Cathedral
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Narrated by:
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Norman Dietz
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By:
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Raymond Carver
About this listen
This is Raymond Carver's third collection of stories, a finalist for the Pulitzer Prize, including the canonical titular story about blindness and learning to enter the very different world of another. The 12 stories in Cathedral mark a turning point in Carver's work and "overflow with the danger, excitement, mystery and possibility of life...Carver is a writer of astonishing compassion and honesty...his eye set only on describing and revealing the world as he sees it. His eye is so clear, it almost breaks your heart" (Jonathan Yardley, Washington Post Book World).
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Among the longleaf pines and family farms of eastern North Carolina, days seem to pass without incident for Margaret Clayton and Bernice Stokes until they discover each other in a friendship that will take them on the most important journey of their lives. Margaret, droll and whip smart, has a will of iron that never fails her even when her body does, while Bernice, an avid country-music fan, is rarely lucid.
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Great 2/3 of a book.
- By Tracy on 07-09-12
By: Todd Johnson
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House of Sand and Fog
- By: Andre Dubus III
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In this riveting novel of almost unbearable suspense, three fragile yet determined people become dangerously entangled in a relentlessly escalating crisis. Colonel Behrani, once a wealthy man in Iran, is now a struggling immigrant willing to bet everything he has to restore his family's dignity. Kathy Nicolo is a troubled young woman whose house is all she has left, and who refuses to let her hard-won stability slip away from her. Sheriff Lester Burdon becomes obsessed with helping her fight for justice.
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I suspect I am going to be in the minority . . .
- By BogKid on 01-12-04
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She's Come Undone
- By: Wally Lamb
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- Length: 18 hrs and 22 mins
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Meet Dolores Price. She's 13, wise-mouthed but wounded, having bid her childhood goodbye. Beached like a whale in front of her bedroom TV, she spends the next few years nourishing herself with the Mallomars, potato chips, and Pepsi her anxious mother supplies. When she finally rolls into young womanhood at 257 pounds, Dolores is no stronger and life is no kinder. But this time she's determined to rise to the occasion and give herself one more chance before really going belly-up.
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Really disappointing narrator!
- By Jessica Williams on 01-21-12
By: Wally Lamb
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Whiskey & Ribbons
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Set in contemporary Louisville, Leesa Cross-Smith's mesmerizing first novel surrounding the death of a police officer is a requiem for marriage, friendship, and family, from an author Roxane Gay has called "a consummate storyteller". Evi - a classically-trained ballerina - was nine months pregnant when her husband Eamon was killed in the line of duty on a steamy morning in July. Now, it is winter, and Eamon's adopted brother Dalton has moved in to help her raise six-month-old Noah.
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Beautifully Tragic and Heart Healing
- By Jennifer Glover on 08-17-18
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The Golden State
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- By: Lydia Kiesling
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In Lydia Kiesling's razor-sharp debut novel, The Golden State, we accompany Daphne, a young mother on the edge of a breakdown, as she flees her sensible but strained life in San Francisco for the high desert of Altavista with her toddler Honey. Bucking under the weight of being a single parent - her Turkish husband is unable to return to the United States because of a "processing error" - Daphne takes refuge in a mobile home left to her by her grandparents in hopes that the quiet will bring clarity.
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Tedious read but delightful reader Amanda Dolan
- By Eric on 02-14-19
By: Lydia Kiesling
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The 42nd Parallel
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This first entry in John Dos Passos's celebrated U.S.A. trilogy paints a grand picture of the United States at the dawn of the twentieth century.
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Powerful document of an all-too-familiar past
- By Ryan on 06-01-13
By: John Dos Passos
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The year is 1984 and the city is Tokyo.
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WOW, WOW, WOW.
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What listeners say about Cathedral
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Tom Broderick
- 07-22-17
Disaffected performance
I appreciate that with recordings of work, the performer has the license to perform the work in the way they see fit, presumably in a way that might help the listener understand the nuance of the writing.
I simply found the choice for the performance of this work to be overwhelmingly distracting, rather than effective. Norman Dietz reads through the prose as if he's reading a dictionary. Particularly, the insistent, unvaried rhythm he reads at paints Carver's stories as monotonous rather than restrained. While he does choose to alter his voice for some characters' dialogue (very slightly), and throw in an inflection when a character is raising their voice (again, slightly), overall, I feel he's only been able to accomplish sucking the emotion out of each of these pieces, leaving behind what sounds like to me a recitation of individual words wholly unconcerned with the word that came before it, or that comes after.
This is a work I wished I had read myself, rather than listened to here.
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11 people found this helpful
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- Rachel A. Saldivar
- 02-08-22
Narration is TERRIBLE
I'm a big fan of Carver however I couldn't listen to this narration. The narration is incredibly awkward and doesn't flow.
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1 person found this helpful
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- Diane R.
- 02-14-23
Good book, annoying narration
The story will carry you along, very well written;however, the narrator’s tone is somewhat grating and over-accented/flat.
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- Randy Broman
- 01-12-23
Excellent
A t l e a s t f i f t e e n w o r d s
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- Brown
- 12-16-17
Fantastic work of Carver destroyed by performance
I love Carver's work in general, but I was so disappointed in the performance. Dietz seems to constantly fluctuate a dry, scratchy sounding voice trying to sound laid back. Man, the performance upset me!!!
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4 people found this helpful
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- JPI
- 12-05-22
Disappointing
This book includes some of Carver’s best known stories and while some can be very powerful when read sparingly, reading them back to back can be painful. Too much of a bleak thing I suppose. But it also highlights some of his limitations as a writer - the depiction of women, the near exclusive focus on a certain group of people down on their luck, and the harshness of his prose. The matter is made even worse by the narration - to my ear, all the characters sound much older than they really are and the accent chosen just isn’t pleasant to hear.
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- A
- 10-31-24
Reader is flat
The reader was poorly matched to the text — no “life” in the characters at all
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- daisy undercuffler
- 01-07-23
Poor Carver!
This reading by a misogynist octogenarian creates an interpretation of R. Carvers work that may keep this reader from pursuing further work.
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1 person found this helpful