Dance Theatre of Harlem
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Narrated by:
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Dion Graham
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Robin Miles
About this listen
From its modest beginnings in the 1960s in a Harlem church basement, to its meteoric rise to international fame, the Dance Theatre of Harlem ignited the world with one simple, still-revolutionary statement: All can do ballet. Into the 21st century, as the world, and the country, continue their historical struggles and triumphs, the story of this haven for dancers of all colors and backgrounds resonates more than ever. Here, for the first time, is the definitive portrait of the one-of-a-kind dance company that reflected—and shaped—our times, and whose enduring principle continues to inspire the future.
With exclusive backstage stories from its legendary dancers and staff, and unprecedented access to its archives, Dance Theatre of Harlem is a striking chronicle of the company’s amazing history, its fascinating daily workings, and the visionaries who made its legacy.
Here you’ll discover how the company’s founders—African-American dancer Arthur Mitchell of George Balanchine’s New York City Ballet, and Euro-American Karel Shook of The Dutch National Ballet—teamed up to challenge Eurocentric mainstream ballet head-on using new techniques to examine ongoing issues of power, beauty, myth, and the everchanging definition of art itself.
Gaining prominence in the 1970s and 80s with a succession of triumphs—including its spectacular season at the Metropolitan Opera House—the company also gained fans and supporters that included Nelson Mandela, Stevie Wonder, Cicely Tyson, Misty Copeland, Jessye Norman, and six American presidents.
Dance Theatre of Harlem details this momentous era as well as the company’s difficult years, its impressive recovery as it partnered with new media’s most brilliant creators—and, in the wake of its 50th anniversary, amid a global pandemic, its evolution into a worldwide virtual performance space.
This incomparable book is a must-have for any lover of dance, art, or history.
©2021 ChromaDiverse, Inc. (P)2022 Recorded BooksListeners also enjoyed...
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SHELVED explores the history and drama behind albums that were deemed too controversial, too far from the beaten path, or too ahead of their time for public consumption. Through interviews with musicians, producers, record executives, and journalists, as well as archival audio, key music and personal storytelling, each episode examines the “shelved” album’s place in musical history, and the spectacles behind each missed or nearly missed release.
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For Real Music Lovers & Music Heads
- By Kait Walsh on 12-11-24
By: Emrys Maxwell, and others
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Weird Scenes Inside the Canyon
- Laurel Canyon, Covert Ops, and the Dark Heart of the Hippie Dream
- By: David McGowan
- Narrated by: Bill Fike
- Length: 14 hrs and 2 mins
- Unabridged
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The very strange but nevertheless true story of the dark underbelly of a 1960s hippie utopia. Laurel Canyon in the 1960s and early 1970s was a magical place where a dizzying array of musical artists congregated to create much of the music that provided the soundtrack to those turbulent times. But there was a dark side to that scene as well. Many didn't make it out alive, and many of those deaths remain shrouded in mystery to this day.
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My first review. This book changed me.
- By Robert on 06-30-19
By: David McGowan
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Alex Newell and the Gospel of a Diva
- By: Alex Newell
- Narrated by: Alex Newell
- Length: 1 hr and 3 mins
- Original Recording
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From a breakout role in the smash-hit Glee to breaking barriers as the first nonbinary-identifying Tony Award winner for their featured performance in Shucked, Alex Newell is no stranger to the spotlight. Now, listen to the talented trailblazer as you’ve never seen them before in their intimate new show, Alex Newell and the Gospel of a Diva. Alex shares untold stories from their remarkable life and career alongside a selection of their favorite tunes.
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An Entertainer's Entertainer
- By Phoebe Stratton on 12-13-24
By: Alex Newell
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Coreyography
- By: Corey Feldman
- Narrated by: Corey Feldman
- Length: 8 hrs and 52 mins
- Unabridged
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In this brave and moving memoir, Corey Feldman is revealing the truth about what his life was like behind the scenes: His is a past that included physical, drug, and sexual abuse, a dysfunctional family from which he was emancipated at age fifteen, three high-profile arrests for drug possession, a nine-month stint in rehab, and a long, slow crawl back to the top of the box office.
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Didn't like the Two Coreys, but liked this.
- By ricketsj on 04-29-14
By: Corey Feldman
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The Energy Curfew Music Hour
- By: Chris Thile, Claire Coffee, Punch Brothers
- Narrated by: Chris Thile, Punch Brothers
- Length: 8 hrs and 41 mins
- Original Recording
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It’s time to unplug with the Grammy-winning Punch Brothers, fronted by singer-mandolinist Chris Thile, as they bring you a multi-episode musical variety show with dazzling musical guests, like Kacey Musgraves, Jason Isbell, Jon Batiste, Norah Jones, James Taylor, and many more.
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Gifted musicians and storytellers right in their element and at the height of their powers
- By Megan G Kahl on 10-27-24
By: Chris Thile, and others
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The Godfather: A Film We Can't Refuse
- By: Paramount Pictures
- Narrated by: Rebecca Keegan
- Length: 8 hrs and 27 mins
- Original Recording
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With exclusive insights from the legendary cast, including Al Pacino, Robert Duvall, Robert De Niro, and Talia Shire, and commentary from a diverse array of film experts and ardent aficionados, we dissect the film’s magnetic allure and its pervasive influence across our culture. Journey alongside Rebecca Keegan, acclaimed senior film editor at The Hollywood Reporter, as she explores the heart of this cinematic masterpiece through a new lens.
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Deep dive into The Godfather
- By C.F. on 08-28-24
What listeners say about Dance Theatre of Harlem
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Billye Kay
- 08-02-23
To Maintain Balance, Keep Moving Forward
Dance Theatre of Harlem: A History, a Movement, a Celebration is filled with great information. The story is an important one and I am grateful to the author and her associates for creating this book. However, it felt as though I was missing the humor and humanity of the story. The book is very academic, almost textbook style. I remain curious as to what the relationships were like. Did the dancers and directors ever spend time together away from work, and if so, did they have fun or was it strictly business all of the time? I would recommend this book to anyone who is serious about dance and about dance history. The narration performances by Dion Graham and Robin Miles are adequate to the task. They both have a tinge of haughtiness in their delivery which is appropriate to support the material.
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