Dance Theatre of Harlem
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Narrated by:
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Dion Graham
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Robin Miles
About this listen
From its modest beginnings in the 1960s in a Harlem church basement, to its meteoric rise to international fame, the Dance Theatre of Harlem ignited the world with one simple, still-revolutionary statement: All can do ballet. Into the 21st century, as the world, and the country, continue their historical struggles and triumphs, the story of this haven for dancers of all colors and backgrounds resonates more than ever. Here, for the first time, is the definitive portrait of the one-of-a-kind dance company that reflected—and shaped—our times, and whose enduring principle continues to inspire the future.
With exclusive backstage stories from its legendary dancers and staff, and unprecedented access to its archives, Dance Theatre of Harlem is a striking chronicle of the company’s amazing history, its fascinating daily workings, and the visionaries who made its legacy.
Here you’ll discover how the company’s founders—African-American dancer Arthur Mitchell of George Balanchine’s New York City Ballet, and Euro-American Karel Shook of The Dutch National Ballet—teamed up to challenge Eurocentric mainstream ballet head-on using new techniques to examine ongoing issues of power, beauty, myth, and the everchanging definition of art itself.
Gaining prominence in the 1970s and 80s with a succession of triumphs—including its spectacular season at the Metropolitan Opera House—the company also gained fans and supporters that included Nelson Mandela, Stevie Wonder, Cicely Tyson, Misty Copeland, Jessye Norman, and six American presidents.
Dance Theatre of Harlem details this momentous era as well as the company’s difficult years, its impressive recovery as it partnered with new media’s most brilliant creators—and, in the wake of its 50th anniversary, amid a global pandemic, its evolution into a worldwide virtual performance space.
This incomparable book is a must-have for any lover of dance, art, or history.
©2021 ChromaDiverse, Inc. (P)2022 Recorded BooksListeners also enjoyed...
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My first review. This book changed me.
- By Robert on 06-30-19
By: David McGowan
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A Streetcar Named Desire
- By: Tennessee Williams
- Narrated by: Carla Gugino, Audra McDonald
- Length: 2 hrs and 52 mins
- Original Recording
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With Emmy, Grammy, and six-time Tony Award winner Audra McDonald as Blanche DuBois alongside Carla Gugino as Stella, O’Hara takes a fresh and visceral look at the emotionally charged relationship between these two iconic sisters. Haunted by her past, Blanche seeks refuge with Stella and Stanley (Ariel Shafir) in New Orleans, where she wrestles with the nature of her sister’s husband, her sister’s denial, and her own unraveling mind.
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Classic With Fresh Insight
- By Talia Shafir on 12-04-20
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Song of the Northwoods
- By: Jessica Huang
- Narrated by: Michele Selene Ang, Quincy Dunn-Baker, Emma Kikue, and others
- Length: 1 hr and 48 mins
- Original Recording
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After a betrayal at work costs Song Kuan her job, she retreats to her friend Lucy’s idyllic family cabin on a lake in Minnesota to lick her wounds. She devotes herself to recording Ice Cold Cases, a true-crime podcast that she and Lucy cohost with the gleeful energy of obsessed fans—until an anonymous tip about a missing-person case disrupts their equilibrium. Then Lucy disappears, leaving Song alone in an unfriendly and unfamiliar town where locals don’t take kindly to strangers asking questions.
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Asians in MN! I loved it. The vivid sounds of Northern Minnesota totally took me there, and I was hooked into the mystery.
- By Sheila Morris on 04-26-22
By: Jessica Huang
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Coreyography
- By: Corey Feldman
- Narrated by: Corey Feldman
- Length: 8 hrs and 52 mins
- Unabridged
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In this brave and moving memoir, Corey Feldman is revealing the truth about what his life was like behind the scenes: His is a past that included physical, drug, and sexual abuse, a dysfunctional family from which he was emancipated at age fifteen, three high-profile arrests for drug possession, a nine-month stint in rehab, and a long, slow crawl back to the top of the box office.
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Didn't like the Two Coreys, but liked this.
- By ricketsj on 04-29-14
By: Corey Feldman
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Petty: The Biography
- By: Warren Zanes
- Narrated by: Warren Zanes
- Length: 13 hrs and 57 mins
- Unabridged
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No one other than Warren Zanes, rocker and writer and friend, could author a book about Tom Petty that is as honest and evocative of Petty's music and the remarkable rock and roll history he and his band helped to write. Born in Gainesville, Florida, with more than a little hillbilly in his blood, Tom Petty was a Southern shit kicker, a kid without a whole lot of promise. Rock and roll made it otherwise.
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Tom Petty gets some bio love
- By tru britty on 12-15-15
By: Warren Zanes
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The Chris Farley Show
- A Biography in Three Acts
- By: Tom Farley, Tanner Colby
- Narrated by: Therese Plummer, L. J. Ganser, Mark Boyett
- Length: 9 hrs and 51 mins
- Unabridged
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The New York Times best-selling biography of an American comedy legend. After three years of sobriety, Chris Farley's life was at its creative peak until a string of professional disappointments chased him back to drugs and alcohol. He fought hard against them, but it was a fight he would lose in December 1997. Farley's fans immediately drew parallels between his death and that of his idol, John Belushi. Without looking deeper, however, many failed to see that Farley was much more than just another Hollywood drug overdose. In this officially authorized oral history, Farley's friends and family remember his work and life.
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Incredibly sad....
- By Marie B on 04-12-15
By: Tom Farley, and others
What listeners say about Dance Theatre of Harlem
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Billye Kay
- 08-02-23
To Maintain Balance, Keep Moving Forward
Dance Theatre of Harlem: A History, a Movement, a Celebration is filled with great information. The story is an important one and I am grateful to the author and her associates for creating this book. However, it felt as though I was missing the humor and humanity of the story. The book is very academic, almost textbook style. I remain curious as to what the relationships were like. Did the dancers and directors ever spend time together away from work, and if so, did they have fun or was it strictly business all of the time? I would recommend this book to anyone who is serious about dance and about dance history. The narration performances by Dion Graham and Robin Miles are adequate to the task. They both have a tinge of haughtiness in their delivery which is appropriate to support the material.
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