It’s 1835 in Utica, New York, and newlywed Helen Galway discovers a secret: Two runaway slaves are hiding in the shack behind her husband’s house. Suddenly, she is at the center of not only the era’s greatest moral dilemma, but her own, as well. Should she be a “good wife” and report the fugitives to her husband? Or will she defy convention and come to their aid? Within her home, Helen is haunted by the previous Mrs. Galway, recently deceased but still an oppressive presence.

Moments after Lisbeth is born, she’s taken from her mother and handed over to an enslaved wet nurse, Mattie, a young mother separated from her own infant son in order to care for her tiny charge. Thus begins an intense relationship that will shape both of their lives for decades to come. Though Lisbeth leads a life of privilege, she finds nothing but loneliness in the company of her overwhelmed mother and her distant, slave-owning father.

Born on a plantation in Charles City, Virginia, Pheby Delores Brown has lived a relatively sheltered life. Shielded by her mother’s position as the estate’s medicine woman and cherished by the Master’s sister, she is set apart from the others on the plantation, belonging to neither world. She’d been promised freedom on her eighteenth birthday, but instead of the idyllic life she imagined with her true love, Essex Henry, Pheby is forced to leave the only home she has ever known. She unexpectedly finds herself thrust into the bowels of slavery at the infamous Devil’s Half Acre.

Felicia Lyons, a stressed-out stay-at-home mom, struggles to sprint ahead of the demands of motherhood while her husband spends long days at the office. Felicia taps, utters mantras, and breathes her way through most situations, but on some days, like when the children won't stop screaming her name or arguing over toy trucks and pretzel sticks, she wonders what it would be like to get in her car and drive away.

In 1958 Georgia, the shade of a 13-year-old black girl's skin can make the difference in her fate. Tangy Mae is the smartest of her mother's 10 children, but she is also the darkest complected. The Quinns - all different skin shades, all with unknown fathers - live with their charismatic, beautiful, and tyrannical mother, Rozelle, in poverty on the fringes of a Georgia town where Jim Crow rules. Rozelle's children live in fear of her mood swings and her violence, but they are devoted to her. Rozelle pulls her children out of school when they are 12 years old so that they can help support her by going to work.

Aminata Diallo is the beguiling heroine of Lawrence Hill's Someone Knows My Name. In it, Hill exquisitely imagines the tale of an 18th-century woman's life, spanning six decades and three continents. The fascinating story that Hill tells is a work of the soul and the imagination. Aminata is a character who will stir listeners, from her kidnapping from Africa through her journeys back and forth across the ocean.

Bea and Awilda have been best friends from the moment Awilda threw her 14-year-old self across Bea’s twin-sized bed as if they had known each other forever. Bubbly, adventurous Awilda taught sheltered, shy Bea how to dress, wear her hair, and what to do with boys. She even introduced Bea to her husband, Lonnie, in college, who pledged to take good care of her for the rest of their lives. But philanderer Lonnie breaks that promise over and over again, leaving Bea to wrestle with her self-esteem and longtime secret addiction.

Harriet Jacobs’ autobiography, written under the pseudonym Linda Brent, details her experiences as a slave in North Carolina, her escape to freedom in the north, and her ensuing struggles to free her children. The narrative was partly serialized in the New York Tribune, but was discontinued because Jacobs’ depictions of the sexual abuse of female slaves were considered too shocking. It was published in book form in 1861.

Harriet Ann Jacob's autobiography documents her life as a slave and how she attained freedom for herself and her children. Harrowing in its descriptions of sexual abuse, Jacob's slave narrative is notable for the appeal it made to abolitionist women to open their eyes to the realities of slavery. Deemed too shocking for reading audiences at the time, the book was shelved before it was published in 1861 near the start of the Civil War.

Southern China, 1923. Desperate to secure her future, Mei Ling’s parents arrange a marriage to a widower in California. To enter the country, she must pretend to be her husband’s first wife - a paper wife. On the perilous voyage, Mei Ling takes an orphan girl named Siew under her wing. Dreams of a better life in America give Mei Ling the strength to endure the treacherous journey and detainment on Angel Island. But when she finally reaches San Francisco, she’s met with a surprise. Her husband, Chinn Kai Li, is a houseboy, not the successful merchant he led her to believe.

The year is 2004: Lina Sparrow is an ambitious young lawyer working on a historic class-action lawsuit seeking reparations for the descendants of American slaves. The year is 1852: Josephine is a 17-year-old house slave who tends to the mistress of a Virginia tobacco farm - an aspiring artist named Lu Anne Bell. It is through her father, renowned artist Oscar Sparrow, that Lina discovers a controversy rocking the art world: Art historians now suspect that the revered paintings of Lu Anne Bell, an antebellum artist known for her humanizing portraits of the slaves who worked her Virginia tobacco farm, were actually the work of her house slave, Josephine.

Henry O’Toole sails to America in 1848 to escape the famine in Ireland, only to face anti-immigrant prejudice. Determined never to starve again, he changes his surname to Taylor and heads south to Virginia, seeking work as a traveling blacksmith on the prosperous plantations. Torn from her home and sold to Jubilee Plantation, Sarah must navigate its intricate hierarchy. And now an enigmatic blacksmith is promising her not just the world but also her freedom. How could she say no?

In 1930s Mississippi, Mary Johnson hates the oppressive heat, working on her family farm, and having to attend her minister father's church several times a week. But she loves Mason Carter, her musician boyfriend. Both fantasize about living the high life up north in the big city. When William Bevers, a wealthy old preacher, comes to court her, he promises a life of luxury along with money and status for her family. Mary wants nothing to do with him, but her parents decide for her. Determined to avoid a forced marriage, Mary elopes with Mason to the bright lights of Chicago.

Transformative and breathtakingly honest, The American Queen is based on actual events that occurred between 1865 - 1889 and shares the unsung history of a Black woman who built a kingdom in Appalachia as a refuge for the courageous people who dared to dream of a different way of life. Over the twenty-four years she was enslaved on the Montgomery Plantation, Louella learned to feel one thing: hate. Hate for the man who sold her mother. Hate for the overseer who left her daddy to hang from a noose. Hate so powerful there's no room in her heart for love.

The daughter of a prostitute mother and an alcoholic father, Maggie Franklin knew her only way out was to marry someone upstanding and church-going. Someone like Hubert Wiggins, the most eligible man in Lexington, Alabama - and the son of its most revered preacher. Proper and prosperous, Hubert is glad to finally have a wife, even one with Maggie's background. For Hubert has a secret he desperately needs to stay hidden. And Maggie's unexpected charm, elegance, and religious devotion makes her the perfect partner in lies....