warren Ford, esteemed archaeologist, is the man of the hour. His daughters—intellectual Lila, on the eve of her debut as a Manhattan socialite, and nonconformist Tess, who dreams of following in his footsteps—have always lived in his shadow, and their lives couldn’t feel more different. But when a secretive organization seeks to find a lost relic legendary for its dangerous power, it isn’t Dr. Ford they turn to—it’s his two remarkable daughters.

Jennifer Thorne skewers all-too-familiar family dynamics in this sly, wickedly funny vacation-Gothic. Beautifully unhinged and deeply satisfying, Diavola is a sharp twist on the classic haunted house story, exploring loneliness, belonging, and the seemingly inescapable bonds of family mythology.

Summer, 1958. Vivienne Rhodes thinks she’s finally landed her break playing Helen of Troy in Apex Pictures’ big-budget epic, A Thousand Ships, an anticipated blockbuster meant to resurrect the failing studio. Naturally, she’s devastated when she arrives on the remote Italian island of Tavalli and finds herself cast as the secondary character, Cassandra—while her nemesis, the fiancé-stealing Lottie Lawrence, America’s supposed “sweetheart,” is playing the lead role instead.

On a foggy winter morning, high school kids Luca and Emma discover the impossible: the wreck of an eighteenth-century ship stranded in a flower field. Emma enters the hatch on the deck and is never seen again. And she isn’t the last to disappear. . . . Soon a government agency begins to investigate, determined to uncover the ship’s secrets before a media storm erupts. They enlist Robert Grim, a retired specialist of the occult, to unravel the mystery, and he soon realizes the ship could be a harbinger of an ancient doom awakened under the sea.

The Velkwood Vicinity was the topic of occult theorists, tabloid one-hour documentaries, and even some pseudo-scientific investigations as the block of homes disappeared behind a near-impenetrable veil that only three survivors could enter—and only one has in the past twenty years, until now.

Claire’s grown up triple-checking locks. Counting her steps. Second-guessing every decision. It’s just how she’s wired—her worst-case scenarios never actually come true. Until she arrives at an off-the-grid summer camp to find a blackened, burned husk instead of a lodge—and no survivors, except her and two other late arrivals: Reyva and Mariana. When the three girls find a dead body in the woods, they realize none of this is an accident. Someone, something, is hunting them. Something that hides in the shadows.

Three years ago, Alice spent one night in an abandoned house with her friends, Ila and Hannah. Since then, Alice’s life has spiraled. She lives a haunted existence, selling videos of herself for money, going to parties she hates, drinking herself to sleep.

It’s autumn in the town of Harrow, but something besides the season is changing there. Because in that town there is an orchard, and in that orchard, seven most unusual trees. And from those trees grows a new sort of apple: strange, beautiful, with skin so red it’s nearly black. Take a bite of one of these apples, and you will desire only to devour another. And another. You will become stronger. More vital. More yourself, you will believe. But then your appetite for the apples and their peculiar gifts will keep growing—and become darker.

Missouri, 1955. Loretta Davenport has led an isolated life as a young mother and a wife to Pete, an ambitious assistant professor at a Bible college. They’re the picture of domestic tranquility—until a local girl is murdered and Loretta begins receiving messages from beyond. Pete dismisses them as delusions of a fevered female imagination. Loretta knows they’re real—and frightening.

In a small Alaska town, a boy is found with his throat ripped out and all the blood drained from his body. The inhabitants of Deadhart haven’t seen a killing like this in twenty-five years. But they know who’s responsible: a member of the Colony, an ostracized community of vampyrs living in an old mine settlement deep in the woods.

Roos Beckman has a spirit companion only she can see. Ruth—strange, corpse-like, and dead for centuries—is the light of Roos' life. That is, until the wealthy young widow Agnes Knoop visits one of Roos' backroom seances, and the two strike up a connection.

When Mouse’s dad asks her to clean out her dead grandmother's house, she says yes. After all, how bad could it be? Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there’s more - Mouse stumbles across her step-grandfather’s journal, which at first seems to be filled with nonsensical rants...until Mouse encounters some of the terrifying things he described for herself.