George Carlin's eighth HBO special, taped on April 24 and 25, 1992, at the Paramount Theater, on the grounds of Madison Square Garden in New York City. Topics include the recently ended Persian Gulf War, similarities and differences among average Americans, language used at airports and more.

Classic Carlin all the way. His eighth comedy album after a five year break. Unlike earlier releases, A Place For My Stuff contains a number of studio tracks in addition to live performances, and he pokes fun at the format and candor of community radio, commercials, and television with aplomb.

If you missed the HBO special, it's all here and it's all hysterical. George goes off on every subject under the sun and a few other planets too. Be the first one on your cell block to buy this great performance.

This set contains three of George Carlin's classic albums from the 1970s in their entirety: FM & AM, Class Clown, and Occupation Foole.

George's lighthearted routines and less topical issues complement his overwhelming timing in this classic album. Taken from his performance at the Beverly Theatre in Los Angeles in May 1986, George offers some of his hilarious examinations of "Losing Things" and "You're Lost": "That's the first thing that happens when you get to Heaven," he says. "They give you back everything you ever lost".

George Carlin's 18th album. It was recorded simultaneously with the live broadcast of his 13th HBO special.

FM & AM found Carlin officially poking fun at, while incorporating, his early material, performed in the lounges of America and on The Ed Sullivan Show. It also marked Carlin's metamorphosis from straight-laced to hippie, as he intentionally embraced the growing counterculture. The recording is divided into two separate manifestations of humor, making it a sort of comedy concept album.

Here's George Carlin's 11th comedy album, recorded at the Park Theater in Union City, New Jersey, for an HBO special.

George Carlin's ninth HBO special, it was recorded in 1996 at the Beacon Theater in New York City, his first of many performances there. Carlin said it featured the best writing and performing he'd done in 36 years.

What clever insights about growing up on the Upper West Side of New York City in the 1950s! Everything from gang culture to school life! This is George Carlin's fourth album. It was recorded on March 2 and 3, 1973, at the Circle Star Theater in San Carlos, California.

The original cover of this album would have told you pretty much all you need to know about its subject matter: drugs. Carlin's fifth album, it was recorded on July 20, 1974, at the Paramount Theater in Oakland, California.

Here is George Carlin's sixth album, recorded in 1975. Tracks include "Teenage Masturbation", "Mental Hot Foots", "High on the Plane", and more.

Here's George Carlin's seventh comedy album. Recorded live on October 3, 1976, at the Chandler Pavilion in Los Angeles, California. This was Carlin's last album for five years.

Okay, you might want to remove children under the age of nine from the room before listening to this brilliant album. When they turn 10, you might want to reconsider. Kids are going to learn this language sooner or later, so why not from George? It's Carlin's 12th comedy album, and most of it comes from his seventh HBO special Doin' It Again.

As one of America's preeminent comedic voices, George Carlin saw it all throughout his extraordinary 50-year career and made fun of most of it. Last Words is the story of the man behind some of the most seminal comedy of the last half century, blending his signature acer-bic humor with never-before-told stories from his own life.

Separated by 10 years, 3,000 miles, and the unrelenting stresses of adulthood, best friends Janet and Serena plan a 40th birthday girls’ trip to reconnect. But after a massive crash, they’re the only survivors to wash ashore on an uncharted Caribbean Island. Armed with only the clothes on their backs and zero survival skills, they fight to overcome hunger, thirst, deadly wildlife—and most terrifyingly—decades of accrued resentment. Can they find their way home, or will they kill each other first?

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

George Carlin's ninth HBO special, it was recorded in 1996 at the Beacon Theater in New York City, his first of many performances there. Carlin said it featured the best writing and performing he'd done in 36 years.

Classic Carlin all the way. His eighth comedy album after a five year break. Unlike earlier releases, A Place For My Stuff contains a number of studio tracks in addition to live performances, and he pokes fun at the format and candor of community radio, commercials, and television with aplomb.

George Carlin's eighth HBO special, taped on April 24 and 25, 1992, at the Paramount Theater, on the grounds of Madison Square Garden in New York City. Topics include the recently ended Persian Gulf War, similarities and differences among average Americans, language used at airports and more.

George's lighthearted routines and less topical issues complement his overwhelming timing in this classic album. Taken from his performance at the Beverly Theatre in Los Angeles in May 1986, George offers some of his hilarious examinations of "Losing Things" and "You're Lost": "That's the first thing that happens when you get to Heaven," he says. "They give you back everything you ever lost".

George Carlin's 18th album. It was recorded simultaneously with the live broadcast of his 13th HBO special.

If you missed the HBO special, it's all here and it's all hysterical. George goes off on every subject under the sun and a few other planets too. Be the first one on your cell block to buy this great performance.

Carlin's riffs on religion and terrorism on this album are classic. He even tackles the timely topic of airport security. Nobody dissects untouchable subjects better than the nimble mind of George Carlin. Recorded for an HBO live broadcast stand-up special on February 6, 1999.

This set contains three of George Carlin's classic albums from the 1970s in their entirety: FM & AM, Class Clown, and Occupation Foole.

Here's George Carlin's seventh comedy album. Recorded live on October 3, 1976, at the Chandler Pavilion in Los Angeles, California. This was Carlin's last album for five years.

FM & AM found Carlin officially poking fun at, while incorporating, his early material, performed in the lounges of America and on The Ed Sullivan Show. It also marked Carlin's metamorphosis from straight-laced to hippie, as he intentionally embraced the growing counterculture. The recording is divided into two separate manifestations of humor, making it a sort of comedy concept album.