When James Quinn and Vernor Stanton reunite at the Centennial Club, the scene of many a carefree childhood summer, Stanton marks the occasion by shooting his friend in the heart. The good news is that the bullet is made of wax. The bad news is that the Mephistophelian Stanton wants Quinn to help him wreak havoc upon this genteel enclave of weekend sportsmen: "May I predict that this is not going to be the usual boring, phlegmatic summer?"

Chester Pomeroy is a onetime rock star turned casualty of illicit substances. In the hands of Thomas McGuane, Chester's story is a high-wire act of extravagant emotion and steel-nerved prose. As he haunts Key West, pestering family, threatening a potential in-law with a .38, and attempting to crucify himself on his ex's door out of sheer lovesickness, Chester emerges as the pure archetype of the McGuane hero.

In McGuane's first novel set in his famed American West, Patrick Fitzpatrick is a former soldier, a fourth-generation cowboy, and a whiskey addict. His grandfather wants to run away to act in movies, his sister wants to burn the house down, and his new stallion is bent on killing him: all of them urgently require attention. But increasingly Patrick himself is spiraling out of control, into that region of romantic misadventure and vanishing possibilities that is Thomas McGuane's Montana.

For more than four decades, Thomas McGuane has been heralded as an unrivaled master of the short story. Now the arc of that achievement appears in one definitive volume. Set in the seedy corners of Key West, the remote shore towns of the Bahamas, and McGuane's hallmark Big Sky country, with its vast and unforgiving landscape, these are stories of people on the fringes of society, whose twisted pasts meddle with their chances for companionship.

From the highly acclaimed author of Ninety-two in the Shade and Cloudbursts comes a collection of alternately playful and exquisite essays—including seven collected here for the first time—borne of a lifetime spent fishing.

In Campfire Stories: Close Calls, Steven Rinella invites seasoned hunters, anglers, adventurers, and outdoor professionals to share their tales of perilous adventures in the natural world, from run-ins with black bears and grizzlies to bad falls and severe hypothermia.

On January 28, 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell. They were survivors of His Majesty’s Ship the Wager, a British vessel that had left England in 1740 on a secret mission during an imperial war with Spain. While the Wager had been chasing a Spanish treasure-filled galleon known as “the prize of all the oceans,” it had wrecked on a desolate island off the coast of Patagonia.

Once again, John Gierach tells the world why the pastime of fly-fishing makes so much sense—except when it doesn't. In sparkling prose, with more than a touch of humor, he recalls the joys of landing that trout he's been watching for the last hour—and then losing an even fatter one a little later. Joy and frustration mix in Gierach's latest appreciation of the fly-fishing life as he takes us from his home waters on the Front Range of the Rockies in Colorado to fishing meccas all over North America.

One Sunday afternoon in Southern California, Bert Cousins shows up at Franny Keating's christening party uninvited. Before evening falls, he has kissed Franny's mother, Beverly - thus setting in motion the dissolution of their marriages and the joining of two families.

On a hot June morning in 1975, a fatal shoot-out took place between FBI agents and American Indians on a remote property near Wounded Knee, South Dakota, in which an Indian and two federal agents were killed. Eventually, four members of the American Indian Movement were indicted on murder charges in the deaths of the two agents. Behind this violent chain of events lie issues of great complexity and profound historical resonance, brilliantly explicated by Peter Matthiessen in this controversial book.

Joe Pickett is the new game warden in Twelve Sleep, Wyoming, a town where nearly everyone hunts and the game warden—especially one like Joe who won't take bribes or look the other way—is far from popular. When he finds a local hunting outfitter dead, splayed out on the woodpile behind his state-owned home, he takes it personally. There had to be a reason that the outfitter, with whom he's had run-ins before, chose his backyard, his woodpile to die in.

Welcome to the hilarious, strange, elegiac, outrageous world of David Sedaris. In Naked, Sedaris turns the current mania for the memoir on its proverbial ear, mining the exceedingly rich terrain of his life, his family, and his unique worldview, a sensibility at once take-no-prisoners sharp and deeply charitable.

Dellarobia Turnbow is a restless farm wife who gave up her own plans when she accidentally became pregnant at 17. Now, after a decade of domestic disharmony on a failing farm, she encounters a shocking sight: a silent, forested valley filled with what looks like a lake of fire. She can only understand it as a cautionary miracle, but it sparks a raft of other explanations from scientists, religious leaders, and the media.

Clear-eyed and spirited, Taylor Greer grew up poor in rural Kentucky with the goals of avoiding pregnancy and getting away. But when she heads west with high hopes and a barely functional car, she meets the human condition head-on. By the time Taylor arrives in Tucson, Arizona, she has acquired a completely unexpected child, a three-year-old American Indian girl named Turtle, and must somehow come to terms with both motherhood and the necessity of putting down roots.

Fly-fishing's finest scribe, John Gierach, takes us from a nameless stream on a nameless ranch in Montana to a secret pool off a secret creek where he caught a catfish as a five-year-old, to a brook full of rattlesnakes and a private pond where the trout are all as long as your leg. As Gierach says, "The secret places are the soul of fishing." Hearing about a new one never fails to entice us.

The unforgettable voyager of this dark picaresque is I. B. "Berl" Pickett, M.D., whose die was probably cast the moment his mother thought to name him after Irving Berlin. Other insults piled on apace thereafter: the spasms of Pentecostal Sunday worship; the social debilitation of following his parents' itinerant rug-shampooing business; the erotic initiation at the hands of his aunt. It's hard to imagine what would have become of him had he not gone to medical school.

Joe Pickett is the new game warden in Twelve Sleep, Wyoming, a town where nearly everyone hunts and the game warden—especially one like Joe who won't take bribes or look the other way—is far from popular. When he finds a local hunting outfitter dead, splayed out on the woodpile behind his state-owned home, he takes it personally. There had to be a reason that the outfitter, with whom he's had run-ins before, chose his backyard, his woodpile to die in.

Wolff here returns with fresh revelations - about biding one's time, or experiencing first love, or burying one's mother - that come to a variety of characters in circumstances at once everyday and extraordinary. A retired Marine enrolls in college while her son trains for Iraq. A lawyer takes a difficult deposition. An American in Rome indulges the Gypsy who's picked his pocket.

Children Playing Before a Statue of Hercules is a collection of short stories, some classic, others impending, selected and introduced by David Sedaris.

An almost-true story about a small town in Texas that ought to exist if it doesn’t, with characters like Sam the Lion, the delectable Jacy, and Ruth Popper, the coach’s wife. Set in a small, dusty, Texas town, The Last Picture Show introduced the characters of Jacy, Duane, and Sonny: teenagers stumbling toward adulthood, discovering the beguiling mysteries of sex and the even more baffling mysteries of love.

Three daughters and their husbands are pulled into a tangle of love, jealousy, and fear when their father, Larry Cook, grows too old to manage the family's fertile thousand-acre farm. As each couple struggles with their own tragedies and challenges, they know their father is judging them in light of the weighty inheritance that hovers within their reach.

Anders is an angry, cynical man. A book critic known for his scathing reviews, he finds any excuse to dismiss, belittle, or insult. This afternoon is no more agitating than the next. Angers finds himself in a long line at the bank, waiting to reach a teller. Even after two men - wearing masks and carrying guns - take control of the building, Anders is unfazed. It's this behavior that lands him with a pistol against his stomach and a man screamingin his face. And when the bank robber, indignant over Anders' behavior, shoots the book critic in the head, his mind floats through the memories of his life, settling on one particular event....

Annie Proulx's masterful language and fierce love of Wyoming are evident in this collection of stories about loneliness, quick violence, and wrong kinds of love. In "The Mud Below", a rodeo rider's obsession marks the deepening fissures between his family life and self-imposed isolation. In "The Half-Skinned Steer", an elderly fool drives west to the ranch he grew up on for his brother's funeral, and dies a mile from home.

After the stunning historical novels The Clearing and The Missing, Tim Gautreaux now ranges freely through contemporary life with 12 new stories and eight from previous collections. Most are set in his beloved Louisiana, many hard by or on the Mississippi River, others in North Carolina, and even in midwinter Minnesota. But generally it's heat, humidity, and bugs that beset his people as they wrestle with affairs of the heart, matters of faith, and the pros and cons of tight-knit communities.

When George Hodgman leaves Manhattan for his hometown of Paris, Missouri, he finds himself - an unlikely caretaker and near-lethal cook - in a head-on collision with his aging mother, Betty, a woman of wit and will. Will George lure her into assisted living? When hell freezes over. He can't bring himself to force her from the home both treasure - the place where his father's voice lingers, the scene of shared jokes, skirmishes, and, behind the dusty antiques, a rarely acknowledged conflict...

Joy Williams has been celebrated as a master of the short story for four decades, her renown passing from one generation to the next even in the shifting landscape of contemporary writing. And at long last the incredible scope of her singular achievement is put on display: 33 stories drawn from three much-lauded collections and another 13 appearing here for the first time in book form.

An exuberant, one-of-a-kind novel about love and family, war and nature, new money and old values by a brilliant New Yorker contributor. The Portable Veblen is a dazzlingly original novel that's as big-hearted as it is laugh-out-loud funny. Set in and around Palo Alto amid the culture clash of new money and old (antiestablishment) values, and with the specter of our current wars looming across its words, The Portable Veblen is an unforgettable look at the way we live now.

Welcome to the childhood of Catherine McClure Gildiner. It is the middle of the 1950s in Lewiston, New York, a small and sleepy American town very near Niagara Falls. No one is divorced. Mothers wear high heels to the beauty salon and children pop Pez candy and swing from vines over a local gorge. But at the tender age of four, it becomes clear to her Cathy's parents that their rambunctious daughter is no ordinary child and they soon put her "to work" at her father's pharmacy.

Alone and un-tethered, feeling lost in the country he had come to regard as home, Hans stumbles upon the vibrant New York subculture of cricket, where he revisits his lost childhood and, thanks to a friendship with a charismatic and charming Trinidadian named Chuck Ramkissoon, begins to reconnect with his life and his adopted country. Ramkissoon, a Gatsby-like figure who is part idealist and part operator, introduces Hans to an "other" New York populated by immigrants and strivers of every race and nationality.

Jack Isidore doesn’t see the world like most people. According to his brother-in-law, Charley, he’s a crap artist, obsessed with his own bizarre theories and ideas, which he fanatically records in his many notebooks. He is so grossly unequipped for real life that his sister and brother-in-law feel compelled to rescue him from it. But while Fay and Charley Hume put on a happy face for the world, they prove to be just as sealed off from reality, in thrall to obsessions that are slightly more acceptable than Jack’s but a great deal uglier.