Live at the Fillmore East and West
Getting Backstage and Personal with Rock's Greatest Legends
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Narrated by:
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Peter Berkrot
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By:
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John Glatt
About this listen
In 1968, rock promoter Bill Graham launched the Fillmore East in New York City and the Fillmore West in San Francisco, changing music forever. For three years, every major rock band played the Fillmores, performing legendary shows: Jimi Hendrix, the Grateful Dead, Santana, Jefferson Airplane, Led Zeppelin, Cream, the Allman Brothers, and many more. John Glatt tells the story of the Fillmores through the lives of Bill Graham, Janis Joplin, Grace Slick, Carlos Santana, and an all-star supporting cast. Chronicling the East and West Coast cultures of the late 1960s and early 1970s - New York City with its speed, heroin, and the Velvet Underground versus San Francisco with the LSD-drenched Summer of Love - Glatt reveals how Graham made it all possible. But why did Graham shutter both Fillmores within weeks of each other in 1971, during the height of their popularity? Live at the Fillmore East and West reveals how Graham's claim that "the flowers wilted and the scene changed" was not quite the whole story.
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Revealing little-known Details does Captivate!
- By Cody Meyer on 11-20-17
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MJ
- The Genius of Michael Jackson
- By: Steve Knopper
- Narrated by: Eric Michael Summerer
- Length: 13 hrs and 28 mins
- Unabridged
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Rolling Stone contributing editor Steve Knopper delves deeply into Michael Jackson's music and talent. From the artist's early days with the Jackson 5, to his stratospheric success as a solo artist, to "Beat It" and "Thriller", "Bad", and "The Man in the Mirror", to his volatile final years, his attempted comeback, and his untimely death, Knopper explores the beguiling and often contradictory forces that fueled Michael Jackson's genius.
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It is ok but no details of his creativity in here
- By Jay on 02-25-16
By: Steve Knopper
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Tearing Down the Wall of Sound
- The Rise and Fall of Phil Spector
- By: Mick Brown
- Narrated by: Ray Porter
- Length: 17 hrs and 35 mins
- Unabridged
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Phil Spector, born in the Bronx in 1940, grew up an outsider despised by his peers. But he formed a band, and had a number-one hit with "To Know Him Is to Love Him". He quickly became the top producer of early rock and roll and the originator of such girl groups as the Ronettes. Hit followed hit, and for all of them he used a new recording style called the "wall of sound". But the reign of the boy-man who owned pop music was doomed, and Spector spiraled into paranoid isolation and peculiar behavior.
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Descent Into Madness
- By Chris on 06-11-12
By: Mick Brown
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Small Town Talk
- Bob Dylan, The Band, Van Morrison, Janis Joplin, Jimi Hendrix and Friends in the Wild Years of Woodstock
- By: Barney Hoskyns
- Narrated by: Mike Chamberlain
- Length: 13 hrs and 4 mins
- Unabridged
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When musicians in the New York folk scene of the 1960s grew tired of city life, they decided to "get it together in the country". They headed for Woodstock - not to the site of the infamous music festival of 1969 but to the Catskills, to Bearsville, to Woodstock proper. Counterculture revolutionaries like Janis Joplin, Richie Havens, and Paul Butterfield got "back to the land", turning the once sleepy hollow into a funky Shangri-La.
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Captured the era - too many mistakes
- By Frank Canino on 04-17-16
By: Barney Hoskyns
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Everybody Wants Some
- The Van Halen Saga
- By: Ian Christe
- Narrated by: Fred Berman
- Length: 9 hrs and 33 mins
- Unabridged
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How did a pair of little Dutch boys trained in classical music grow up to become the nucleus of the most popular heavy metal band of all time? What's the secret behind Eddie Van Halen's incredible fast and furious guitar solos? What makes David Lee Roth and Sammy Hagar so wacky? And, are all those stories about groupies, booze bashes, and contract riders true? The naked truth is laid bare in Everybody Wants Some - the real-life story of a rock 'n' roll fantasy come true.
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Good details of albums and post-1984 career
- By IndyMATT on 12-30-18
By: Ian Christe
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Fire and Rain
- The Beatles, Simon and Garfunkel, James Taylor, CSNY and the Lost Story of 1970
- By: David Browne
- Narrated by: Sean Runnette
- Length: 11 hrs and 10 mins
- Unabridged
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January 1970: the Beatles assemble one more time to put the finishing touches on Let It Be; Crosby, Stills, Nash & Young are wrapping up Déjà Vu; Simon and Garfunkel are unveiling Bridge Over Troubled Water; James Taylor is an upstart singer-songwriter who's just completed Sweet Baby James. Over the course of the next twelve months, their lives---and the world around them---will change irrevocably.
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Fascinating information, easy to listen
- By NCKitkat on 07-28-11
By: David Browne
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Who I Am
- By: Pete Townshend
- Narrated by: Pete Townshend
- Length: 17 hrs and 56 mins
- Unabridged
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From the voice of a generation: the most highly anticipated autobiography of the year, and the story of a man who wanted The Who to be called The Hair; wanted to be a sculptor, a journalist, a dancer and a graphic designer; became a musician, composer, librettist, fiction writer, literary editor, sailor; drank too much and nearly died; detached from his body in an airplane, on LSD, and nearly died; planned to write his memoir when he was 21; and published this book at 67.
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Glad To Meet You
- By Mel on 10-12-12
By: Pete Townshend
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Here Comes the Night
- The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues
- By: Joel Selvin
- Narrated by: Christian Rummel
- Length: 11 hrs and 59 mins
- Unabridged
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Here Comes the Night: Bert Berns and the Dirty Business of Rhythm and Blues is both a definitive account of the New York rhythm and blues world of the early '60s, and the harrowing, ultimately tragic story of songwriter and record producer Bert Berns, whose meteoric career was fueled by his pending doom. His heart damaged by rheumatic fever as a youth, doctors told Berns he would not live to see 21. Although his name is little remembered today, Berns worked alongside all the greats of the era.
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Great book.
- By The Blimmer on 10-14-23
By: Joel Selvin
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Walk This Way
- Run-DMC, Aerosmith, and the Song That Changed American Music Forever
- By: Geoff Edgers
- Narrated by: Geoff Edgers
- Length: 6 hrs and 51 mins
- Unabridged
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Washington Post staff writer Geoff Edgers takes a deep dive into the story behind "Walk This Way", Aerosmith and Run-DMC's legendary, groundbreaking mashup that forever changed music.
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A MUST LISTEN/READ
- By Aron Teo Lee on 05-17-19
By: Geoff Edgers
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1965
- The Most Revolutionary Year in Music
- By: Andrew Grant Jackson
- Narrated by: Peter Berkrot
- Length: 11 hrs and 30 mins
- Unabridged
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During 12 unforgettable months in the middle of the turbulent '60s, America saw the rise of innovative new sounds that would change popular music as we knew it. In 1965: The Most Revolutionary Year in Music, music historian Andrew Grant Jackson (Still the Greatest: The Essential Songs of The Beatles' Solo Careers) chronicles a groundbreaking year of creativity fueled by rivalries between musicians and continents, sweeping social changes, and technological breakthroughs.
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Seems like a good overview
- By wylie smith on 01-12-23
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Kicking and Dreaming
- A Story of Heart, Soul, and Rock and Roll
- By: Ann Wilson, Nancy Wilson
- Narrated by: Ann Wilson, Nancy Wilson
- Length: 8 hrs and 51 mins
- Unabridged
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Two sisters. Two voices. One Heart.
The mystery of "Magic Man." The wicked riff of "Barracuda." The sadness and beauty of "Alone." The raw energy of "Crazy On You." These songs, and so many more, are part of the fabric of American music. Heart, fronted by Ann and Nancy Wilson, has given fans everywhere classic, raw, and pure badass rock and roll for more than three decades. As the only sisters in rock who write their own music and play their own instruments, Ann and Nancy have always stood apart - certainly from their male counterparts but also from their female peers.
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Good Behind-The-Scenes Look At "Heart"
- By Kathy on 11-13-12
By: Ann Wilson, and others
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Being John Lennon
- A Restless Life
- By: Ray Connolly
- Narrated by: Jonathan Keeble
- Length: 16 hrs and 1 min
- Unabridged
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What was it like to be John Lennon? What was it like to be the castoff child, the clown at school, the middle-class suburban boy who pretended to be a working-class hero? How did it feel to have one of the most recognizable singing voices in the world but to dislike it so much he always wanted to disguise it? Being John Lennon is not about the whitewashed Prince of Peace of “Imagine” legend - because that was only a small part of him. The John Lennon depicted in this book is a much more kaleidoscopic figure, sometimes almost a collision of different characters.
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Stars taken off for inclusion of MDC’s story
- By rob on 12-09-22
By: Ray Connolly
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What listeners say about Live at the Fillmore East and West
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Mark
- 11-09-15
Great inside look at the beginning and the end of an era
Great look at 60's Rock which was started with the flower power philosophy and fueled by passion and drugs, then ultimately poisoned by fame and more drugs. Fascinating and informative. A great look a Rock history and an era that can never be duplicated.
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- Tim
- 05-20-15
I'm no Hippy but I dig the $&@! Out of this book!
Any fan of rock culture and wants to know where sex, drugs and rock and roll began better read/listen to This book!
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- Dr. Dream
- 06-16-15
Good
Too many names mispronounced. Palo Alto is NOT in Marin. Dumb errors. Winter land was not a ballroom
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- Scott S
- 08-28-24
An amazing era in music
When I think of the Fillmore East I think about that great Allman Brothers album recorded there. On some Facebook groups I see often see photos of the place with so many great names on the Marquee. I knew it was small compared to places I saw big rock bands in the 70s. I always wondered why we don’t see great bands at smaller venues. This book answered that question. It was an era before Rock got so big. After Woodstock bands saw how big their potential audience could be. They made more from one show than a weekend of four shows at Fillmore. Who can blame them. The Fillmore E and W are such an important part of rock music history and sadly this era is gone forever as is rock and roll I’m sad to say. I loved this book and recommend it to any fan of the music.
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- Joseph S. Wentz
- 06-27-16
Pretty Good Book
You have to keep in mind, this is in 60's & 70's. Boring then good. All you hear about is freaking, Jefferson Airplane... ugghh. I don't care for their music... but they were hugely successful then. You hear very little about Hendrix. But the stuff about, Bill Graham was good. Shows how money, can change you...for the worse. The narrator was okay. Sometimes it could get nerve racking. But then again, this was a different time. Too bad both venues are gone now. A lot musical history there.
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1 person found this helpful
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- Anonymous User
- 02-20-23
Kudos to John Glant and Peter Berkrot !
Live at the Fillmore East &West is a well written, informative, intriguing historical account of Bill Graham's influence and participation in, arguably, the most creative musical era the world has seen and heard to date. A descriptive and accurate subtitle could have been - The Life and Times of Bill Graham from Dylan to Present. If you have an interest in the history and influence of Rock/Pop music during the turbulent 60s and 70s in the United States, you'll appreciate this book. And contrary to other reviews, Peter Berkrot delivers an award-winning performance narrating, in my opinion. There is, however, a couple of very minor errors: The Allman Brothers Band debut album was titled, The Allman Brothers Band. Idlewild South was their second album, although it was their first album on the Capricorn Records label. Secondly, the Allman Brothers Band's live recording at the Fillmore East in 1971 was titled, " The Allman Brothers Band At Fillmore East," not At "The" Fillmore East, for obvious reasons.
Johnnie Travis, Marietta, GA, 64, Listening Level- Master (LOL)
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- Frank Canino
- 03-25-15
Pretty well researched - good info
Where does Live at the Fillmore East and West rank among all the audiobooks you’ve listened to so far?
This must be a pretty good book - a few mistakes notwithstanding (The Allman Bros. first album was NOT "Idlewild South" - because the narrator is a joke. Overly dramatic and sounds like he has no connection to the material at all. Perhaps this is the producer/director's fault. I hate to put anyone down but this guy sounds like he's not even human ~ perhaps a computer program that reads the words. Not only does he mispronounce quite few names - but he is not even consistent - sometimes getting them right, sometimes wrong. But I enjoyed the stories - particularly learning about what was going on behind the scenes at concerts I attended.
Would you be willing to try another one of Peter Berkrot’s performances?
Hopefully I'll never have to.
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- TIMOTHY
- 03-12-15
HARD WORK, PATIENCE, AND GUTS PAYS OFF
Where does Live at the Fillmore East and West rank among all the audiobooks you’ve listened to so far?
ABOUT IN THE MIDDLE
Who was your favorite character and why?
WHY BILL OF COURSE.
What about Peter Berkrot’s performance did you like?
YES IT WAS FINE
Was there a moment in the book that particularly moved you?
NOT REALLY
Any additional comments?
MORAL DECAY, SUBSTANCE ABUSE,AND EGOS RAN WILD IN THE ROCK SCENE, BUT WE ALREADY KNEW THAT.
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Overall
- Kindle Customer
- 04-14-16
5 star book 0 star arrator
Only a couple chapters in, but not sure I can put up with this narrator much longer. Fake hippie accent, fake Latino accent, mispronounces words in many different ways. He changes his fake accent with each character to the region the character is fun. The majority of fake vocals sounds like tough guy meth addict from the sixties. This is good history but needs to be rereleased with a different reader. Don't buy this version unless you are very young and can't tell the difference.
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- Amazon Customer
- 07-19-18
what an amazing story and well worth a listen
I grew up while all this stuff was going on and I loved all the music and I know a little bit about Bill Graham but this was really interesting to hear even if the narrator's a little too hip and groovy for his own good sometimes
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