A well-to-do professor working in Moscow strikes up an unlikely friendship with a stray dog and attempts a scientific first by transplanting the testicles and pituitary gland of a recently deceased man into the dog. With a wild, but alarmingly human animal on the loose, the professor's previously respectable life becomes a nightmare beyond his imagination. A superb satirical novel, it is also a sharp and pointed criticism of Soviet society, especially the new rich that arose after the Bolshevik revolution.

Brothers Philippe and Joseph Bridau are completely unalike: Philippe, braggart and soldier, formerly aide-de-camp to Napoleon, is their mother Agathe's favorite; Joseph, a poor and aspiring artist, is raised in his brother's shadow. When Agathe is reduced to poverty and Philippe accrues gambling debts, the family join forces to focus their attentions on Agathe's brother, Jean-Jacques Rouget, heir to the family fortune. The struggle for his inheritance pits the family against Rouget's beautiful maid Flore ("La Rabouilleuse"), the apple of her master's eye, and her crafty lover.

In Moscow an unknown author approaches a publisher (the narrator), asking him to read and publish his manuscript. The narrator agrees to read it before the author returns three months later. At the heart of the story in the manuscript is a love triangle and themes of corruption, concealed love, and fatal jealousy. When one of the central characters is discovered dead, the narrative becomes a murder-mystery as the search for the culprit begins.

Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.

First appearing in 1782, Dangerous Liaisons is one of the most scandalous and controversial novels in European literature. The plot unfolds through a series of letters as the two main protagonists, the Vicomte de Valmont and the Marquise de Merteuil, attempt to bring about the seduction of a young woman. The epistolary nature of the novel gives a multi-faceted perspective of the action, which places the book firmly in the tradition of libertine literature.

Bulgakov’s first full-length novel is set in the harsh and chaotic winter of 1918-19, as power struggles start to play out with brutal consequences. Echoing Tolstoy’s approach in War and Peace, Bulgakov contrasts the concerns of domestic life with the wide-ranging and destructive historical events; but where Tolstoy’s structure is clear, Bulgakov interweaves narrative, details of military action, snatches of songs, dreams, dialogue and fragments of thought to capture this swirl of confusion on every level.

Sensual, macabre, joyous and liberating, The Flowers of Evil, or Les Fleurs du Mal, is a beautifully debauched reflection on dreams, sin, life, and death. With subjects ranging from travel to drugs, sex to faith, sleep to contemplation, Baudelaire finds new beauty in the most sinister and corrupt of situations. His morbid and nightmarish Romanticism was completely unique: cynical and bleak, but also inspiring. The book was highly controversial upon its release and Napoleon III’s government prosecuted Baudelaire for "an insult to public decency".

Thérèse is a half Algerian orphan, brought up in provincial France by her aunt and married off to her sickly cousin Camille. His ambition takes the three of them to Paris, where they set up home in the dank and dingy backstreets that run down to the Seine. The relentless tedium of life for Thérèse is eventually broken by the presence of Camille’s unscrupulous friend Laurent, sparking a series of increasingly desperate acts.

Libidinous, licentious, salacious and very, very funny, The Satyricon is one of the most remarkable documents from ancient Rome. It tells the ribald story of Encolpius, a man of active and varied appetites (powered notably by his passion for his favourite lover, the handsome Giton), who plunges without inhibition into the life of Roman pleasures: orgies of food, feasting, abundant sex and escapades. The kind of hedonism found occasionally in Roman mosaics is here brought to life.

Following a violent and messy divorce, young Maisie Farange floats back and forth between her parents, Beale and Ida, who use her as a weapon to torment each other in their ongoing, internecine war. Eventually the parents both remarry, and it becomes clear that the new spouses care more for Maisie than her own parents. Beale and Ida soon embark on a series of extramarital affairs, leaving Maisie in the care of the new step-parents, who begin their own affair with each other.

The Diary of a Madman and Other Stories is a bizarre and colorful collection containing the finest short stories by the iconic Russian writer Nikolai Gogol. From the witty and Kafkaesque "The Nose", where a civil servant wakes up one day to find his nose missing, to the moving and evocative "The Overcoat", about a reclusive man whose only ambition is to replace his old, threadbare coat, Gogol gives us a unique take on the absurd.

Exacting yet unpredictable, pithy yet complex, J. M. Coetzee’s The Pole tells the story of Wittold Walccyzkiecz, a vigorous, extravagantly white-haired pianist and interpreter of Chopin who becomes infatuated with Beatriz, a stylish Spanish patron of the arts, after she helps organize his concert in Barcelona. Although Beatriz, a married woman, is initially unimpressed by Wittold and his “gleaming dentures,” she soon finds herself pursued and ineluctably swept into his world.

With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Crime and Punishment, Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.

In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.

In the little hamlet of Wyvern’s Cross, where good manners, tennis and tea are pivotal to the functioning of society, little Dr Bickleigh has a rather large problem: he needs to erase his insufferable wife. His meetings with Ivy are becoming tiresome, and although his burning passion for Gwynyfryd Rattery does not play out as imagined in the toolshed, there is now the infinitely superior Madeleine Cranmere to be worshipped… Resourceful but impulsive, Dr Bickleigh is consumed with the image of his goal.

Once upon a time, a teenaged Kate Winslet (The Reader, Titanic, Revolutionary Road) received a gift that would leave a lasting impression: a copy of Emile Zola’s classic Thérèse Raquin. Six Academy Award nominations and one Best Actress award later, she steps behind the microphone to perform this haunting classic of passion and disaster.

Self-absorbed Sir Willoughby Patterne seeks a bride. After being jilted by his first fiancée he settles on the spirited Clara Middleton; but she starts to realise that he only wants a mirror for himself and his opinions. As she becomes desperate to disengage, and he becomes desperate to hold on to her, so a series of farcical, labyrinthine misunderstandings ensues.

First published in 1876, Wilkie Collins’s The Two Destinies follows the lives of childhood friends George and Mary. George is the son of a nobleman, while Mary is the daughter of the nobleman’s bailiff. As the friends grow older and closer, George’s father, determined to end their affair, dismisses the bailiff and moves George to America. Years later, George returns to his native Suffolk to track down his former love. Although she has long gone, he remains determined to find Mary at all costs. But are the two lovers destined to find each other again?

Thérèse is a half Algerian orphan, brought up in provincial France by her aunt and married off to her sickly cousin Camille. His ambition takes the three of them to Paris, where they set up home in the dank and dingy backstreets that run down to the Seine. The relentless tedium of life for Thérèse is eventually broken by the presence of Camille’s unscrupulous friend Laurent, sparking a series of increasingly desperate acts.

Upon arriving home in Normandy, Frederick catches his first glimpse of Marie Arnoux, a mysterious and beautiful woman who leaves a lasting impression on him. Eventually they make each other's acquaintance and Marie becomes a symbol of unattainable perfection for Frederick, whose unrequited infatuation leaves him bouncing from one passion to another, falling in and out of love, money and society.

In the years following the First World War a new generation emerged, wistful and vulnerable beneath the glitter. The Bright Young Things of 1920s London, with their paradoxical mix of innocence and sophistication, exercised their inventive minds and vile bodies in every kind of capricious escapade. In these pages a vivid assortment of characters, among them the struggling writer Adam Fenwick-Symes and the glamorous, aristocratic Nina Blount, hunt fast and furiously for ever greater sensations and the hedonistic fulfillment of their desires.

Having submitted himself to Freudian psychoanalysis, the narrator keeps a diary with the aim of conquering his addiction to smoking. He describes his marriage to the woman he didn't want to marry, how he drives his business partner to despair, and how his "last cigarette" turns out to be one of many. Zeno is the classic "schlemiel"; his erratic foibles, his questionable logic, and his curious inclination to self sabotage help shine a light on human behavior in general, and reveal the many subtle half-truths people may tell themselves in order to defend their own actions and egos.

Holed up with other mothers-to-be in a secret maternity home in Los Angeles, Scarlett Chen is far from her native China, where she worked in a factory and fell in love with the married owner, Boss Yeung. Now she’s carrying his baby. To ensure that his child - his first son - has every advantage, Boss Yeung has shipped Scarlett off to give birth on American soil. As Scarlett awaits the baby’s arrival, she spars with her imperious housemates. The only one who fits in even less is Daisy, a spirited pregnant teenager who is being kept apart from her American boyfriend.

The Bette referred to in this magnificent novel's title is Lisbeth Fischer, an excruciatingly cunning poor relation who both depends upon and nurses a terrible grudge against the family of her beautiful cousin, Adeline. That family is slowly being ruined by the uncontrollable sexual appetites of Adeline's husband, Baron Hulot - appetites that will, in time, give Cousin Bette opportunity to exact her vengeance.

Colonel Macready thinks his bookish seventeen-year-old son Fergus is too soft, so he enlists the help of his manly chauffeur, Fred Carrington, to help whip the boy into shape. But the sweaty afternoons in the harness room above the garage take a turn the Colonel hadnt foreseen when Fergus and Freds boxing sessions lead first to friendship, and then to something more . . .

Elena Ferrante is the best-selling author of My Brilliant Friend, now an HBO original series. Collected here for the first time are the seeds of future novels, the timely reflections of this internationally beloved storyteller, the abiding preoccupations of a writer who has been called “one of the great novelists of our time” (New York Times).

During the long, hot summer of 1900, young Leo Colston is invited to stay for a month at a lordly, aristocratic manor in Norfolk. There he falls in love with his friend's older sister, who commissions him to ferry secret messages to the local farmer, her lover. His naiveté sustains their affair until ultimately leading to an event that will change their lives irrevocably.

Roderick Hudson and Rowland Mallet are like two sides of the same coin: while the whimsical and egotistical Roderick recklessly follows his passions in the name of art, altruistic Rowland lives with restraint and measure. The two are bound together almost immediately when Rowland is shown a striking bronze statuette in his cousin's garden, which moves him to meet and support its creator, Roderick. They abandon their provincial New England lives for Rome, where the young sculptor perfects his craft and flourishes among Italy's great masters.

Can You Forgive Her? is the first of the six Palliser novels. Here Trollope examines parliamentary election and marriage, politics and privacy. As he dissects the Victorian upper class, issues and people shed their pretenses under his patient, ironic probe.

Set in the world of the Victorian professional and landed classes, the story centres on Mr Harding, a clergyman of great personal integrity who is nevertheless in possession of an income from a charity far in excess of the sum devoted to it.