Against a backdrop of modernisation, extravagant luxury, political intrigue and sexual immorality, Saccard treats close relationships as money-making opportunities and loved ones as mere commodities. As one character puts it: ‘You see, everything is fine, as long as you make money from it.’

Elizabeth Gaskell’s biography of her friend Charlotte Brontë—the first full-length biography of a woman novelist by a woman novelist—is a true classic. It transports us with a deft hand straight into 19th-century Haworth, Yorkshire and crafts an extensive account of Brontë’s life, quoting throughout from letters she sent and received. From her challenging, isolated childhood to her death shortly before the age of 39, newly married and pregnant, the enigmatic author of Jane Eyre is portrayed with enormous care.

Impoverished young aristocrat Eugene de Rastignac is determined to climb the social ladder and impress himself on Parisian high society. While staying at the Maison Vauquer, a boarding house in Paris's rue Neuve-Sainte-Genevieve, he encounters Jean-Joachim Goriot, a retired vermicelli maker who has spent his entire fortune supporting his two daughters. The boarders strike up a friendship and Goriot learns of Rastignac's feelings for his daughter Delphine. He begins to see Rastignac as the ideal son-in-law, and the perfect substitute for Delphine's domineering husband. But Rastignac has other opportunities too....

Demosthenes (384-322 BCE) is regarded as one of the greatest orators of Classical times. This view has persisted through the centuries even though his rousing speeches warning of the dangers of Macedonian expansion failed to stem the course of continued military success. Each of the orations in this collection is preceded with an introduction setting the scene, and outlining the context in which they were delivered. This also gives a concise picture of Athens at this difficult point in its history. All the speeches are prefaced by the historical setting.

This is Virginia Woolf’s first collection of essays, published in 1925. In them, she attempts to see literature from the point of view of the ‘common reader’ - someone whom she, with Dr Johnson, distinguished from the critic and the scholar. She read, and wrote, as an outsider: a woman set to school in her father’s library, denied the educational privileges of her male siblings - and with no fixed view of what constitutes ‘English literature’. What she produced is an eccentric and unofficial literary and social history from the 14th to the 20th centuries.

Wilhelm Meister’s Apprenticeship was Goethe’s second novel, published 1795-6, almost two decades after The Sorrows of Young Werther. It again focuses on a young man but this time on his growing understanding and maturity as he makes his way in the world. As such, it is regarded as the founding work in the ‘coming of age’ genre: the ‘bildungsroman’ ( a term actually coined some 30 years later), which characterised a philosophical novel tracing the cultural, emotional and educational development of an individual from youth to adulthood.

Set in the court of Urbino in 1507, Castiglione’s The Book of the Courtier presents an invaluable look at court life and culture during the Renaissance. Over four nights of dialogue, the book explores the key question, ‘What should a courtier be like?’ and presents a deep and timeless discussion that is reminiscent of Plato’s Symposium and Aristotle’s Nicomachean Ethics and invites comparisons with Machiavelli’s The Prince.

H.H. Munro (Saki) is one of the undisputed masters of the short story. In this complete compendium, the full gamut of his subjects and themes is experienced. His stories are imbued with humorous satire, biting irony, and often the macabre, all of which have one target: the stupidities and hypocrisies of Edwardian upper-class society.

It is June 1936. Leon Trotsky (1879-1940) has finally been granted a visa for asylum in Norway, having been banned first from living in Paris, and then the whole of France. With him comes the draft of The Revolution Betrayed: What Is the Soviet Union and Where Is It Going?, which is completed and sent to the publishers on the 4th of August. The book, published by Faber in 1937, is considered to be Trotsky’s major work on Stalinism.

Ivan Turgenev stands alongside Tolstoy and Dostoevsky as one of the three great Russian novelists of the 19th century. He was also a consummate short story writer, poet and playwright, and the first Russian author to become popular in the West. This specially curated collection showcases his key works, from the most celebrated to the undeservedly underrated.

Assembled from notes and jottings left unpublished at the time of the author’s death, The Book of Disquiet is a collection of aphoristic prose-poetry musings on dreams, solitude, time and memory. Credited to Pessoa’s alter ego, Bernardo Soares, who chronicles his contemplations in this so-called "factless" autobiography, the work is a journey of one man’s soul and, by extension, of all human souls that allow their minds and hearts to roam far and free.

The greatest of all the medieval romances about the Holy Grail, Parzival was written in the early 13th century. The narrative describes the quest of the Arthurian knight Parzival for the Holy Grail. His journey is filled with incident, from tournaments and sieges to chivalrous deeds and displays of true love.

First published in 1900, when Thomas Mann was 25, Buddenbrooks is a minutely imagined chronicle of four generations of a North German mercantile family - a work so true to life that it scandalized the author’s former neighbours in his native Lübeck.

Xenophon was a friend of Socrates, and yet his concise memories of the iconic philosopher have lived under the shadow of the more voluminous accounts by Plato. Yet Xenophon’s two works are, in many ways, more entertaining and more accessible, and they present a different view of the man who embodies a clear mind, temperate, ethical living, sharp intellect and humour.

Bulgakov’s first full-length novel is set in the harsh and chaotic winter of 1918-19, as power struggles start to play out with brutal consequences. Echoing Tolstoy’s approach in War and Peace, Bulgakov contrasts the concerns of domestic life with the wide-ranging and destructive historical events; but where Tolstoy’s structure is clear, Bulgakov interweaves narrative, details of military action, snatches of songs, dreams, dialogue and fragments of thought to capture this swirl of confusion on every level.

The story, composed entirely of letters written by the various characters to each other, tells of the Marquise de Merteuil and the Vicomte de Valmont, two rivals who use sex as a weapon to humiliate and degrade others, uncaring of those who face social ruin or whose hearts are broken. It depicts a decadent and corrupt aristocracy exposing the perversions of the so-called Ancien Regime. The relevance of this grew due to the ensuing the French Revolution.

Les Liaisons dangereuses de Pierre Choderlos de Laclos est un roman épistolaire publié en 1782, qui dévoile les intrigues perverses et manipulatrices de l’aristocratie française à la veille de la Révolution. Le roman suit les échanges de lettres entre deux libertins cyniques, la marquise de Merteuil et le vicomte de Valmont, qui orchestrent des jeux de séduction cruels dans le but de dominer leurs victimes innocentes. Ces deux personnages principaux utilisent leur intelligence et leur charme pour manipuler les autres à des fins de vengeance et de plaisir.

Wealthy Maggie Verver has everything she could ever ask for - except a husband and a title. While in Italy, acquiring art for his museum back in the States, Maggie’s millionaire father, Adam, decides to remedy this and acquire a husband for Maggie. Enter Prince Amerigo, of a titled but now poor aristocratic Florentine family. Amerigo is the perfect candidate.

Among Jane Austen's favorite novels, and a key work in the rise of Romanticism, Camilla follows the story of three young women, from childhood to young adulthood, and their pursuit of matrimony. Kind but naive Camilla is in love with Edgar Mandlebert, a handsome and noble young man. Intelligent Eugenia, destined to inherit her uncle's great wealth, is plagued with misfortune as she is left disfigured by smallpox and has men court her for financial gain only. Meanwhile their cousin, beautiful but selfish Indiana, never finds a fortune for her good looks.

Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.