Mark Gatiss ( Sherlock, Doctor Who, Game of Thrones) reads chilling tales by the unsung master of the classic ghost story: E. F. Benson. There's nothing sinister about a London bus. Nothing supernatural could occur on a busy train platform. There's nothing terrifying about a little caterpillar. And a telephone, what could be scary about that? Don't be frightened of the dark corners of your room. Don't be alarmed by a sudden inexplicable chill.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

Four seekers have come to the ugly, abandoned old mansion: Dr. Montague, an occult scholar looking for solid evidence of the psychic phenomenon called haunting; Theodora, his lovely and lighthearted assistant; Eleanor, a lonely, homeless girl well acquainted with poltergeists; and Luke, the adventurous future heir of Hill House.

At the heart of these stories, as with all the best of Lovecraft’s work, is the belief that the Earth was once inhabited by powerful and evil gods, just waiting for the chance to recolonise their planet. Cthulhu is one such god, lurking deep beneath the sea until called into being by cult followers who – like all humans – know not what they do.

The Princess and the Goblin was published in 1872. One of the very first fantasy novels this magical classic had a profound influence on the work of C.S. Lewis and J.R.R. Tolkien and is loved by fans of fantasy fiction to this day. Eight-year-old Princess Irene lives in a remote mountainous region with no one but her nursemaid for company. Then she meets a mysterious old woman and Curdie, a young miner.

In 1878, two young stage magicians clash in the dark during the course of a fraudulent séance. From this moment on, their lives become webs of deceit and revelation as they vie to outwit and expose each other. In the course of pursuing each other's ruin, they will deploy all the deception their magician's craft can command. Their rivalry will take them to the peaks of their careers, but with terrible consequences.

A mysterious depiction of masked revellers at the Venice carnival hangs in the college rooms of Oliver's old professor in Cambridge. On this cold winter's night, its eerie secret is revealed by the ageing don. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty....

Many consider it to be Dennis Wheatley's finest work, which is praise indeed for this world beating novelist. It was a best seller in the 1930s when it first came out, full of 1930s atmosphere, skilfully written and well researched, too - although Wheatley never practiced magic himself, he met with many of the most famous occultists of his day to make the book as authentic as possible. In The Devil Rides Out, the Duke de Richleau and a friend find that one of their number is missing from a reunion, and it turns out that he has fallen under the influence of a black magic sect.

The never-before-told story behind the legend of Count Dracula! The story of the Count’s greatest love, Mina Harker, and the bloodthirsty vampire hunters whose cruel pursuit drove the master of the night to actions ever more ruthless. The Count Dracula sets the record straight.…

The tale of a man who unwittingly angers a sorcerer, who is assumed by some Monty scholars to be based on the self-styled 'Great Beast,' occultist Aleister Crowley. Montague Rhodes James was a noted British mediaeval scholar and provost of King's College, Cambridge (1905–1918) and of Eton College (1918–1936). He is best remembered for his ghost stories which are widely regarded as among the finest in English literature.

The Grand Hotel is a horror novel by esteemed best-selling author Scott Kenemore ( Zombie, Ohio) that takes the reader on a thrilling ride through an interconnected series of stories narrated by the desk clerk and the residents of the hotel itself. And while it is not known whether or not the desk clerk is actually the devil incarnate, it is strange that so many visitors who come for a tour of the hotel have a way of never leaving.

An abandoned house whose horrific past is reenacted for those who dare visit; a terrifying trip down the Danube River; a malevolent half-beast creature who abducts a member of a hunting party; and a tale of paranoia, mental deterioration, and all-consuming feelings of doom: Here are four feverish, spine-tingling tales that will chill the blood and make the flesh creep. The collection includes "The Empty House," "The Willows," "The Listener", and "The Wendigo".

In the countryside of Victorian England, Edward Atherton, rector of Thornham St. Stephen, has taken on the arduous task of restoring the ancient church. But he should never have meddled with the tomb that lay beneath the church's crumbling walls. The moment the workman raises the tomb lid, an unspeakable horror escapes.

Dominic Lancaster hoped to prove himself to his family by excelling in the Navy during World War II. Instead he is wounded while serving as a gunner, and loses his leg. Still recovering from his wounds and the trauma of his amputation when the Blitz begins, Dominic finds himself shuffled off to the countryside by his family, along with his partially deaf sister, Octavia.

When Amethyst comes across her perfect dream house, she can't help but be enchanted by it, even if there's something a little...off about the place. It's everything she's ever wanted in a home, so when the Blooms invite her to stay the night to avoid the impending storm, she instantly accepts. Yet when she wakes the next morning, alone and unable to bring herself to leave, Amethyst comes face to face with unexpected twists and turns - like Alfred, the creepy gardener.