
The Mysteries of Udolpho
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Narrated by:
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Karen Cass
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By:
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Ann Radcliffe
About this listen
Wildly popular upon its release, The Mysteries of Udolpho is a Gothic novel of undeniable charm and power. The virtuous and loving Emily, the young protagonist, finds herself in the care of her aunt following the death of her father. Her aunt promptly marries the villain Montoni, a cruel and calculating man whose scheming leads him to lock both women in the dark and winding castle of Udolpho. Will they survive to tell of its terrors?
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The Castle of Otranto
- By: Horace Walpole
- Narrated by: Tony Jay
- Length: 3 hrs and 58 mins
- Unabridged
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On the day of his wedding, Conrad, heir to the house of Otranto, is killed under mysterious circumstances. His calculating father, Manfred, fears that his dynasty will now come to an end and determines to marry his son's bride himself, despite the fact he is already married. But a series of terrifying supernatural omens soon threaten this unlawful union, as the curse placed on Manfred's ancestor, who usurped the lawful Prince of Otranto, begins to unfold.
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As for literary history
- By Brian on 07-07-06
By: Horace Walpole
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The Female Quixote
- By: Charlotte Lennox
- Narrated by: Juliet Stevenson
- Length: 17 hrs and 24 mins
- Unabridged
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Young, wealthy Arabella is obsessed with French romances: brought up by a reclusive widowed father in an isolated castle, she has educated herself through their pages, and been led to believe that their dramas and absurdities are reality. She blindly adheres to their example and interprets her everyday life through their lens, thinking that life consists of uncontrollable passions and murderous violence, and that any man would die for her. Thus she embarks on a series of hilarious misadventures, insistent on the reality of her imaginary world, like Don Quixote before her.
By: Charlotte Lennox
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A Simple Story
- By: Elizabeth Inchbald
- Narrated by: Juliet Stevenson
- Length: 12 hrs and 34 mins
- Unabridged
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Published in 1791, A Simple Story concerns Miss Milner, who announces her passion for her guardian, a Catholic priest, thereby breaking through the barriers of his religious vocation and society’s standards for proper female behaviour.
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Exciting and Dramatic
- By Chocola on 08-15-22
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Sentimental Education
- By: Gustave Flaubert
- Narrated by: Andrew Wincott
- Length: 20 hrs and 2 mins
- Unabridged
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Upon arriving home in Normandy, Frederick catches his first glimpse of Marie Arnoux, a mysterious and beautiful woman who leaves a lasting impression on him. Eventually they make each other's acquaintance and Marie becomes a symbol of unattainable perfection for Frederick, whose unrequited infatuation leaves him bouncing from one passion to another, falling in and out of love, money and society.
By: Gustave Flaubert
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Northanger Abbey
- By: Jane Austen
- Narrated by: Juliet Stevenson
- Length: 8 hrs and 17 mins
- Unabridged
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When Catherine Morland, a country clergyman's daughter, is invited to spend a season in Bath with the fashionable high society, little does she imagine the delights and perils that await her. Captivated and disconcerted by what she finds, and introduced to the joys of "Gothic novels" by her new friend, Isabella, Catherine longs for mystery and romance. When she is invited to stay with the beguiling Henry Tilney and his family at Northanger Abbey, she expects mystery and intrigue at every turn.
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Awesome
- By Johnny on 08-01-09
By: Jane Austen
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Armadale
- By: Wilkie Collins
- Narrated by: Nicholas Boulton, Rachel Atkins, David Rintoul, and others
- Length: 30 hrs and 2 mins
- Unabridged
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Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life?
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Listen again & again to unravel layers of mystery
- By Proud Parents of Furry Kids on 10-28-20
By: Wilkie Collins
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Jane Austen's Bookshelf
- A Rare Book Collector's Quest to Find the Women Writers Who Shaped a Legend
- By: Rebecca Romney
- Narrated by: Rebecca Romney
- Length: 11 hrs and 46 mins
- Unabridged
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Long before she was a rare book dealer, Rebecca Romney was a devoted reader of Jane Austen. She loved that Austen’s books took the lives of women seriously, explored relationships with wit and confidence, and always, allowed for the possibility of a happy ending. She read and reread them, often wishing Austen wrote just one more. But Austen wasn’t a lone genius. She wrote at a time of great experimentation for women writers—and clues about those women, and the exceptional books they wrote, are sprinkled like breadcrumbs throughout Austen’s work.
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Fascinating!
- By pjb on 05-31-25
By: Rebecca Romney
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He Knew He Was Right
- By: Anthony Trollope
- Narrated by: Nigel Patterson
- Length: 30 hrs and 32 mins
- Unabridged
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When Louis Trevelyan's young wife meets an old family acquaintance, his unreasonable jealousy of their friendship sparks a quarrel that leads to a brutal and tragic estrangement.
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Nigel Patterson as the narrator is great
- By NH on 10-31-16
By: Anthony Trollope
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Sir Gawain and the Green Knight
- By: J. R. R. Tolkien
- Narrated by: Terry Jones
- Length: 4 hrs and 25 mins
- Unabridged
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A collection of three medieval English poems, translated by Tolkien for the modern-day reader and containing romance, tragedy, love, sex and honour.
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An absolute delight!
- By Shannon Slee on 07-15-18
By: J. R. R. Tolkien
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The Secret Agent
- By: Joseph Conrad
- Narrated by: David Threlfall
- Length: 9 hrs and 27 mins
- Unabridged
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Exclusively from Audible. The Secret Agent is based on an actual attempt made in 1894 to blow up the Greenwich Observatory. A labyrinth of greed, corruption, and betrayal, it is the most darkly humorous of all Conrad's tales. It follows a European secret agent, Adolf Verloc, 'a London shop owner' with anarchist leanings who becomes reluctantly involved in a plot to blow up the Greenwich Observatory. Full of great characters, melodramatic irony and psychological intrigue the tale is far from simple....
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Languid & loquacious language
- By Edward Ogden on 11-23-10
By: Joseph Conrad
Loved it!
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Good story, nicely narrated
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kept me on my toes
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“…Mrs. Radcliffe wrapped these themes about with such an abundant eiderdown of ‘the picturesque’ a to make them still more acceptable to the appetites of her day, infused with a lyrical sense heightened by the poems she interspersed—‘all pleasing, but rather monotonous’, according to Coleridge—usually written by her talented heroines to enhance the effect of, as a rule, contemplative moments.” Bonamy Dombrée, the scholar who wrote that (Oxford University Press, 1966), takes some pains to explain why Udolpho has survived so long after its 1794 publication. I suspect the biggest reason is Northanger Abbey and, though Professor Dombrée suggests that, “it was not quite fair of Jane Austen” to tweak Mrs. Radcliffe’s delineations of human nature, that “not quite” speaks volumes.
Having enjoyed Northanger Abbey more than once, my real motivation for listening to Udolpho was to understand Austen’s novel better. But Austen led me to expect something far more lurid and outlandish, and those thwarted expectations may be a source of some of my impatience with Udolpho. All supernatural phenomena are soon explained, vile tortures are merely alluded to, and our villain Montoni’s direst threats go unfulfilled. As Theresa, the level-headed old family retainer asks Emily, “Why all this weeping and wailing?”
Though this is an historical romance, Radcliffe fails to convince us that the action occurs in 1584; references to period clothing, food and events are rare. But the chief obstacle to a willing suspension of disbelief may be her importation of late 18th Century Romanticism into late Renaissance France and Italy (“romantic” is used repeatedly, though an adjective—indeed, a concept—that didn’t exist in 1584). But no matter; we're told civilization is corrupt and corrupting; true spiritual uplift can only be achieved amid towering mountains and plunging cataracts. And, as Professor Dombrée says, we get scads of those, along with shady woods, verdant fields, ripening vines and purpling sunsets, none of which fail to transport our heroine into paroxysms of pseudo-religious ecstasy. For all her father’s warning about the cult of sensibility (another late 18th Century import) Emily only stops weeping when she’s blushing or fainting—or throwing together those poems, complete with perfect rhymes and regular meter, at a moment’s notice (apparently without the aid of pen and paper). Thank goodness Karen Cass’ diction is clear enough that I could race through the final hours at 1.25 or even 1.5 speed.
Why All This Weeping and Wailing?
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A must read if you love Fun,Romance and mystery
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Fantastic love story.
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What did you like best about The Mysteries of Udolpho? What did you like least?
While Karen Cass does a fine job when using her own voice, she made the ill-advised decision to perform the spoken dialogue parts in a cringe-inducing and amateurish "French" accent, that becomes more and more onerous as the hours pass. And seeing as this is a 30+ hour book, that is onerous indeed. Audible really needs to make it a point to capture a representative passage for their sample narration, as if I had heard the baffling use of cartoonish accents, I would have sought another edition.What aspect of Karen Cass’s performance would you have changed?
As above. It is understood the characters are speaking French, there is no need to flog us with inane accents to remind us of this at every spoken dialogue section.Any additional comments?
I'm not commenting to review the book per se. It's a very long classic gothic novel, proceed at your own risk.WARNING! BAD ACCENT ALERT!
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hooked
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it has everything
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Way too long
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