Comedian George Carlin's definitive monologue was delivered on this 1972 album, his third, in the form of Seven Dirty Words You Can Never Say on Television. The FCC and Supreme Court held the routine as the epitome of tastelessness, threatening to yank the license of any station that dare play it over public airwaves. So you know it has to be funny. Buy it today and shock your parents!

The original cover of this album would have told you pretty much all you need to know about its subject matter: drugs. Carlin's fifth album, it was recorded on July 20, 1974, at the Paramount Theater in Oakland, California.

Okay, you might want to remove children under the age of nine from the room before listening to this brilliant album. When they turn 10, you might want to reconsider. Kids are going to learn this language sooner or later, so why not from George? It's Carlin's 12th comedy album, and most of it comes from his seventh HBO special Doin' It Again.

Classic Carlin all the way. His eighth comedy album after a five year break. Unlike earlier releases, A Place For My Stuff contains a number of studio tracks in addition to live performances, and he pokes fun at the format and candor of community radio, commercials, and television with aplomb.

Here's George Carlin's 11th comedy album, recorded at the Park Theater in Union City, New Jersey, for an HBO special.

Here is George Carlin's sixth album, recorded in 1975. Tracks include "Teenage Masturbation", "Mental Hot Foots", "High on the Plane", and more.

George Carlin's eighth HBO special, taped on April 24 and 25, 1992, at the Paramount Theater, on the grounds of Madison Square Garden in New York City. Topics include the recently ended Persian Gulf War, similarities and differences among average Americans, language used at airports and more.

FM & AM found Carlin officially poking fun at, while incorporating, his early material, performed in the lounges of America and on The Ed Sullivan Show. It also marked Carlin's metamorphosis from straight-laced to hippie, as he intentionally embraced the growing counterculture. The recording is divided into two separate manifestations of humor, making it a sort of comedy concept album.

George Carlin's 18th album. It was recorded simultaneously with the live broadcast of his 13th HBO special.

George's lighthearted routines and less topical issues complement his overwhelming timing in this classic album. Taken from his performance at the Beverly Theatre in Los Angeles in May 1986, George offers some of his hilarious examinations of "Losing Things" and "You're Lost": "That's the first thing that happens when you get to Heaven," he says. "They give you back everything you ever lost".

This fourth HBO special by George Carlin was recorded on April 18 and 19, 1984 and features mostly new material. The opening features Carlin in Catholic school with a short version of "Class Clown" and animation shorts. The ending features Carlin playing piano to an original song called "Armadillo Blues".

George Carlin's ninth HBO special, it was recorded in 1996 at the Beacon Theater in New York City, his first of many performances there. Carlin said it featured the best writing and performing he'd done in 36 years.

What clever insights about growing up on the Upper West Side of New York City in the 1950s! Everything from gang culture to school life! This is George Carlin's fourth album. It was recorded on March 2 and 3, 1973, at the Circle Star Theater in San Carlos, California.

If you missed the HBO special, it's all here and it's all hysterical. George goes off on every subject under the sun and a few other planets too. Be the first one on your cell block to buy this great performance.

Following his two New York Times best sellers, Brain Droppings and Napalm & Silly Putty, comes George Carlin's third audiobook, When Will Jesus Bring the Pork Chops?, a riotous journey through the mind of one of America's premiere comic observers.

Separated by 10 years, 3,000 miles, and the unrelenting stresses of adulthood, best friends Janet and Serena plan a 40th birthday girls’ trip to reconnect. But after a massive crash, they’re the only survivors to wash ashore on an uncharted Caribbean Island. Armed with only the clothes on their backs and zero survival skills, they fight to overcome hunger, thirst, deadly wildlife—and most terrifyingly—decades of accrued resentment. Can they find their way home, or will they kill each other first?

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Alice's journey begins as all good journeys do: hitting on the sales guy at REI. After a tumultuous breakup, a quick career transition, family upheaval, and a sobriety journey that didn't fix her life quite as much as she expected it to, Alice decides that the only way to solve all her problems is to hike the Pacific Crest Trail. But as she begins preparing for the months-long quest, she realizes the answers she's seeking might not be on top of a snow-covered mountain. Especially since she just learned there was snow in California.

Jenna Jones, former It-girl fashion editor, is broke and desperate for a second chance. When she’s dumped by her longtime fiancé and fired from Darling magazine, she begs for a job from her old arch nemesis, Darcy Vale. The beyond-bitchy publisher of StyleZine.com, Darcy agrees to hire her rival - only because her fashion site needs a jolt from Jenna’s old school cred. But Jenna soon realizes she’s in over her head.

Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.

He is one of the longest-running cast members on Saturday Night Live, an American comedy genius renowned for his spot-on sendups of politicians and celebrities. But off-stage, Darrell Hammond’s life was anything but a joke. In CRAY, a special audio performance captured live onstage at Audible’s Minetta Lane Theatre, Hammond brings to life his acclaimed memoir, God, If You're Not Up There, I'm F*cked: Tales of Stand-Up, Saturday Night Live and Other Mind-Altering Mayhem.

Breakfast of Champions (1973) provides frantic, scattershot satire and a collage of Vonnegut's obsessions. His recurring cast of characters and American landscape was perhaps the most controversial of his canon; it was felt by many at the time to be a disappointing successor to Slaughterhouse-Five, which had made Vonnegut's literary reputation.

Heads Will Roll is an Audible Original from Saturday Night Live star Kate McKinnon and her cocreator/costar (and real-life sister) Emily Lynne. Produced by Broadway Video, this is not an audiobook - it’s a 10-episode, star-studded audio comedy that features performances from Meryl Streep, Tim Gunn, Peter Dinklage, Queer Eye’s Fab Five, and so many more. Please note: This content is not for kids.