Late Revelations introduces a revolutionary model for understanding the creation of the gospels in the New Testament and beyond. Rather than viewing the gospels as static and finished works published at one time, this book proposes that the initial gospels were "waves" of rolling traditions—stories, teachings, and sayings that evolved within early Christian groups. These traditions were fluid and dynamic, initially lacking the apostolic authorship attributed to them by later generations.

This book examines the origins of the evil creator idea chiefly in light of early Christian biblical interpretations. It is divided into two parts. In Part I, the focus is on the interpretations of Exodus and John. Firstly, ancient Egyptian assimilation of the Jewish god to the evil deity Seth-Typhon is studied to understand its reapplication by Phibionite and Sethian Christians to the Judeo-catholic creator. Secondly, the Christian reception of John 8:44 (understood to refer to the devil's father) is shown to implicate the Judeo-catholic creator in murdering Christ.

The Hermetic corpus is a spiritual and intellectual treasure stemming from ancient Egyptian sages who could write and think in Greek. Since the Renaissance, this corpus has appeared in an order that does not fit the path of spiritual initiation suggested by the corpus itself.

Alexandria was the epicenter of Hellenic learning in the ancient Mediterranean world, yet little is known about how Christianity arrived and developed in the city during the late first and early second century CE. In this volume, M. David Litwa employs underused data from the Nag Hammadi codices and early Christian writings to open up new vistas on the creative theologians who invented Christianities in Alexandria prior to Origen and the catechetical school of the third century.

What does it mean for Jesus to be “deified” in early Christian literature? Litwa’s samples take us beyond the realm of abstract theology to dwell in the second- and third-century imagination of what it meant to be a god and shows that the Christian depiction of Christ was quite at home there.

This book examines the origins of the evil creator idea chiefly in light of early Christian biblical interpretations. It is divided into two parts. In Part I, the focus is on the interpretations of Exodus and John. Firstly, ancient Egyptian assimilation of the Jewish god to the evil deity Seth-Typhon is studied to understand its reapplication by Phibionite and Sethian Christians to the Judeo-catholic creator. Secondly, the Christian reception of John 8:44 (understood to refer to the devil's father) is shown to implicate the Judeo-catholic creator in murdering Christ.

This book is simple but radical: rather than letting heresy writers define the story of "Simon Magus," it allows The Great Declaration (or Apophasis Megale) to lay the groundwork for Simon and Simonian thought. Building on this foundation, it adds details from other reports and stories about Simon, carefully filtering out the layers of slander and fiction. Simonian Christianity was real, and it evolved in different ways in different regions. The Great Declaration, a gnostic text likely written in Alexandria between 120 and 150 CE, reflects a different form of Simonian thought than what ...

This volume offers an accessible investigation of the Naassene discourse embedded in the anonymous Refutation of All Heresies (completed about 222 CE), in order to understand the theology and ritual life of the Naassene Christian movement in the late second and early third centuries CE. The work provides basic data on the date, genre, and provenance of the Naassene discourse as summarized by the author of the Refutation (or Refutator).

Did the early Christians believe their myths? Like most ancient—and modern—people, early Christians made efforts to present their myths in the most believable ways.

What does it mean for Jesus to be “deified” in early Christian literature? Litwa’s samples take us beyond the realm of abstract theology to dwell in the second- and third-century imagination of what it meant to be a god and shows that the Christian depiction of Christ was quite at home there.