CSNY
Crosby, Stills, Nash and Young
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Narrated by:
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Danny Campbell
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By:
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Peter Doggett
About this listen
The first ever biography focused on the formative and highly influential early years of “rock’s first supergroup” (Rolling Stone) Crosby, Stills, Nash, and Young - when they were the most successful, influential, and politically potent band in America - in honor of the 50th anniversary of Woodstock and the formation of the band itself.
The years from 1969 to 1974 were true golden years of rock 'n’ roll, bookmarking an era of arguably unparalleled musical power and innovation. But even more than any of their eminent peers, David Crosby, Stephen Stills, Graham Nash, and Neil Young channeled and broadcast all the radical anger, romantic idealism, and generational angst of their time. Each of the members had already made their marks in huge bands (The Hollies, Buffalo Springfield, The Byrds), but together, their harmonies were transcendent.
The vast emotional range of their music, from delicate acoustic confessionals to raucous counterculture anthems, was mirrored in the turbulence of their personal lives. Their trademark may have been vocal harmony, but few - if any - of their contemporaries could match the recklessness of their hedonistic and often combative lifestyles, when the four tenacious, volatile, and prodigal songwriters pursued chemical and sexual pleasure to life-threatening extremes.
CSNY chronicles these four iconic musicians and the movement they came to represent, concentrating on their prime as a collective unit and a cultural force: the years between 1969, when Woodstock telegraphed their arrival to the world, and 1974, when their archenemy Richard Nixon was driven from office, and the band (to quote Graham Nash himself) “lost it on the highway”.
Even 50 years later, there are plenty of stories left to be told about Crosby, Stills, Nash, and Young - and music historian Peter Doggett is here to bring them to light in the meticulously researched CSNY, a quintessential and illuminative account of rock’s first supergroup in their golden hour for die-hard fans, nostalgic flower children, and music history aficionados alike.
©2019 Peter Doggett (P)2019 Simon & SchusterListeners also enjoyed...
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From the moment their hugely influential 1978 debut landed, Van Halen set a high bar for the rock 'n' roll lifestyle, creating an entirely new style of post-'60s hard rock and becoming the quintessential rock band of the 1980s. But the high-flying success was fraught with difficulty, as Eddie struggled with alcohol and drug addiction while simultaneously battling David Lee Roth over the musical direction of the band, eventually taking the band in an entirely new direction with Sammy Hagar and scaling new heights, before that iteration of Van Halen disintegrated.
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Please don't read other audible books
- By Mike on 02-01-22
By: Paul Brannigan
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The Ballad of Bob Dylan
- A Portrait
- By: Daniel Mark Epstein
- Narrated by: Bronson Pinchot
- Length: 15 hrs and 26 mins
- Unabridged
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The Ballad of Bob Dylan is a vivid, full-bodied portrait of one of the most influential artists of the 20th-century - a man widely regarded as the most important lyricist America has ever produced. Acclaimed poet and biographer Daniel Mark Epstein frames Dylan against the backdrop of four seminal concerts - all of which he attended. Beautifully written, The Ballad of Bob Dylan is a unique, eye-opening portrait of an artist who has transformed generations and continues to inspire and surprise today.
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Excellent book, excellent narration
- By L chandler on 12-22-11
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Fornication
- The Red Hot Chili Peppers Story
- By: Jeff Apter
- Narrated by: Adrian Mulraney
- Length: 15 hrs and 30 mins
- Unabridged
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Despite an epic reputation for exhibitionism, drug taking, and drunkenness, through it all the Chili Peppers have continued to produce records that shock, challenge, and intrigue their fans. Jeff Apter tells the complete Red Hot Chili Peppers story, from their first meeting at a Los Angeles high school to the creation of such career-defining albums as BloodSugarSexMagik, Californication and By The Way.
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Cabron
- By Amazon Customer on 10-02-19
By: Jeff Apter
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Brian Jones
- The Making of the Rolling Stones
- By: Paul Trynka
- Narrated by: Steven Crossley
- Length: 12 hrs and 26 mins
- Unabridged
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Brian Jones is a forensic, thrilling account of Jones' life, which for the first time details his pioneering achievements and messy unraveling. With more than 120 new interviews, Trynka offers countless new revelations and sets straight the tall tales that have long marred Jones' legacy. His story is a gripping battle between creativity and ambition, between self-sabotage and betrayal. It's all here: the girlfriends, the drugs, and some of the greatest music of all time.
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Great story, exceptionally well narrated
- By M. Graham on 11-17-15
By: Paul Trynka
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1965
- The Most Revolutionary Year in Music
- By: Andrew Grant Jackson
- Narrated by: Peter Berkrot
- Length: 11 hrs and 30 mins
- Unabridged
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During 12 unforgettable months in the middle of the turbulent '60s, America saw the rise of innovative new sounds that would change popular music as we knew it. In 1965: The Most Revolutionary Year in Music, music historian Andrew Grant Jackson (Still the Greatest: The Essential Songs of The Beatles' Solo Careers) chronicles a groundbreaking year of creativity fueled by rivalries between musicians and continents, sweeping social changes, and technological breakthroughs.
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Seems like a good overview
- By wylie smith on 01-12-23
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Why Should the Devil Have All the Good Music?
- Larry Norman and the Perils of Christian Rock
- By: Gregory Alan Thornbury
- Narrated by: Stephen R. Thorne
- Length: 9 hrs and 31 mins
- Unabridged
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In 1969, in Capitol Records' Hollywood studio, a blonde-haired troubadour named Larry Norman laid track for an album that would launch a new genre of music and one of the strangest, most interesting careers in modern rock. Having spent the bulk of the 1960s playing on bills with acts like The Who, Janis Joplin, and The Doors, Norman decided that he wanted to sing about the most countercultural subject of all: Jesus.
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Hagiography not Biography
- By Keith Howard on 10-29-18
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Dig If You Will the Picture
- Funk, Sex, God and Genius in the Music of Prince
- By: Ben Greenman
- Narrated by: Peter Berkrot
- Length: 9 hrs and 1 min
- Unabridged
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Ben Greenman, New York Times best-selling author, contributing writer to The New Yorker, and owner of thousands of recordings of Prince and Prince-related songs, knows intimately that there has never been a rock star as vibrant, mercurial, willfully contrary, experimental, or prolific as Prince. Uniting a diverse audience while remaining singularly himself, Prince was a tireless artist, a musical virtuoso and chameleon, and a pop-culture prophet.
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Reads like a indepth career review & analysis
- By herb on 05-18-17
By: Ben Greenman
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Outlaw
- Waylon, Willie, Kris, and the Renegades of Nashville
- By: Michael Streissguth
- Narrated by: John Pruden
- Length: 7 hrs and 37 mins
- Unabridged
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Waylon Jennings. Willie Nelson. Kris Kristofferson. Three renegade musicians. Three unexpected stars. Three men who changed Nashville and country music forever. Streissguth's new book brings to life an incredible chapter in musical history and reveals for the first time a surprising outlaw zeitgeist in Nashville. Based on extensive research and probing interviews with key players, what emerges is a fascinating glimpse into three of the most legendary artists of our times and the definitive story of how they changed music in Nashville and everywhere.
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Revealing little-known Details does Captivate!
- By Cody Meyer on 11-20-17
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Beatles '66
- The Revolutionary Year
- By: Steve Turner
- Narrated by: Simon Vance
- Length: 12 hrs and 14 mins
- Unabridged
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The year that changed everything for the Beatles was 1966 - the year of their last concert and of Revolver, their first album created to be listened to rather than performed. This was the year the Beatles risked their popularity by retiring from live performances, recording songs that explored alternative states of consciousness, experimenting with avant-garde ideas, and speaking their minds on issues of politics, war, and religion. Music journalist and Beatles expert Steve Turner investigates the enormous changes that took place in the Beatles' lives and work during 1966.
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Great listen
- By Tad Davis on 07-28-18
By: Steve Turner
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Thelonious Monk
- The Life and Times of an American Original
- By: Robin DG Kelley
- Narrated by: Sean Crisden
- Length: 25 hrs and 30 mins
- Unabridged
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Thelonious Monk is the critically acclaimed, gripping saga of an artist's struggle to "make it" without compromising his musical vision. It is a story that, like its subject, reflects the tidal ebbs and flows of American history in the 20th century. To his fans, he was the ultimate hipster; to his detractors, he was temperamental, eccentric, taciturn, or childlike. His angular melodies and dissonant harmonies shook the jazz world to its foundations, ushering in the birth of "bebop" and establishing Monk as one of America's greatest composers.
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The definitive bio of Monk
- By ricardo on 12-27-17
By: Robin DG Kelley
What listeners say about CSNY
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Debenezer
- 12-22-23
Competent biography of canyon
Knowing the writer was a big fan of CSNY made me a bit leery of the book, however he told the story in a very objective manner. The only flaw, for lack of a better word, was the way in which the author seemed to let go unchallenged, in some instances, the myth that political affairs in the US, including the end of the Vietnam war, was in any way significantly influenced by the “anti-war/anti-establishment” of the time, a group of which I was a part. However, a lot of old hippies subscribe to that viewpoint, as inaccurate as the facts clearly show that viewpoint to be. Overall, a very good read and of an interesting time in our history, and of four immensely talented individuals who created something truly unique.
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- Tallyfish
- 05-11-19
Good Bio
Enjoyable bio but a touch too melodramatic in tone for me. The reader's style reinforced this. The content was interesting though.
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- Tad Davis
- 06-25-19
Great story
Peter Doggett and David Browne, experienced rock journalists, have both published histories of the group Crosby, Stills, and Nash (and Young). "Group" isn't quite the right word — the three musicians were clear from the beginning, even if the rest of us weren't, that their albums would be the result of a loose coalition rather than the product of a "band." Each would continue making solo albums or playing for other groups, coming together whenever the time was right.
Of the two books, I prefer Doggett's, at least as a starting point. Doggett seems to have a better feel for the music: at any rate, I found myself firing up my MP3 player to listen to the songs he discussed, something that I did far less often when listening to Browne's account. (I don't always agree with Doggett; he dismisses the later album "American Dream" as an inferior effort, but I enjoyed it.)
Stephen Stills comes across as one of the more interesting characters in the book: prodigiously talented, unstoppable in the studio, and afflicted with crippling self-doubt. Doggett describes a party in England that Stills attended, along with three of the Beatles and a host of other music luminaries: Stills sounds like a high school kid, desperate to be accepted as one of the in-crowd and wretchedly ill at ease. "But you're STEPHEN STILLS!" I wanted to shout into the audiobook. His vulnerability is as surprising as it is appealing, and in later interviews, he shows an equally surprising level of self-awareness. Yeah, he says at several points in the book, I was really being a jerk, I wish I'd handled that better.
One of the surprises is Neil Young. To me he's always seemed like a giant in the rock world, but according to a Doggett, he originally came into the group as a junior member and owed some of his later stardom to his participation on CSNY albums. Invited into the group as an equal participant, Young showed up when he wanted to show up and left when it wasn't working for him anymore. He was often seen as a divisive influence, sometimes abandoning the group without notice in the middle of a tour.
The narrative ends in 1974 with a shambolic tour that crossed America and ended with a concert at Wembley in England. They had been pushed by record executives into playing in stadiums rather than the more intimate settings they preferred. Unable to hear themselves play, their harmonies — one of their most defining qualities — often wandered embarrassingly off track. The Wembley concert was filmed, and when they saw a rough cut of the footage, they were aghast at how awful they sounded. According to Doggett, Nash left the room in tears.
Doggett concludes the book with a 45 minute postscript that quickly summarizes events since 1974. The book left me grateful, once again, for the beauty these four people created, and sad that so many possibilities were sacrificed to drugs and alcohol. Ego was always going to be a problem in CSNY, partly because all had established careers before the group came together; but the problem was made significantly worse by chemicals. In Doggett's account, all were heavy users throughout most of their joint careers, Crosby having the worst cocaine problem (although Stills sustained his marathon studio sessions — days long at times — with cocaine). Tables were often set up behind the stage with various drugs, and the musicians would stop by for a "refresher" during the performance. Several people on the periphery of the group — friends, roadies, other musicians — died of an overdose, often of heroin (something Neil Young responded to with "The Needle and the Damage Done").
The narrator, Danny Campbell, delivers the entire book in a declaratory, eyes-agape style, hardly pausing to differentiate the epigrams that mark breaks in the narrative from the surrounding text. And yet I kept turning to this audiobook over six or seven others I was listening to and sitting in rapt pleasure as the story unfolded. So even though that style of narration usually puts me off, in this case I have to say it wasn't a problem; it may even have helped the forward-moving propulsion of the narrative.
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8 people found this helpful
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- Heloduck
- 07-20-22
Excellent Book -- Poor Narration
This book documents the band extremely well, painting a very clear picture of the principals, often not flattering but probably very accurate.
I don't understand how the narrator got his job. His voice is just grating and he mispronounces words almost routinely. It distracts from the impact of the story. There are plenty of professional announcers with terrific voices in radio out there who would take the gig, I simply don't get how they select people to read these books.
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- Emil Grancagnolo
- 11-29-23
horrible narrator annoying
sorry I do not like to leave negative reviews but this narrator was just abominable I could not listen sorry I wish I could because I love csny
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- Neal
- 04-07-21
Like some of the worst music by some of these artists
Terrible. Uninteresting, didn’t flow, hard to follow, disjointed. Not worth the listen. Sad because with the way these guys have interacted over the years it sure seems like there would have been some stories worth telling in there somewhere.
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1 person found this helpful