Ideally spooky Halloween listening.... A chilling ghost story by the author of The Woman in Black. One murky November evening after a satisfying meal in their Fleet Street lodgings, a conversation between four medical students takes a curious turn and Hugh is initiated into a dark secret. In the cellar of their narrow lodgings in Printer's Devil Court and a little used mortuary in a subterranean annex of the hospital, they have begun to interfere with death itself, in shadowy experiments beyond the realms of medical ethics.

Late one summer evening, antiquarian bookseller Adam Snow is returning from a client visit when he takes a wrong turn. He stumbles across a derelict Edwardian house, and compelled by curiosity, approaches the door. Standing before the entrance, he feels the unmistakable sensation of a small cold hand creeping into his own, ‘as if a child had taken hold of it’. At first he is merely puzzled by the odd incident but then begins to suffer attacks of fear and panic, and is visited by nightmares.

When Ryne Burdette inherits his family's old hunting cabin deep in the Yukon wilderness, he wants to say no. Nothing much is left in that place except for unpleasant memories and the smoke of old burns. But after a tragic year, he sees a weekend trip to the cabin with his best friends as a way to recuperate and begin again. But there is something strange about these woods.

When Simon Serrailler was a rookie constable with the Met, he did something reckless in the course of a night's work which caused a man's death. But his act was praised by his colleagues, and he was called a hero. Years later, now a detective chief superintendent who has been badly injured in the course of duty, he receives a medal for bravery at Buckingham Palace while recollecting that fateful night of his early career, when chance disguised itself as bravery.

As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.

It’s autumn in the town of Harrow, but something besides the season is changing there. Because in that town there is an orchard, and in that orchard, seven most unusual trees. And from those trees grows a new sort of apple: strange, beautiful, with skin so red it’s nearly black. Take a bite of one of these apples, and you will desire only to devour another. And another. You will become stronger. More vital. More yourself, you will believe. But then your appetite for the apples and their peculiar gifts will keep growing—and become darker.

Alison has never been a fan of Christmas. But with it right around the corner and her husband busily decorating their cozy Vermont home, she has no choice but to face it. Then she gets the call. Mavis, Alison’s estranged mother, has been diagnosed with cancer and has only weeks to live. She wants to spend her remaining days with her daughter’s family. But Alison grew up with her mother’s alcoholism and violent abuse and is reluctant to unearth these traumatic memories.

It’s the mid-'90s. Grunge and flannel are fading as the Spice Girls and Hot Topic conquer the malls. Cherry gloss glistens on the lips of the youth. Modems hiss as America comes online. And in a fog-drenched cove at the edge of New England, something terrible awakens when a fisherman reels in a gruesome catch: the remains of a young woman. Remains still pulsing with furious life.

The 1850s are a time of discovery, and London is ablaze with the latest scientific theories and debates, especially when a spectacular new exhibition of dinosaur sculptures opens at the Crystal Palace. Mary is keen to make her name in this world of science alongside her geologist husband, Henry—but despite her sharp mind and sharper tongue, without wealth and connections their options are limited.

A small white plane hurtles from the sky, vanishing into the wilderness. Hiker Maggie Roby watches its final descent, certain that no one could have survived. But to her shock, a fifteen-year-old girl emerges from the wreckage, wounded but miraculously, impossibly alive. Maggie approaches with trepidation; she has secrets of her own, a past she can’t escape. Saving the girl means risking her future, but she can’t just abandon her, can she?

It’s Halloween night, 1984, in Coventry, Massachusetts, and two families are unraveling. Up and down the street, horrifying secrets are being revealed, and all the while, mixed in with the trick-or-treaters of all ages, four children who do not belong are walking door to door, merging with the kids of Parmenter Road. Children in vintage costumes with faded, eerie makeup. They seem terrified, and beg the neighborhood kids to hide them away, to keep them safe from The Cunning Man.

It’s the house of their dreams. Former marine Harry and his wife, Sasha, have packed up their life and their golden retriever, Dash, and fled the corporate rat race to live off the land in rural Idaho. Their breathtaking new home sits on more than forty acres of meadow, aspen trees, and pine forest in the Teton Valley. Even if their friends and family think it’s a strange choice for an up-and-coming pair of urban professionals, Harry and Sasha couldn’t be happier about the future they’re building, all by their lonesome.

Halloween, 1963. They call him the October Boy, or Ol' Hacksaw Face, or Sawtooth Jack. Whatever the name, everybody in this small Midwestern town knows who he is. How he rises from the cornfields every Halloween, a butcher knife in his hand, and makes his way toward town, where gangs of teenage boys eagerly await their chance to confront the legendary nightmare. Both the hunter and the hunted, the October Boy is the prize in an annual rite of life and death. Pete McCormick knows that killing the October Boy is his one chance to escape a dead-end future in this one-horse town.

Orphaned at an early age, Philip Ashley is raised by his benevolent older cousin, Ambrose. Resolutely single, Ambrose delights in Philip as his heir, a man who will love his grand home as much as he does himself. But the cosy world the two construct is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries—and there he dies suddenly.

Here are 16 chilling, never-before-published tales that explore every aspect of our darkest holiday, Halloween, coedited by Ellen Datlow, one of the most successful and respected genre editors, and Lisa Morton, a leading authority on Halloween. Included are stories about scheming jack-o'-lanterns, vengeful ghosts, otherworldly changelings, disturbingly realistic haunted attractions, masks that cover terrifying faces, murderous urban legends, parties gone bad, cult Halloween movies, and trick-or-treating in the future.

Charles Arrowby, leading light of England's theatrical set, retires from glittering London to an isolated home by the sea. He plans to write a memoir about his great love affair with Clement Makin, his mentor, both professionally and personally, and amuse himself with Lizzie, an actress he has strung along for many years.

Beneath the brilliance that was behind The Age of Innocence and Ethan Frome was a dark side. A dark side which produced magnificent tales of the unseen influences in our lives, such as "Mr. Jones", "The Eyes", "Kerfol", "The Ladie's Maid's Bell", and "The Looking Glass".

Immediately following the death of her young son, distraught and heartbroken, a woman sends a heart-wrenching letter to the only man she has ever loved, chronicling their love affair, opening with, "To you, who have never known me."

A big, brilliant, spooky collection of classic and contemporary ghost stories that will make you hesitate before turning off that light.

England, 1967. Odelle Bastien is a Caribbean émigré trying to make her way in London. When she starts working at the prestigious Skelton Institute of Art, she discovers a painting rumored to be the work of Isaac Robles, a young artist of immense talent and vision whose mysterious death has confounded the art world for decades. The excitement over the painting is matched by the intrigue around the conflicting stories of its discovery.

Ethan Frome, a poor, downtrodden New England farmer, is trapped in a loveless marriage to his invalid wife, Zeena.When Zeena's young cousin Mattie arrives to help care for her, Ethan is immediately taken by Mattie's warm, vivacious personality. They fall desperately in love as he realizes how much is missing from his life and marriage.

The dazzling story of family, passion, secrets and vengeance, woven through the hardships of both World Wars and revealing the intriguing history of the Palace, the opulent Blue Mountains hotel famed for its luxury and mysterious owner. A sweltering summer's day, January 1914: the charismatic and ruthless Adam Fox throws a lavish birthday party for his son and heir at his elegant clifftop hotel in the Blue Mountains. Everyone is invited except Angie, the girl from the cottage next door.

Kemal, scion of one of the city's wealthiest families, is about to become engaged to Sibel, daughter of another prominent family, when he encounters Füsun, a beautiful shopgirl and a distant relation. Once the long-lost cousins violate the code of virginity, a rift begins to open between Kemal and the world of the Westernized Istanbul bourgeosie - a world, as he lovingly describes it, with opulent parties and clubs, society gossip, picnics, and mansions on the Bosphorus, infused with the melancholy of decay.

Evelyn Waugh's most celebrated work is a memory drama about the intense entanglement of the narrator, Charles Ryder, with a great Anglo-Catholic family. Written during World War II, the story mourns the passing of the aristocratic world Waugh knew in his youth and vividly recalls the sensuous pleasures denied him by wartime austerities; in so doing it also provides a profound study of the conflict between the demands of religion and the desires of the flesh.

Mina Harker is torn between two men. Struggling to hang on to the deep, pure love she's found within her marriage to her husband, Jonathan, she is inexorably drawn into a secret, passionate affair with a charismatic but dangerous lover. This haunted and haunting creature has awakened feelings and desires within her that she has never before known, remaking her as a woman. Although everyone she knows fears him and is pledged to destroy him, Mina sees a side to him that the others cannot.

Stuart Cuno has decided to become good. Not believing in God, he invents his own methods, which include celibacy, chastity, and the abandonment of a promising academic career. Interfering friends and relations question his sincerity, his sanity, and his motives.

In the countryside of Victorian England, Edward Atherton, rector of Thornham St. Stephen, has taken on the arduous task of restoring the ancient church. But he should never have meddled with the tomb that lay beneath the church's crumbling walls. The moment the workman raises the tomb lid, an unspeakable horror escapes.

Robert Aickman, the supreme master of the supernatural, brings together eight stories in which strange things happen that the reader is unable to predict. His characters are often lonely and middle-aged, but all have the same thing in common: they are brought to the brink of an abyss that shows how terrifyingly fragile our piece of mind actually is. 'The Unsettled Dust', 'The House of the Russians', 'No Stronger Than a Flower', 'The Cicerones' and 'Ravissante' first appeared in the Sub Rosa collection in 1968, but the stories were published together as The Unsettled Dust in 1990.

For Emily, accepting the proposal of Philip, the viscount Ashton, was an easy way to escape her overbearing mother, who was set on a grand society match. So when Emily's dashing husband died on safari soon after their wedding, she felt little grief. After all, she barely knew him. Now, nearly two years later, she discovers that Philip was a far different man from the one she had married so cavalierly.

In a dingy apartment on the Passage du Pont-Neuf in Paris, Thérèse Raquin is trapped in a loveless marriage to her sickly cousin, Camille. The numbing tedium of her life is suddenly shattered when she embarks on a turbulent affair with her husband's earthy friend, Laurent. But their passion for each other soon compels the lovers to commit a crime that will haunt them forever.

When Simon Serrailler was a rookie constable with the Met, he did something reckless in the course of a night's work which caused a man's death. But his act was praised by his colleagues, and he was called a hero. Years later, now a detective chief superintendent who has been badly injured in the course of duty, he receives a medal for bravery at Buckingham Palace while recollecting that fateful night of his early career, when chance disguised itself as bravery.

Ideally spooky Halloween listening.... A chilling ghost story by the author of The Woman in Black. One murky November evening after a satisfying meal in their Fleet Street lodgings, a conversation between four medical students takes a curious turn and Hugh is initiated into a dark secret. In the cellar of their narrow lodgings in Printer's Devil Court and a little used mortuary in a subterranean annex of the hospital, they have begun to interfere with death itself, in shadowy experiments beyond the realms of medical ethics.

Eel Marsh house stands alone, surveying the windswept salt marshes beyond Nine Lives Causeway. Mrs Alice Drablow lived here as a recluse. Now Arthur Kipps, a junior solicitor with a London firm, is summoned to attend her funeral, unaware of the tragic and terrible secrets which lie behind the house's shuttered windows.

Francis Croft, the greatest poet of his age, was mad. Harvey Lawson watched and protected him until his final suicide. From his solitary old age Harvey writes this brief account of their 20 years together and then burns all the papers to shut out an inquisitive world. The tautness and control that characterize Susan Hill's work are abundantly evident in The Bird of Night as she magnificently handles the heights and depths, the splendours and miseries of madness and friendship.

Late one summer evening, antiquarian bookseller Adam Snow is returning from a client visit when he takes a wrong turn. He stumbles across a derelict Edwardian house, and compelled by curiosity, approaches the door. Standing before the entrance, he feels the unmistakable sensation of a small cold hand creeping into his own, ‘as if a child had taken hold of it’. At first he is merely puzzled by the odd incident but then begins to suffer attacks of fear and panic, and is visited by nightmares.